{"title":"Harley Trike Audio (2026+)","description":"\u003ch2\u003eHarley-Davidson Trike Audio Upgrades — 2026 and Newer\u003c\/h2\u003e\n\n\u003cp\u003eThe 2026 model year marks a major change for Harley-Davidson trike audio. The redesigned Road Glide® 3, Street Glide® 3 Limited and CVO™ Street Glide 3 Limited all move to Skyline OS and Harley's A2B digital audio architecture, bringing the trike range onto the same modern infotainment platform used by the latest Touring motorcycles.\u003c\/p\u003e\n\n\u003cp\u003eThe factory audio layout now varies significantly by model. The 2026 Road Glide 3 uses a two-speaker fairing system, while the Street Glide 3 Limited adds a factory rear pair in the Grand Tour-Pak. The CVO Street Glide 3 Limited goes further again with six factory speaker positions across the fairing, lower fairings and Grand Tour-Pak, along with factory Harley-Davidson Audio powered by Rockford Fosgate amplification.\u003c\/p\u003e\n\n\u003cp\u003eFor aftermarket amplification, the biggest change is the signal path. These bikes use A2B digital audio, so the preferred integration method is a compatible A2B interface such as the NAV-TV ZEN-H or ZEN-H PRO. That allows the aftermarket system to access a clean signal from the factory audio architecture rather than building the system around processed speaker-level outputs. The 2026 redesign also changes the fairings, speaker arrangements, mounting and integration requirements, so previous-generation Tri Glide fitment should not be assumed to carry across.\u003c\/p\u003e\n\n\u003ch3\u003eWhat Matters on 2026+ Trikes\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSkyline OS and A2B:\u003c\/strong\u003e the 2026 trike range moves to Harley's digital audio architecture, changing how aftermarket amplifiers and DSP are integrated with the factory system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDifferent factory layouts by model:\u003c\/strong\u003e the Road Glide 3 is a two-speaker front-stage bike, the Street Glide 3 Limited adds a Grand Tour-Pak rear pair, and the CVO adds lower-fairing speakers as well.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpeaker fitment still needs to be checked properly:\u003c\/strong\u003e Harley has historically used 5.25-inch drivers in larger factory speaker housings, so the nominal factory speaker size does not always tell you the physical mounting size or what can be installed without changing the enclosure.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory rear audio depends on the model:\u003c\/strong\u003e the Street Glide 3 Limited and CVO Street Glide 3 Limited have rear Grand Tour-Pak speaker positions, while the Road Glide 3 does not.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrike-specific amplification:\u003c\/strong\u003e these bikes use their own amplifier mounting and installation hardware rather than the saddlebag-based solutions commonly used on two-wheel Touring builds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrevious-generation fitment does not automatically carry over:\u003c\/strong\u003e a part that suits a 2014–2025 Tri Glide Ultra should not be assumed to fit or integrate correctly with a 2026 trike.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\n\u003cdetails style=\"border-bottom:1px solid #E6E6E6;padding:12px 0;\"\u003e\n\u003csummary style=\"font-weight:600;cursor:pointer;\"\u003eWhy does A2B matter when adding an amplifier?\u003c\/summary\u003e\n\u003cp\u003eSkyline OS uses an A2B digital audio network as part of the factory signal path. For a properly integrated aftermarket amplified system, a compatible A2B interface such as the NAV-TV ZEN-H or ZEN-H PRO converts that factory digital audio into analogue preamp outputs for the amplifier or DSP. This provides a cleaner and more controlled starting point than building the system around processed factory speaker-level outputs.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-bottom:1px solid #E6E6E6;padding:12px 0;\"\u003e\n\u003csummary style=\"font-weight:600;cursor:pointer;\"\u003eDo I need an A2B interface for a speaker-only upgrade?\u003c\/summary\u003e\n\u003cp\u003eNo. An A2B interface is used when the aftermarket system needs access to the factory digital audio signal for additional amplification or signal processing. A speaker-only replacement that continues to use the factory amplification does not automatically require an A2B interface.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-bottom:1px solid #E6E6E6;padding:12px 0;\"\u003e\n\u003csummary style=\"font-weight:600;cursor:pointer;\"\u003eDo 2025 Tri Glide parts fit a 2026 trike?\u003c\/summary\u003e\n\u003cp\u003eDo not assume they do. The 2026 trikes use a redesigned platform with different fairings, speaker arrangements, mounting and Skyline OS audio integration. Some individual components may still cross over, but 2014–2025 Tri Glide Ultra fitment should not be used as the starting point for a 2026 build.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-bottom:1px solid #E6E6E6;padding:12px 0;\"\u003e\n\u003csummary style=\"font-weight:600;cursor:pointer;\"\u003eWhat is different about the 2026 Road Glide 3 audio system?\u003c\/summary\u003e\n\u003cp\u003eThe 2026 Road Glide 3 is a two-speaker front-stage bike with its factory speakers in the sharknose fairing and no factory Grand Tour-Pak rear speaker position. It also moves to Skyline OS and A2B audio, so amplifier integration is different from the 2023–2025 Road Glide 3.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-bottom:1px solid #E6E6E6;padding:12px 0;\"\u003e\n\u003csummary style=\"font-weight:600;cursor:pointer;\"\u003eWhat is different about the Street Glide 3 Limited?\u003c\/summary\u003e\n\u003cp\u003eThe 2026 Street Glide 3 Limited is the full-dress trike in the range, with factory speakers in the batwing fairing and Grand Tour-Pak. It uses Skyline OS and A2B audio, so its system design combines the newer digital integration path with a factory four-speaker layout.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-bottom:1px solid #E6E6E6;padding:12px 0;\"\u003e\n\u003csummary style=\"font-weight:600;cursor:pointer;\"\u003eWhat is different about the CVO Street Glide 3 Limited?\u003c\/summary\u003e\n\u003cp\u003eThe CVO Street Glide 3 Limited starts from a significantly higher factory audio baseline. It has six factory speaker positions across the fairing, lower fairings and Grand Tour-Pak, together with factory Harley-Davidson Audio powered by Rockford Fosgate amplification. Any upgrade needs to account for the existing amplifier system, factory speaker layout and A2B signal path rather than treating it like a standard four-speaker trike.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-bottom:1px solid #E6E6E6;padding:12px 0;\"\u003e\n\u003csummary style=\"font-weight:600;cursor:pointer;\"\u003eDoes the 2026 Road Glide 3 have rear speakers?\u003c\/summary\u003e\n\u003cp\u003eNo. The 2026 Road Glide 3 has a factory two-speaker front stage in the fairing and no factory rear speaker position. The Street Glide 3 Limited and CVO Street Glide 3 Limited are the 2026 trikes with factory Grand Tour-Pak rear speakers.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\u003cp\u003ePlanning an audio upgrade on a 2026 or newer Harley-Davidson trike? Use the fitment information on each product, or \u003ca href=\"\/pages\/contact-us\"\u003econtact Motorcycle Audio Australia\u003c\/a\u003e with your model, current audio system and what you want the bike to achieve and we'll match the interface, amplifier, DSP and speakers as one system.\u003c\/p\u003e\n","products":[{"product_id":"hertz-sv-165-neo-6-5-spl-midrange-speaker-harley","title":"Hertz SV 165 NEO – 6.5\" SPL Neodymium Midrange Speaker","description":"\u003ch2\u003eHertz SV 165 NEO — Lightweight 6.5″ SPL Midrange for High-Output Harley Systems\u003c\/h2\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eHertz SV 165 NEO\u003c\/strong\u003e is a high-efficiency 6.5″ SPL midrange built for Harley riders who want strong, focused vocal projection without adding unnecessary weight to the fairing. At just \u003cstrong\u003e0.9 kg (1.98 lb)\u003c\/strong\u003e per driver, with a lightweight neodymium motor, a genuinely shallow 57.1 mm mounting depth, and outstanding sensitivity, it is ideal for multi-amp front stages and custom high-volume touring builds.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-efficiency SPL midrange\u003c\/strong\u003e designed for loud, clear vocals at highway speeds.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLightweight neodymium N38 H magnet\u003c\/strong\u003e brings the driver down to 0.9 kg (1.98 lb) — about 51% lighter than the 1.85 kg ferrite SV 165.1, or roughly 1.9 kg saved per pair off the fairing.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShallow 57.1 mm mounting depth\u003c\/strong\u003e (65.2 mm total depth including the flange) for easier installation in tight Harley fairings.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e97 dB sensitivity\u003c\/strong\u003e provides high output with moderate amplifier power.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e100–10,000 Hz response\u003c\/strong\u003e covers the essential vocal and instrument band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePressed-paper cone\u003c\/strong\u003e with treated surround delivers controlled midrange at volume.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced magnet weight\u003c\/strong\u003e lowers stress on Street Glide and Road Glide fairings — a pair of NEOs puts around 1.9 kg less hanging mass on the fairing than a pair of SV 165.1s, which matters for both mounting hardware and handling.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExcellent clarity\u003c\/strong\u003e cuts through wind, pipes, and open-road noise.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIdeal for active systems\u003c\/strong\u003e using separate tweeters and mid-bass drivers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenuinely shallow design\u003c\/strong\u003e — 57.1 mm behind the mounting surface, nearly 9 mm shallower than the 66 mm SV 165.1, which is often the difference between clearing and not clearing in a tight upper-fairing pod.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-Pass Filter (MAA recommendation):\u003c\/strong\u003e we recommend 200 Hz at 12 dB\/octave. This is our own installation advice, not a Hertz specification: Hertz publishes no high-pass condition against the SV 165 NEO's 150 W continuous rating. It does print exactly that condition (hi-pass filtered at 200 Hz, 12 dB\/octave) against the continuous rating of the ferrite SV 165.1, and we consider it the sensible starting point for the NEO as well.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy not lower:\u003c\/strong\u003e this is a high-output midrange with only 1.5 mm Xmax, not a mid-bass driver. Hertz publishes an Fs of 120 Hz on the NEO tech sheet (the Hertz web listing shows 110 Hz, so treat the figure as approximate either way). Crossing at or near resonance while feeding it close to full power pushes the cone past its linear travel, and that is what destroys these drivers. Keeping the high-pass well clear of Fs is what makes the full power rating usable.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAmplifier Power:\u003c\/strong\u003e 100 to 150 W RMS, with the 200 Hz high-pass in place. Run it lower than 200 Hz and you should back the power off accordingly.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLow-Pass Filter:\u003c\/strong\u003e 3,500–5,000 Hz when paired with separate tweeters\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNote:\u003c\/strong\u003e This is a \u003cstrong\u003ededicated midrange\u003c\/strong\u003e. Tweeters are required for full-range playback, and a separate mid-bass driver or subwoofer should carry everything below the high-pass point.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eOptimised for \u003cstrong\u003eHarley-Davidson Touring\u003c\/strong\u003e upper fairings\u003c\/li\u003e\n  \u003cli\u003eRequires a \u003cstrong\u003e143.3 mm (5.64 in) cutout\u003c\/strong\u003e and \u003cstrong\u003e57.1 mm mounting depth\u003c\/strong\u003e; overall frame diameter 167.2 mm (6.58 in), total depth 65.2 mm\u003c\/li\u003e\n  \u003cli\u003eSuitable for custom fairing pods, lowers, or multi-driver setups\u003c\/li\u003e\n  \u003cli\u003eRecommended for DSP-driven systems with dedicated crossovers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5″ Midrange\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150 W (Hertz publishes no filter condition against this rating; MAA recommends a 200 Hz, 12 dB\/octave high-pass)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePeak Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e400 W\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e97 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100–10,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCutout Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e143.3 mm (5.64 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOverall Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e167.2 mm (6.58 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e57.1 mm (2.25 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e65.2 mm (2.57 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e38.6 mm (1.5 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMagnet\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNeodymium N38 H, 70 x 45 x 7 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eXmax\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.5 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eQts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.58\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVas\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.55 L\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5 T·m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRe\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.2 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.9 kg (1.98 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGrilles Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eChoosing Between SV 165.1 and SV 165 NEO?\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eChoose SV 165 NEO\u003c\/strong\u003e for lighter weight and easier fitment: 0.9 kg against 1.85 kg, and 57.1 mm mounting depth against 66 mm. That is roughly half the weight and nearly 9 mm less depth for the same 97 dB sensitivity and 150 W RMS.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eChoose SV 165.1\u003c\/strong\u003e when cost is more important than weight savings and you have the fairing depth to spare.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eNeed System Advice?\u003c\/h3\u003e\n\u003cp\u003eFor multi-driver or multi-amp front stages, we can help you match the right tweeters, mid-bass drivers, DSP settings, and amplifier power to get maximum performance from the SV 165 NEO.\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50098318508279,"sku":"HSV165NEO","price":334.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-SV-165-NEO-6_5-SPL-Neodymium-Midrange-Speaker.jpg?v=1766316963"},{"product_id":"hertz-s8-dsp-8-channel-digital-signal-processor-harley","title":"Hertz S8 DSP Ultra-Compact 8-Channel Motorcycle Digital Signal Processor","description":"\u003ch2\u003eHertz S8 DSP — Precision 8-Channel Processing for High-Performance Harley Audio\u003c\/h2\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eHertz S8 DSP\u003c\/strong\u003e is a compact, high-resolution digital signal processor engineered for riders who want full control of their audio system. With 8 processed channels, 96 kHz \/ 24-bit capability, advanced crossovers, time alignment, and a tiny footprint that fits easily inside Harley fairings, the S8 DSP is the foundation of any properly tuned multi-amp motorcycle system.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e8 processed channels\u003c\/strong\u003e for full active front stages, mid-bass, and sub control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHi-Res Audio\u003c\/strong\u003e support with 96 kHz \/ 24-bit converters for cleaner tuning precision.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e15-band parametric EQ per output channel\u003c\/strong\u003e and 7-band paragraphic EQ per input channel, plus or minus 12 dB in 0.1 dB steps with adjustable Q and frequency.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTime alignment\u003c\/strong\u003e from 0 to 13.5 ms (0 to 468.4 cm \/ 0 to 184.4 in) for accurate staging at the rider's position.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAdjustable crossovers\u003c\/strong\u003e on all channels with Butterworth, Linkwitz-Riley and Bessel alignments, 6 dB\/oct to 30 dB\/oct in 6 dB steps.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAnalog Devices ADAU1451 DSP\u003c\/strong\u003e with 32-bit processing.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCoaxial S\/PDIF digital input\u003c\/strong\u003e up to 24-bit \/ 96 kHz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBluetooth 5.0\u003c\/strong\u003e for wireless tuning and control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact chassis\u003c\/strong\u003e (130 × 88 × 33 mm) fits inside Street Glide and Road Glide fairings.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOEM-friendly integration\u003c\/strong\u003e with high-level inputs and summing capability.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWindows, macOS and mobile tuning\u003c\/strong\u003e — full software for Windows 10\/11 and macOS 10.13 or later, plus an iOS and Android Configurator app over Bluetooth 5.0.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUltra-compact size\u003c\/strong\u003e allows fairing mounting even in multi-amp systems.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-level input compatibility\u003c\/strong\u003e integrates with factory 2014+ Harley radios.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMultiple preset capability\u003c\/strong\u003e to tailor sound for solo, two-up, or demo (parked) modes.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFine-grained EQ and time alignment\u003c\/strong\u003e compensates for fairing location differences.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDRC control from your phone\u003c\/strong\u003e — the iOS and Android app adjusts volume, subwoofer level and preset selection. Note there is no hardware remote supplied in the box.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEssential for active systems\u003c\/strong\u003e running SP4.900, SP4.500, SP1.900, and multi-amp setups.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eActive front stages:\u003c\/strong\u003e midrange + tweeter crossover and alignment.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMid-bass and subwoofer control:\u003c\/strong\u003e dedicated low-frequency EQ and filtering.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e4–8 channel amplifier systems:\u003c\/strong\u003e Street Glide, Road Glide, Ultra, CVO builds.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-end tuning:\u003c\/strong\u003e for maximising clarity and SPL at highway speeds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSuitable for \u003cstrong\u003eall Harley-Davidson Touring models\u003c\/strong\u003e.\u003c\/li\u003e\n  \u003cli\u003eInstalls in fairings, inner fairing cavities, or custom amp racks.\u003c\/li\u003e\n  \u003cli\u003eCompatible with both factory and aftermarket head units.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProcessed Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 (High\/Low Level)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAnalog Devices ADAU1451, 32-bit processing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSampling Rate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eResolution\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCoaxial S\/PDIF, up to 24-bit \/ 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEQ (Output)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15-band parametric per channel, ±12 dB in 0.1 dB steps, adjustable Q and frequency\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEQ (Input)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e7-band paragraphic per channel, ±12 dB in 0.1 dB steps, adjustable Q and frequency\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Types\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHPF \/ LPF \/ Band-Pass, Butterworth, Linkwitz-Riley and Bessel on all channels\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Slopes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 dB\/oct to 30 dB\/oct in 6 dB steps\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTime Alignment\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–13.5 ms, 0–468.4 cm (0–184.4 in) per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Sensitivity (Low Level)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 – 6 V RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Sensitivity (High Level)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.5 – 21 V RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMax Output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 V @ 0.05% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.005% @ 1 Vrms out, 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e105 dBA (analog in) \/ 112 dBA (digital in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBluetooth 5.0\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWindows 10\/11, macOS 10.13 or later, plus iOS and Android Configurator app via Bluetooth\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDRC Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVia iOS\/Android app — volume, subwoofer level, preset selection (no hardware remote supplied)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSupply Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e7 – 20 VDC, 1 A\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e130 × 88 × 33 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.66 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIn the Box\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCables, 1 A fuse, screws, USB stick with software, manual\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eNeed Help With DSP Setup?\u003c\/h3\u003e\n\u003cp\u003eThe S8 DSP is a powerful tool for unlocking maximum clarity, staging, and output from your Harley audio system. If you're building a multi-amp or active setup, we can help design a complete signal path that gets the most from your speakers and amplifiers.\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50098318541047,"sku":"S8DSP","price":1310.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-S8-DSP-Ultra-Compact-8-Channel-Motorcycle-Digital-Signal-Processor.jpg?v=1766316966"},{"product_id":"hertz-sp-1-900-mono-subwoofer-amplifier-harle","title":"Hertz SP1.900 — Compact 1-Channel Class-D Motorcycle Subwoofer Amplifier (1,000W RMS @ 1Ω)","description":"\u003ch2\u003eHertz SP 1.900 — 1000 W Mono Amplifier for Harley Subwoofer Systems\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHertz SP 1.900\u003c\/strong\u003e is a high-power mono Class-D amplifier engineered for motorcycle subwoofer systems that demand serious output. Delivering \u003cstrong\u003e1000 W RMS\u003c\/strong\u003e at both \u003cstrong\u003e2 Ω\u003c\/strong\u003e and \u003cstrong\u003e1 Ω\u003c\/strong\u003e (@ 14.4 VDC, 1% THD), and built in an IP55 weather-resistant chassis, it is the ideal sub amplifier for Harley-Davidson Touring models running Tour-Pak or saddlebag subwoofers.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1000 W RMS output\u003c\/strong\u003e @ 1 Ω or 2 Ω (@ 14.4 VDC, 1% THD) — regulated design for consistent performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable at 1 ohm\u003c\/strong\u003e for flexible wiring of multiple subwoofers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP55 water and dust resistance\u003c\/strong\u003e for motorcycle environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubsonic filter\u003c\/strong\u003e (fixed at 25 Hz @ 24 dB\/octave) protects shallow enclosures and prevents over-excursion.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-pass crossover\u003c\/strong\u003e (50–250 Hz, fixed at 24 dB\/octave) for clean subwoofer integration.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact chassis\u003c\/strong\u003e (211.6 × 130 × 49 mm) fits Harley fairings and Tour-Paks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-level and low-level inputs\u003c\/strong\u003e for full compatibility with factory and aftermarket head units.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eIdeal power match\u003c\/strong\u003e for shallow subs like the Hertz MPS 250 S2\/S4.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConsistent 1000 W output\u003c\/strong\u003e (@ 14.4 VDC, 1% THD) delivers strong low-end even with wind and road noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact, rugged chassis\u003c\/strong\u003e withstands heat, vibration, and moisture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible wiring options\u003c\/strong\u003e suit single or dual subwoofer configurations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubwoofers:\u003c\/strong\u003e MPS 250 S2, MPS 250 S4, CS 250 S4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIdeal Power:\u003c\/strong\u003e 800–1000 W RMS per sub system\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-Pass Filter:\u003c\/strong\u003e adjustable 50–250 Hz, slope fixed at 24 dB\/octave (80–120 Hz is a sensible starting point for most Harley sub enclosures)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubsonic Filter:\u003c\/strong\u003e fixed at 25 Hz @ 24 dB\/octave — not adjustable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eElectrical Requirements\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-current amplifier\u003c\/strong\u003e — expect significant power draw at full output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Current Consumption:\u003c\/strong\u003e 50 A @ 14.4 VDC into minimum load (Hertz published figure).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFusing:\u003c\/strong\u003e Hertz does not publish a fuse rating for the SP 1.900, and a fuse protects the \u003cem\u003ecable\u003c\/em\u003e rather than the amplifier. The correct fuse therefore depends on the cable gauge and run length used in your specific install, not on the amplifier alone — confirm the value with your installer before you wire it up.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWiring:\u003c\/strong\u003e 0 AWG or 4 AWG depending on cable length.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCharging Note:\u003c\/strong\u003e Big subwoofer systems may require a high-output stator and\/or a secondary battery.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for \u003cstrong\u003eHarley-Davidson Touring\u003c\/strong\u003e motorcycles\u003c\/li\u003e\n\u003cli\u003eFits fairings, Tour-Paks, side compartments and custom amp racks\u003c\/li\u003e\n\u003cli\u003eCompatible with factory and aftermarket head units\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 (Monoblock)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 4 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600 W @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 2 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1000 W @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 1 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1000 W @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1000 W @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCEA-2006 Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e550 W × 1 @ 4 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Load Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMax Current Consumption\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 A @ 14.4 VDC, minimum load\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5–500 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95 dBA (A-weighted @ 1 V input) · 81 dBA (CEA-2006, ref. 1 W)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow-Pass Filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50–250 Hz, fixed at 24 dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSubsonic Filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFixed at 25 Hz @ 24 dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBass Boost\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–8 dB @ 45 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePhase\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–180°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e211.6 × 130 × 49 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.15 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP55\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eNeed Subwoofer System Design?\u003c\/h3\u003e\n\u003cp\u003eMatching the SP 1.900 to the right sub, enclosure volume, and wiring configuration is critical. We can help you build a hard-hitting sub setup tailored to your Harley.\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50098318606583,"sku":"SP1900","price":799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-SP1_900-Compact-1-Channel-Class-D-Motorcycle-Subwoofer-Amplifier-1000W-RMS-1O.jpg?v=1779069711"},{"product_id":"hertz-sp-4-500-4-channel-class-d-amplifier-harley","title":"Hertz SP4.500 — Advanced 4-Channel Class-D Motorcycle Amplifier (600W RMS \/ 150W x4 @ 2Ω)","description":"\u003ch2\u003eHertz SP 4.500 — Compact 4-Channel Amplifier for High-Efficiency Harley Audio Builds\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHertz SP 4.500\u003c\/strong\u003e is a compact, efficient 4-channel Class-D amplifier tailored for motorcycle audio systems that run high-sensitivity speakers and need clean power without the complexity of oversized amps. With an IP55 weather-resistant rating and a low-profile chassis, it fits easily into Harley Touring fairings while delivering reliable performance at volume.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e90 W × 4 RMS @ 4 Ω\u003c\/strong\u003e (@ 14.4 VDC, 1% THD) — ideal for powering high-efficiency SPL speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e150 W × 4 RMS @ 2 Ω\u003c\/strong\u003e (@ 14.4 VDC, 1% THD) — additional headroom for demanding systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridged Mode:\u003c\/strong\u003e 300 W × 2 RMS @ 4 Ω (@ 14.4 VDC, 1% THD) when running 2-channel configurations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Channel Mode:\u003c\/strong\u003e 80 W × 2 @ 4 Ω + 330 W × 1 @ 4 Ω, or 145 W × 2 @ 2 Ω + 300 W × 1 @ 4 Ω (@ 14.4 VDC, 1% THD) — run a front stage \u003cem\u003eand\u003c\/em\u003e a subwoofer from a single amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUp to 87% efficient\u003c\/strong\u003e ADC (Advanced D-Class) output stage with a 27 A maximum musical current draw.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP55 weather resistance\u003c\/strong\u003e protects against water, dust, and road grime.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra-compact chassis\u003c\/strong\u003e (192.7 × 130 × 49 mm) fits tight Harley fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePre-level and speaker-level inputs\u003c\/strong\u003e (0.6–6 V and 2.2–22 V) for flexible system integration.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable crossovers\u003c\/strong\u003e for high-pass, low-pass, or full-range operation, adjustable 50 Hz to 5 kHz @ 12 dB\/octave on both channel pairs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerfect match for high-efficiency speakers\u003c\/strong\u003e like Hertz SX and SV series.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact size\u003c\/strong\u003e allows clean installation in Street Glide and Road Glide fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeather-ready design\u003c\/strong\u003e handles open-air motorcycle environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEfficient power draw\u003c\/strong\u003e suits bikes running stock or mildly upgraded charging systems, once fused power and ground wiring are correctly sized.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront Stage:\u003c\/strong\u003e Powers 6.5″ coaxials or SPL midranges with ease.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Bike System:\u003c\/strong\u003e Run front + rear speakers on one amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront Stage + Subwoofer:\u003c\/strong\u003e 3-channel mode drives a pair of speakers plus a subwoofer from the one amplifier — the simplest way to add low-end without a second amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eActive Setups:\u003c\/strong\u003e Use two channels for mids and two for tweeters when DSP-controlled.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for \u003cstrong\u003eHarley-Davidson Touring\u003c\/strong\u003e motorcycles\u003c\/li\u003e\n\u003cli\u003eSuitable for Street Glide, Road Glide, Ultra Limited and CVO models\u003c\/li\u003e\n\u003cli\u003eFits factory fairings, amp trays, or aftermarket amp plates\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 4 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90 W × 4 @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 2 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150 W × 4 @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power (Bridged @ 4 Ω)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e300 W × 2 @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power (3-Channel Mode)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80 W × 2 @ 4 Ω + 330 W × 1 @ 4 Ω, or 145 W × 2 @ 2 Ω + 300 W × 1 @ 4 Ω (@ 14.4 VDC, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal RMS Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600 W @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCEA-2006 Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e75 W × 4 @ 4 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Load Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Ω (4-channel), 2 + 2 + 4 Ω (3-channel), 4 Ω (bridged)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.02% @ 1 kHz, 4 Ω, 70% rated power\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 87%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMax Musical Current Draw\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e27 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBandwidth (−3 dB)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10–35,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 150\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePre-In Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.6–6 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker-In Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.2–22 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossovers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHPF \/ LPF \/ Full-Range — 50 Hz to 5 kHz @ 12 dB\/octave, high-pass and low-pass, on both channel pairs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e192.7 × 130 × 49 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.15 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP55\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eNeed System Design Help?\u003c\/h3\u003e\n\u003cp\u003eThe SP 4.500 is ideal for efficient SPL setups. We can help you match speakers, crossovers, and DSP settings to create a clean, balanced system for your Harley.\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50098319622391,"sku":"SP4500","price":800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-SP4_500-Advanced-4-Channel-Class-D-Motorcycle-Amplifier-520W-RMS-130W-x4-2O.jpg?v=1779069739"},{"product_id":"hertz-sp-4-900-4-channel-high-power-amplifier-harley","title":"Hertz SP4.900 — Advanced 4-Channel Class-D Motorcycle Amplifier (1,000W RMS \/ 250W x4 @ 2Ω)","description":"\u003ch2\u003eHertz SP 4.900 — High-Power 4-Channel Amplifier for Premium Harley Audio Systems\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHertz SP 4.900\u003c\/strong\u003e is a flagship high-power 4-channel Class-D amplifier engineered for motorcycle audio systems that demand serious output. With \u003cstrong\u003e160 W × 4 RMS @ 4 Ω\u003c\/strong\u003e, \u003cstrong\u003e250 W × 4 RMS @ 2 Ω\u003c\/strong\u003e (@ 14.4 VDC, 1% THD), and a weather-resistant IP55 chassis, it’s the preferred choice for SPL-focused Harley Touring builds running high-efficiency speakers at extreme volume.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e160 W × 4 RMS @ 4 Ω\u003c\/strong\u003e (@ 14.4 VDC, 1% THD) — serious power for mid-bass and SPL coaxials.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e250 W × 4 RMS @ 2 Ω\u003c\/strong\u003e (@ 14.4 VDC, 1% THD) — maximises output for demanding pro-audio speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridged Mode:\u003c\/strong\u003e 500 W × 2 RMS @ 4 Ω (@ 14.4 VDC, 1% THD) for 2-channel high-output setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Channel Mode:\u003c\/strong\u003e 160 W × 2 @ 4 Ω + 500 W × 1 @ 4 Ω, or 250 W × 2 @ 2 Ω + 500 W × 1 @ 4 Ω (@ 14.4 VDC, 1% THD) — a full front stage \u003cem\u003eand\u003c\/em\u003e a subwoofer from a single amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUp to 87% efficient\u003c\/strong\u003e ADC (Advanced D-Class) output stage with a 50 A maximum musical current draw.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP55 weather resistance\u003c\/strong\u003e — engineered for open-air motorcycle environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePre-level and speaker-level inputs\u003c\/strong\u003e (0.6–6 V and 2.2–22 V) with advanced signal management.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact footprint\u003c\/strong\u003e (211.6 × 130 × 49 mm) fits most Harley fairing amp mounts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerfect for SPL setups\u003c\/strong\u003e running Hertz SX\/SV series speakers at high volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh power delivery\u003c\/strong\u003e overcomes wind, pipes, and open-road noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable at 2-ohm loads\u003c\/strong\u003e — ideal for multi-speaker or 4-ohm-per-pair wiring.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRugged weather resistance\u003c\/strong\u003e prevents moisture and dust-related failures. Higher-output builds should have their charging capacity and fused power\/ground wiring assessed against the complete system.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront Stage:\u003c\/strong\u003e Drives 6.5″ or 8″ SPL speakers with authority.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Bike System:\u003c\/strong\u003e Run front + rear speakers with strong headroom.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront Stage + Subwoofer:\u003c\/strong\u003e 3-channel mode powers a pair of speakers plus a subwoofer from the one amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eActive Front Stage:\u003c\/strong\u003e Use 2 channels for mids and 2 for tweeters (DSP required).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridged 2-Channel:\u003c\/strong\u003e Ideal for powering mid-bass drivers like SV 200 L.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEngineered for \u003cstrong\u003eHarley-Davidson Touring\u003c\/strong\u003e motorcycles\u003c\/li\u003e\n\u003cli\u003eFits Street Glide, Road Glide, Ultra Limited, CVO, and custom builds\u003c\/li\u003e\n\u003cli\u003eCompatible with most aftermarket amp trays and mounts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 4 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e160 W × 4 @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 2 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e250 W × 4 @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power (Bridged @ 4 Ω)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e500 W × 2 @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power (3-Channel Mode)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e160 W × 2 @ 4 Ω + 500 W × 1 @ 4 Ω, or 250 W × 2 @ 2 Ω + 500 W × 1 @ 4 Ω (@ 14.4 VDC, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal RMS Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1,000 W @ 14.4 VDC, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCEA-2006 Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e145 W × 4 @ 4 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Load Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Ω (4-channel), 2 + 2 + 4 Ω (3-channel), 4 Ω (bridged)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.02% @ 1 kHz, 4 Ω, 70% rated power\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 87%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMax Musical Current Draw\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBandwidth (−3 dB)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10–35,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e105 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePre-In Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.6–6 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker-In Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.2–22 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossovers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHPF \/ LPF \/ Full-Range — 50 Hz to 5 kHz @ 12 dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e211.6 × 130 × 49 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.15 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP55\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eNeed System Advice?\u003c\/h3\u003e\n\u003cp\u003eThe SP 4.900 is ideal for high-power, multi-amp Harley systems. We can help you match speakers, wiring, charging upgrades, and DSP settings to build a system that performs at the highest level.\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50098319655159,"sku":"SP4900","price":1310.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-SP4_900-Advanced-4-Channel-Class-D-Motorcycle-Amplifier-920W-RMS-230W-x4-2O.jpg?v=1779069748"},{"product_id":"hertz-hmp4d-4-channel-compact-motorcycle-amplifier","title":"Hertz HMP4D — Compact 4-Channel Class-D Motorcycle Amplifier (260W RMS \/ 65W x4 @ 2Ω)","description":"\u003ch2\u003eHertz HMP 4D — Compact 4-Channel Amplifier for Everyday Harley Audio Upgrades\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHertz HMP 4D\u003c\/strong\u003e is a compact, weather-resistant 4-channel amplifier designed for riders who want a clean, reliable power upgrade without stepping into high-output SPL territory. With an IP64-rated chassis, flexible crossovers, and efficient Class-D power, it pairs perfectly with high-sensitivity speakers and budget-conscious Harley Touring builds.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 W x 4 RMS @ 4 Ω\u003c\/strong\u003e (@ 14.4 VDC, 1% THD) — ideal for efficient coaxials and midranges.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e65 W x 4 RMS @ 2 Ω\u003c\/strong\u003e (@ 14.4 VDC, 1% THD) for added headroom when needed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridged Output:\u003c\/strong\u003e 130 W x 2 @ 4 Ω (@ 14.4 VDC, 1% THD) for 2-channel systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP64 weatherproof chassis\u003c\/strong\u003e protects against rain, washdowns, and dust.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra-compact size\u003c\/strong\u003e (223 × 100.5 × 43.6 mm) ideal for tight Harley fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable crossovers\u003c\/strong\u003e for HPF, LPF, or full-range operation, with Hi-Pass and Lo-Pass both switchable at 65 \/ 85 \/ 115 Hz, 12 dB\/oct.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh and low level inputs\u003c\/strong\u003e for compatibility with OEM and aftermarket radios.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerfect match for high-efficiency speakers\u003c\/strong\u003e (95–100 dB sensitivity).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact chassis\u003c\/strong\u003e fits easily into Street Glide and Road Glide fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeather-resistant build\u003c\/strong\u003e ideal for open-air motorcycle use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEfficient power draw\u003c\/strong\u003e works well with stock charging systems.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront + Rear Speakers:\u003c\/strong\u003e Drive all four speakers with moderate power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEntry-Level Front Stage:\u003c\/strong\u003e Clean upgrade over factory amp or radio power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridge Mode:\u003c\/strong\u003e Power a pair of coaxials or midranges with 130 W x 2 for added authority.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for \u003cstrong\u003eHarley-Davidson Touring\u003c\/strong\u003e motorcycles\u003c\/li\u003e\n\u003cli\u003eFits most amp trays, fairings, and under-OEM radio cavities\u003c\/li\u003e\n\u003cli\u003eWorks with factory head units and aftermarket radios\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 4 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 W × 4 (@ 14.4 VDC, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power @ 2 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e65 W × 4 (@ 14.4 VDC, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power (Bridged @ 4 Ω)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e130 W × 2 (@ 14.4 VDC, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Power (10% THD)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e60 W × 4 @ 4 Ω \/ 75 W × 4 @ 2 Ω \/ 150 W × 2 bridged\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Stable Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Ω (4-channel) \/ 4 Ω (bridged)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10–30,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossovers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHi-Pass 65 \/ 85 \/ 115 Hz, 12 dB\/oct — Lo-Pass 65 \/ 85 \/ 115 Hz, 12 dB\/oct — Full-Range\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLow level 0.2–5 V, high level 0.8–20 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eS\/N Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95 dB (A-weighted @ 1 V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.2% (100 Hz @ 4 Ω)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSupply Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e11–15 VDC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 × 15 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e223 × 100.5 × 43.6 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.35 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eNeed Help Choosing?\u003c\/h3\u003e\n\u003cp\u003eIf you're building a clean, budget-friendly Harley system with high-efficiency speakers, the HMP 4D is a perfect fit. We can help you match it with the right speaker and wiring configuration.\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50098319720695,"sku":"HMP4D","price":595.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-HMP4D-Compact-4-Channel-Class-D-Motorcycle-Amplifier-260W-RMS-65W-x4-2O.jpg?v=1779069755"},{"product_id":"hertz-sx-165-neo-6-5-full-range-coaxial-speakers-harley","title":"Hertz SX 165 NEO – 6.5\" Full-Range Coaxial Speaker","description":"\u003ch2\u003eHertz SX 165 NEO — High-Output 6.5″ Coaxial Speakers for Harley Touring\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHertz SX 165 NEO\u003c\/strong\u003e delivers clear, punchy midrange and crisp highs that cut through wind, pipes, and highway noise — exactly what Harley riders expect from a serious audio upgrade. With a lightweight neodymium motor, weather-ready construction, and high efficiency, these are built for fairings, lowers, or Tour-Pak locations.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-efficiency SPL design\u003c\/strong\u003e — 96.5 dB sensitivity gives strong output with moderate amplifier power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLightweight neodymium magnet\u003c\/strong\u003e reduces mass on the fairing and improves mounting flexibility.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide 100–20,000 Hz response\u003c\/strong\u003e for a full mid\/high presentation suited to motorcycle environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeather-resistant build\u003c\/strong\u003e designed to handle rain, washdowns, heat and vibration.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRigid pressed-paper cone\u003c\/strong\u003e with treated surround delivers controlled midrange at high volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated coaxial tweeter\u003c\/strong\u003e — a 35 mm (1.4 in) neodymium PEI dome with 28 mm voice coil and resettable solid-state protection — keeps imaging stable and installation simple.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDouble faston terminals\u003c\/strong\u003e make daisy-chaining and multi-speaker layouts straightforward.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eExcellent clarity at speed\u003c\/strong\u003e thanks to high sensitivity and a strong upper-mid presence.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNeodymium motor\u003c\/strong\u003e means less weight on the fairing compared to ferrite-based speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIdeal for factory locations\u003c\/strong\u003e in Street Glide, Road Glide, Ultra Limited and Tour-Pak pods.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerforms best with proper crossovers\u003c\/strong\u003e — Hertz rates the 100 W continuous power handling with a \u003cstrong\u003e150 Hz high-pass filter at 12 dB\/octave\u003c\/strong\u003e, so set the crossover there for full rated power and long-term reliability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended Power\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAmplifier Power:\u003c\/strong\u003e up to 100 W RMS (do not exceed the driver's 100 W rating)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum:\u003c\/strong\u003e 60 W RMS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Pass Filter:\u003c\/strong\u003e 150 Hz @ 12 dB\/octave — Hertz's rated condition for 100 W continuous\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImportant:\u003c\/strong\u003e crossing over lower than 150 Hz increases cone excursion on a driver with only 1.5 mm Xmax, so the power the speaker will safely accept drops as you lower the crossover point. Reduce amplifier power accordingly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for Harley-Davidson Touring motorcycles\u003c\/li\u003e\n\u003cli\u003eSuitable for \u003cstrong\u003eupper fairings\u003c\/strong\u003e, \u003cstrong\u003elower fairings\u003c\/strong\u003e, and \u003cstrong\u003eTour-Pak pods\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eDirect replacement for most 6.5″ factory speaker locations\u003c\/li\u003e\n\u003cli\u003eAdapter rings available if required (contact us for guidance)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5″ Coaxial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100 W (hi-pass filtered @ 150 Hz, 12 dB\/oct)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePeak Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e96.5 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e35 mm (1.4 in) neodymium PEI dome, 28 mm voice coil, resettable solid-state protection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCut-Out Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e143.3 mm (5.64 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOverall Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e167.2 mm (6.58 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e57.8 mm (2.28 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e69.5 mm (2.74 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.94 kg (2.08 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGrilles Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003eNeed System Advice?\u003c\/h3\u003e\n\u003cp\u003eIf you're upgrading a single location or planning a full front stage, we can help you match amps, crossovers, DSP profiles and mounting hardware for your exact Harley model.\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50098319753463,"sku":"HSX165NEO","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-SX-165-NEO-6_5-Full-Range-Coaxial-Speaker.jpg?v=1765776461"},{"product_id":"precision-power-maa4-400-atom-mini-amplifier","title":"Precision Power MAA4.400 — Mini 4-Channel Class-D Amplifier for 1998–2023 Harley-Davidson Motorcycles (600W RMS \/ 150W x4 @ 2Ω)","description":"\u003ch2\u003eMini 4-channel Class-D motorcycle amplifier — 150W × 4 RMS at 2Ω, purpose-built for 1998–2023 Harley-Davidson® Touring\u003c\/h2\u003e\n\n\u003cp\u003eThe MAA4.400 is Precision Power's compact 4-channel Class-D amplifier, designed around the tight installation spaces of Harley-Davidson® Touring fairings and saddlebags. At 235mm × 137mm × 48mm (9.25\" × 5.375\" × 1.875\"), it fits where full-size motorcycle amps don't — behind the lower fairing panel, inside a saddlebag, or in the Tour-Pak® — while delivering 150W × 4 RMS at 2Ω from a stable Korean Class-D topology with less than 1% THD+N.\u003c\/p\u003e\n\n\u003cp\u003eAll four channels are independently configurable with high-pass, low-pass or band-pass crossover options, making it practical for two-speaker through four-speaker setups alike. Signal-sensing turn-on removes the need for a dedicated remote wire on factory-wired Harleys, and an RCA pass-through output lets you feed a second amplifier from the same source — useful for systems expanding into a subwoofer or rear stage.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e150W × 4 RMS at 2Ω:\u003c\/strong\u003e Full headroom for 2Ω-capable speakers in fairing environments where bass management handles the heavy lifting — clean output at sustained riding volume.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e100W × 4 RMS at 4Ω:\u003c\/strong\u003e Matched to standard 4Ω Harley-compatible speakers — plenty of power without thermal stress on the amplifier.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e235mm compact footprint:\u003c\/strong\u003e Slides into fairing cavities, under-seat locations, and Tour-Pak® spaces that full-size amps cannot access.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSignal-sensing turn-on:\u003c\/strong\u003e Detects speaker-level input and powers on automatically — no remote wire required on stock-wired Touring models.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e12 dB\/oct crossovers:\u003c\/strong\u003e High-pass, low-pass and band-pass options on each channel for flexible staging — front fairing on HP, bag lids on LP or BP.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRCA daisy-chain output:\u003c\/strong\u003e Pass-through RCA lets you run a second amplifier off the same signal source without splitting inputs at the head unit.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAll controls on one face:\u003c\/strong\u003e Gain, crossover frequency and crossover mode accessible from one side — no reaching around after installation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003cthead\u003e\n    \u003ctr\u003e\n      \u003cth\u003eYear\u003c\/th\u003e\n      \u003cth\u003eModel\u003c\/th\u003e\n      \u003cth\u003eNotes\u003c\/th\u003e\n    \u003c\/tr\u003e\n  \u003c\/thead\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003e1998–2013\u003c\/td\u003e\n      \u003ctd\u003eStreet Glide®\u003c\/td\u003e\n      \u003ctd\u003eFairing, saddlebag or Tour-Pak® install\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003e1998–2013\u003c\/td\u003e\n      \u003ctd\u003eRoad Glide®\u003c\/td\u003e\n      \u003ctd\u003eFairing, saddlebag or Tour-Pak® install\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003e2014–2023\u003c\/td\u003e\n      \u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n      \u003ctd\u003eFairing, saddlebag or Tour-Pak® install\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003e2015–2023\u003c\/td\u003e\n      \u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n      \u003ctd\u003eFairing, saddlebag or Tour-Pak® install\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003e1998–2023\u003c\/td\u003e\n      \u003ctd\u003eUltra Limited \/ Electra Glide® Ultra\u003c\/td\u003e\n      \u003ctd\u003eFairing, saddlebag or Tour-Pak® install\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003e2009–2023\u003c\/td\u003e\n      \u003ctd\u003eTri Glide® Ultra\u003c\/td\u003e\n      \u003ctd\u003eFairing, saddlebag or trunk install\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003e2014–2023\u003c\/td\u003e\n      \u003ctd\u003eCVO™ Touring models\u003c\/td\u003e\n      \u003ctd\u003eRequires rewiring for aftermarket audio use\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003cdiv class=\"maa-alert\"\u003eCVO™ models with factory Boom!™ Audio require rewiring for aftermarket amplifier use — not all CVO configurations are compatible without additional modification. Confirm your bike's audio wiring before ordering.\u003c\/div\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eChannels\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTopology\u003c\/td\u003e\n\u003ctd\u003eClass D\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRMS Power @ 4Ω\u003c\/td\u003e\n\u003ctd\u003e100W × 4 (14.4V, 1kHz, ≤1% THD+N)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRMS Power @ 2Ω\u003c\/td\u003e\n\u003ctd\u003e150W × 4 (14.4V, 1kHz, ≤1% THD+N)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTotal RMS\u003c\/td\u003e\n\u003ctd\u003e600W\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eInput Sensitivity\u003c\/td\u003e\n\u003ctd\u003e200mV – 6V (low-level RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTurn-On\u003c\/td\u003e\n\u003ctd\u003eSignal sensing (speaker-level)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCrossover\u003c\/td\u003e\n\u003ctd\u003e12 dB\/oct HP \/ LP \/ BP (per channel)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRCA Output\u003c\/td\u003e\n\u003ctd\u003eLow-level pass-through for daisy-chaining\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e235mm × 137mm × 48mm (9.25\" × 5.375\" × 1.875\")\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCountry of Origin\u003c\/td\u003e\n\u003ctd\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e1 year through MAA as authorised dealer\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e1× MAA4.400 amplifier\u003c\/li\u003e\n  \u003cli\u003eRCA input harness\u003c\/li\u003e\n  \u003cli\u003ePower, ground and speaker wiring harnesses\u003c\/li\u003e\n  \u003cli\u003eMounting hardware\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Precision Power","offers":[{"title":"Default Title","offer_id":50098322112759,"sku":"MAA4.400","price":790.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Precision-Power-MAA4_400-Mini-4-Channel-Class-D-Amplifier-for-1998-2023-Harley-Davidson-Motorcycles-600W-RMS-150W-x4-2O.jpg?v=1779069814"},{"product_id":"mas-65mr","title":"Precision Power MAS.65MR | 6.5\" 2-Ohm High-Efficiency Midrange Motorcycle Speakers","description":"\u003ch2\u003e95 dB of pure midrange — for systems where vocal clarity is the priority\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Precision Power MAS.65MR is a 6.5\" 2Ω dedicated midrange driver built for motorcycle audio systems where output and vocal intelligibility are the primary objective. With 95 dB sensitivity and 150W RMS handling, it is the highest-efficiency driver in the standard MAS range — designed for component system builds in fairing, saddlebag, and Tour-Pak® positions where a separate amplifier channel will be dedicated to the midrange band.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMost motorcycle audio upgrades stop at a coaxial speaker — a driver that handles the full frequency range from a single unit. That approach works, and for the right system it is the correct choice. But in builds where maximum vocal clarity and output are the priority, a dedicated midrange driver changes the conversation. The MAS.65MR covers 100 Hz – 12 kHz: the band that carries virtually every instrument and vocal element you actually care about at highway speeds. By reproducing only this range, it avoids the excursion and distortion trade-offs that occur when a coaxial driver is asked to cover low bass and high treble simultaneously from the same cone.\u003c\/p\u003e\n\n\u003cp\u003eAt 95 dB sensitivity — 3 dB more than the standard MAS coaxial range — the MAS.65MR produces twice the acoustic output for the same input power. In a system where the amplifier's power is shared across multiple channels, this efficiency advantage is measurable in real-world listening volume at speed.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eRiders building component or multi-way motorcycle audio systems where the midrange is driven from a dedicated amplifier channel. The MAS.65MR requires crossover management — either an active crossover at the DSP or amplifier level, or a passive crossover network — to band-limit its frequency range correctly. It is not intended as a standalone drop-in coaxial replacement; it works as part of a designed multi-way system alongside a separate woofer and tweeter.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-output component systems\u003c\/strong\u003e — In a multi-way build with a dedicated amplifier channel, the 95 dB sensitivity allows the midrange to keep pace with higher-efficiency tweeters and subwoofers without requiring disproportionately more power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVocal clarity at speed\u003c\/strong\u003e — The 100 Hz – 12 kHz frequency coverage concentrates the driver in the range where vocals, guitars, drums, and keyboard fundamentals live. Without the compromises of a full-range coaxial, the MAS.65MR reproduces this band with greater focus and output stability at highway speeds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFairing, saddlebag, and Tour-Pak® positions\u003c\/strong\u003e — The 6.5\" format and shallow mount depth fits the common speaker positions across the Harley-Davidson® Touring range. Gold-plated terminals support parallel wiring for multi-speaker configurations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-power builds\u003c\/strong\u003e — At 150W RMS, the MAS.65MR handles significantly more sustained power than a standard MAS coaxial — appropriate for amplifier channels producing 100W+ in a dedicated midrange role.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003cstrong\u003eBefore You Order — Application Notes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cstrong\u003eThis is a midrange driver, not a full-range coaxial.\u003c\/strong\u003e The MAS.65MR covers 100 Hz – 12 kHz and does not include a tweeter. It requires crossover management to limit its bandwidth correctly — either via DSP at the amplifier stage or a passive crossover network. It is not a direct coaxial replacement for standard fairing speaker positions in a single-speaker-per-channel setup.\u003cbr\u003e\u003cbr\u003e\n\u003cstrong\u003eSeparate tweeter and woofer required.\u003c\/strong\u003e For a complete system, pair the MAS.65MR with a suitable tweeter (covering 5–6 kHz and above) and, where sub-bass is required, a dedicated woofer or powered subwoofer in the signal path.\u003cbr\u003e\u003cbr\u003e\nIf you're designing a multi-way motorcycle audio system and need help specifying the components, contact \u003cstrong\u003eMotorcycle Audio Australia\u003c\/strong\u003e and we'll help you plan the build.\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe MAS.65MR is the midrange driver for riders who need their audio system to perform in the frequency band that actually matters on a motorcycle. The 95 dB sensitivity, 150W RMS handling, and focused 100 Hz – 12 kHz coverage make it the correct component for a properly designed multi-way build — where the midrange is given its own channel, its own amplification, and its own job.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\nTAB 2 — TECHNICAL DETAIL\n--------------------------\n\n\u003ch3\u003eWhat's Inside\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eNeodymium alloy magnet structure.\u003c\/strong\u003e The MAS.65MR uses a neodymium alloy magnet — up to 18 times stronger than a conventional ferrite magnet of comparable physical size. This rare-earth motor structure produces strong motor force from a compact, lightweight assembly — important in fairing and Tour-Pak® applications where space and weight matter. The high motor force also contributes directly to the 95 dB sensitivity figure by maximising the conversion of electrical input to acoustic output.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003ePolypropylene-coated paper cone.\u003c\/strong\u003e A paper cone with polypropylene coating combines the natural acoustic properties of paper — smooth midrange response, low colouration — with the moisture and UV resistance needed for a speaker that lives in a motorcycle environment. The paper-based cone structure is well-suited to midrange reproduction, where a stiffer polypropylene cone can introduce resonance artefacts at the upper end of the frequency range.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e2\" high-temperature voice coil on Kapton® former.\u003c\/strong\u003e A 2\" oxygen-free copper voice coil wound on a Kapton® polyimide former handles the thermal demands of sustained high-power midrange operation. Kapton® is a material chosen specifically for its thermal stability at elevated temperatures — it maintains its mechanical properties where standard voice coil formers would begin to deform or delaminate. This is the correct voice coil construction for a 150W RMS midrange driver expected to run hard for extended periods.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFibre-reinforced PA66® polyamide frame.\u003c\/strong\u003e The basket is moulded from glass fibre-reinforced PA66® polyamide — a material with higher thermal stability and structural integrity than standard ABS. PA66® maintains its mechanical properties at the elevated temperatures found inside fairing and Tour-Pak® enclosures on hot days, and resists the fatigue that builds over years of vibration exposure.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eGold-plated terminals.\u003c\/strong\u003e Corrosion-resistant gold-plated terminals ensure consistent electrical contact in the damp, vibration-prone environment of a motorcycle, and support parallel wiring configurations for multi-speaker setups.\u003c\/p\u003e\n\n\u003ch3\u003eSensitivity and Frequency Coverage\u003c\/h3\u003e\n\u003cp\u003eAt 95 dB (1W\/1m), the MAS.65MR is the most sensitive driver in the standard MAS range — 3 dB more efficient than the 92 dB MAS coaxials, which represents twice the acoustic output from the same amplifier power. In a multi-way system, this means the midrange driver does not require a disproportionately high-powered amplifier channel to keep pace with more efficient tweeters or subwoofers. The 100 Hz – 12 kHz frequency coverage defines the band-limited midrange role: low-frequency content is handled by a separate woofer, upper treble by a dedicated tweeter. Crossover points at the amplifier or DSP should be set to match the response of the accompanying system components.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cp\u003eThe MAS.65MR fits standard 6.5\" speaker mounting positions across the Harley-Davidson® Touring range — fairing pods, saddlebag lids, and Tour-Pak® positions. The 2-5\/8\" mounting depth is compatible with most stock speaker positions. In fairing pod positions where the MAS.652\/654 coaxial is normally fitted, the MAS.65MR can be installed in the same opening with a compatible tweeter mounted separately.\u003c\/p\u003e\n\n\u003ctable\u003e\n  \u003cthead\u003e\n    \u003ctr\u003e\n\u003cth\u003ePosition\u003c\/th\u003e\n\u003cth\u003eNotes\u003c\/th\u003e\n\u003c\/tr\u003e\n  \u003c\/thead\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFairing speaker pods (6.5\")\u003c\/td\u003e\n\u003ctd\u003eFront \u0026amp; lower fairing positions — requires separate tweeter\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSaddlebag lid speaker positions (6.5\")\u003c\/td\u003e\n\u003ctd\u003eFits where 6.5\" saddlebag drivers are used\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTour-Pak® speaker pods (6.5\")\u003c\/td\u003e\n\u003ctd\u003eFits factory Tour-Pak® 6.5\" positions — requires separate tweeter\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDedicated midrange driver (no tweeter)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e165 mm (6.5 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150 W\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95 dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100 Hz – 12 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2\" oxygen-free copper on Kapton® polyimide former\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMagnet\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNeodymium alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCone Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePolypropylene-coated paper\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrame\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFibre-reinforced PA66® polyamide\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTerminals\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGold-plated (parallel wiring support)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e67 mm (2-5\/8 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNone — dedicated midrange driver\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 year through Motorcycle Audio Australia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Precision Power","offers":[{"title":"Default Title","offer_id":50272052510967,"sku":"MAS.65MR","price":890.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Precision-Power-MAS_65MR-6_5-2-Ohm-High-Efficiency-Midrange-Motorcycle-Speakers.webp?v=1766444829"},{"product_id":"2-channel-rca-kit-fairing-to-saddlebag-with-disconnect-harley","title":"2-Channel RCA Kit from Fairing to Saddlebag with Disconnect – Harley","description":"\u003ch2\u003e2-Channel RCA Kit from Fairing to Saddlebag with Disconnect – Harley-Davidson Touring\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003e2-Channel RCA Kit\u003c\/strong\u003e provides a clean, high-quality audio signal path from the \u003cstrong\u003efairing\u003c\/strong\u003e to the \u003cstrong\u003esaddlebag\u003c\/strong\u003e on Harley-Davidson Touring motorcycles. Designed for systems using rear-mounted amplifiers or DSP units, this kit includes an integrated \u003cstrong\u003equick-disconnect\u003c\/strong\u003e so the saddlebag can be removed easily for service—without disturbing the amplifier wiring.\u003c\/p\u003e\n\u003cp\u003eBuilt with high-end shielded RCA cable and OEM-spec connectors, this kit ensures noise-free, reliable signal transfer in harsh motorcycle environments. Ideal for modern multi-amp, saddlebag amp, and bag-lid speaker systems.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality, fully shielded RCA cable\u003c\/strong\u003e for noise-free audio signal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated saddlebag disconnect\u003c\/strong\u003e allows quick bag removal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerfect for saddlebag-mounted amplifiers\u003c\/strong\u003e or DSP processors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlug-and-play routing\u003c\/strong\u003e from fairing to right or left saddlebag.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDesigned for motorcycle vibration and outdoor use.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatible with all aftermarket amplifiers\u003c\/strong\u003e including Hertz, Velocity, Soundstream, Soundigital \u0026amp; AHB.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaddlebag removal is common\u003c\/strong\u003e — a quick-disconnect prevents wiring damage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFairing-to-bag signal runs are long\u003c\/strong\u003e — shielded RCA prevents interference.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoad noise \u0026amp; vibration\u003c\/strong\u003e require durable connectors and heavy-duty shielding.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIdeal for multi-amp systems\u003c\/strong\u003e where the rear amplifier needs clean stereo input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaddlebag-mounted amplifiers\u003c\/strong\u003e (most Velocity, SoundStream, Hertz \u0026amp; AHB amps).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDSP in saddlebag\u003c\/strong\u003e (Hertz S8 DSP, Rockford DSR1, Helix, etc.).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6×9 bag lid systems\u003c\/strong\u003e requiring stereo input to rear amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTour-Pak speaker systems\u003c\/strong\u003e needing clean RCA feed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarley-Davidson \u003cstrong\u003eTouring Models 2014+\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eStreet Glide • Road Glide • Ultra • Electra Glide • CVO\u003c\/li\u003e\n\u003cli\u003eWorks with fairing-mounted head units including Boom Box GT\/GTS \u0026amp; Soundstream\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 (Stereo Left\/Right)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eShielded RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpecial Feature\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIntegrated saddlebag quick-disconnect\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUse Case\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFairing → Saddlebag amplifier or DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2-Channel RCA Cable (Fairing-length)\u003c\/li\u003e\n\u003cli\u003eIntegrated Saddlebag Disconnect Assembly\u003c\/li\u003e\n\u003cli\u003eZip Ties \u0026amp; Install Accessories\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNeed Help With Your Rear Amplifier Setup?\u003c\/h3\u003e\n\u003cp\u003eWe can help you match this RCA kit with the correct bypass harness, power harness and rear amplifier wiring for your Harley Touring model.\u003c\/p\u003e","brand":"American Hard Bag","offers":[{"title":"Default Title","offer_id":50288717725943,"sku":"WH-RCA-2","price":51.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/2-Channel-RCA-Kit-from-Fairing-to-Saddlebag-with-Disconnect-Harley.jpg?v=1766444981"},{"product_id":"harley-lower-fairing-half-inch-speaker-spacer","title":"Harley Lower Fairing 1\/2″ Speaker Spacer – 6.5″ Speakers","description":"\u003ch2\u003eThe half-inch clearance spacer that lets deep 6.5 inch speakers fit a Harley lower fairing\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThis half-inch lower fairing speaker spacer adds the depth a deep-profile 6.5 inch speaker needs to clear the inner fairing structure on a Harley-Davidson Touring bike. Many high-power and pro-audio 6.5 inch drivers have larger magnets and baskets that foul a shallow lower fairing, and this spacer removes that interference while improving airflow behind the cone. Made from rigid, non-resonant composite. Sold individually.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis is a fitment part, not a speaker. It solves the single most common lower fairing problem: a good 6.5 inch driver that is physically too deep to sit flat.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou are fitting a deep-magnet 6.5 inch speaker into a Harley lower fairing and the basket or magnet is fouling the inner panel. This spacer adds half an inch of clearance for drivers such as the \u003ca href=\"\/products\/hertz-sx-165-neo-6-5-full-range-coaxial-speakers-harley\"\u003eHertz SX165 NEO\u003c\/a\u003e, the \u003ca href=\"\/products\/velocity-rz65h-6-5-full-range-horn-loaded-coax-300w\"\u003eVelocity RZ65H\u003c\/a\u003e or the \u003ca href=\"\/products\/cicada-audio-cxx65-4-motorcycle-coaxial-speakers\"\u003eCicada CXX65.4\u003c\/a\u003e. For 6x9 saddlebag lids that need the same clearance, use the \u003ca href=\"\/products\/pair-half-inch-6x9-speaker-spacers-harley\"\u003ehalf-inch 6x9 spacer pair\u003c\/a\u003e instead.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eClearing an oversized motor.\u003c\/strong\u003e The half-inch of depth lets a deep magnet assembly sit without striking the inner fairing, which is what prevents a rub or a speaker that will not seat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProper cone excursion.\u003c\/strong\u003e With the driver clear of the panel it can move freely, which reduces distortion and cleans up midbass at volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBetter airflow.\u003c\/strong\u003e Space behind the cone improves midbass performance rather than choking the driver against a flat panel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable, non-resonant mounting.\u003c\/strong\u003e The rigid material holds the speaker steady at high output instead of flexing or ringing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eDo you need the spacer\u003c\/h3\u003e\n\u003cp\u003eNot every 6.5 inch speaker needs it. Shallow-mount drivers sit fine in a stock lower fairing. You need this spacer when a deep-magnet or pro-audio 6.5 inch speaker fouls the inner fairing panel or will not seat flush. It is sold individually, so order one per side. If you are unsure whether your chosen speaker clears, tell us the model and we will confirm.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThis half-inch lower fairing spacer is the fix when a deep 6.5 inch speaker will not clear the inner fairing, adding depth and airflow so the driver performs as intended. Add it to cart above, one per side, and pair it with a deep-mount 6.5 inch speaker such as the \u003ca href=\"\/products\/velocity-rz65h-6-5-full-range-horn-loaded-coax-300w\"\u003eVelocity RZ65H\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eRequirement\u003c\/th\u003e\n\u003cth\u003eSpeaker\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eHarley Touring with lower fairings (Street Glide®, Road Glide®, Electra Glide®, Ultra, CVO)\u003c\/td\u003e\n\u003ctd\u003e6.5 in lower fairing speaker mounts\u003c\/td\u003e\n\u003ctd\u003eDeep-profile 6.5 in drivers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eWhy depth and airflow matter\u003c\/h3\u003e\n\u003cp\u003eA lower fairing pocket is shallow, and a modern 6.5 inch speaker often carries a larger motor than the factory driver it replaces. The \u003cstrong\u003ehalf-inch spacer\u003c\/strong\u003e moves the speaker out just enough to clear the inner structure. \u003cem\u003eIn practice: the driver seats flat, the magnet clears the panel, and the cone has room to move without striking anything.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Detail\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpacer thickness\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHalf inch (12.7mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRigid, non-resonant composite\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle spacer (order one per side)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e6x9 version\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHalf-inch 6x9 spacer pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHalf-inch lower fairing speaker spacer (single)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Hard Bag","offers":[{"title":"Default Title","offer_id":50288718151927,"sku":"IP-6.5-LF-SPACER-EVA","price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Harley-Lower-Fairing-12-Speaker-Spacer-6_5-Speakers.jpg?v=1766444987"},{"product_id":"8-gauge-premium-fairing-amp-power-harness-with-disconnect","title":"8-Gauge Premium Fairing-Mounted Amp Power Harness with Disconnect","description":"\u003ch2\u003eThe correct-gauge fairing amp power harness with a service disconnect for 2014+ Harley Touring\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThis 8-gauge premium power harness delivers clean, fused power to a fairing-mounted amplifier on a 2014 and newer Harley-Davidson Touring bike. Engineered by American Hard Bag, it uses 8 AWG cable, OEM-grade connectors, an inline fuse and an integrated service disconnect, so the amplifier gets the current it needs and the fairing can still be removed without disturbing the wiring. No cutting or splicing of factory wiring.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis is a power feed, not a signal harness. It solves the two things a fairing amp install gets wrong: the wrong wire gauge, and no clean way to remove the fairing afterward.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou are mounting an amplifier in the fairing of a 2014+ Touring bike and you want the power feed done to spec, with a disconnect so future fairing removal is a one-plug job. It suits any fairing amp, from a \u003ca href=\"\/products\/hertz-sp-4-500-4-channel-class-d-amplifier-harley\"\u003eHertz SP4.500\u003c\/a\u003e to a \u003ca href=\"\/products\/soundigital-evo-ps-1200-4-motorcycle-amplifier\"\u003eSounDigital EVO PS 1200.4\u003c\/a\u003e. For a saddlebag-mounted amp, the \u003ca href=\"\/products\/amplifier-harness-saddlebag-2-channel-4-channel-1998-plus\"\u003esaddlebag amplifier harness\u003c\/a\u003e is the matching run.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFeeding a fairing-mounted amplifier\u003c\/strong\u003e with 8 AWG cable, which is the gauge a modern Class-D amp needs so it is not starved of current under load.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eServiceable fairing removal.\u003c\/strong\u003e The integrated quick disconnect lets you pull the fairing without unwiring the amp, which matters because you will be in there again.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA safe, fused feed.\u003c\/strong\u003e The inline fuse protects both the amplifier and the bike's electrical system at the source.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA vibration-proof connection.\u003c\/strong\u003e OEM-grade connectors resist the heat, moisture and constant vibration of a fairing, so power stays solid rather than going intermittent.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThis 8-gauge harness is the correct, serviceable way to power a fairing-mounted amplifier on a 2014+ Harley Touring bike, with the right gauge, a fuse and a disconnect built in. Add it to cart above. For a full dedicated power and ground run on a bigger build, step up to a \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eCicada HDPG4K 4 AWG kit\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eApplication\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide®, Road Glide®, Ultra, Electra Glide®, CVO\u003c\/td\u003e\n\u003ctd\u003eFairing-mounted amplifier power feed\u003c\/td\u003e\n\u003ctd\u003e2014 and newer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eWhy gauge and a disconnect matter\u003c\/h3\u003e\n\u003cp\u003eAn amplifier can only deliver what its power feed allows. \u003cstrong\u003e8 AWG cable\u003c\/strong\u003e carries the current a modern high-output amp draws without voltage drop, where undersized wire starves it and causes clipping and shutdowns. \u003cem\u003eOn the road: the amp holds clean output at volume instead of protection-cycling on a hot run.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eintegrated service disconnect\u003c\/strong\u003e is the practical touch. A fairing comes off many times over a build's life, and a disconnect turns that into unplugging one connector rather than unwiring the amplifier. \u003cem\u003eIn practice: fairing-off jobs take minutes and the power wiring is never disturbed.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Detail\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePower harness with service disconnect\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBattery to fairing-mounted amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProtection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eInline fuse (model dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFitment\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHarley Touring, 2014 and newer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8-gauge premium power harness\u003c\/li\u003e\n\u003cli\u003eIntegrated service disconnect assembly\u003c\/li\u003e\n\u003cli\u003eInline fuse (model dependent)\u003c\/li\u003e\n\u003cli\u003eZip ties and install accessories\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Hard Bag","offers":[{"title":"Default Title","offer_id":50288718282999,"sku":"WH-8G","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/8-Gauge-Premium-Fairing-Mounted-Amp-Power-Harness-with-Disconnect.jpg?v=1766444995"},{"product_id":"velocity-rz75h-high-output-horn-tweeter-harley","title":"Velocity RZ75H High-Output Horn Tweeter for Harley","description":"\u003ch2\u003eVelocity RZ75H High-Output Horn Tweeter for Harley-Davidson\u003c\/h2\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eVelocity RZ75H\u003c\/strong\u003e is one of the most powerful and best-sounding horn tweeters available for Harley-Davidson motorcycle audio. Designed for riders who want extreme projection, razor-sharp clarity and high-efficiency output at highway speeds, the RZ75H delivers the aggressive top-end response needed for modern touring and SPL-style audio systems.\u003c\/p\u003e\n\n\u003cp\u003eDeveloped in partnership with American Hard Bag, the RZ75H is engineered specifically for motorcycle environments where wind, road noise and open-air acoustics demand strong directional high-frequency performance. Whether you're running a front-stage pro-audio setup or building a screaming rear lid system, the RZ75H provides unmatched clarity and reach.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-efficiency horn-loaded tweeter\u003c\/strong\u003e with extreme projection.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePrecision-tuned flare design\u003c\/strong\u003e for long-distance clarity and focused output.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExcellent sensitivity\u003c\/strong\u003e — more volume per watt for motorcycle systems.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePerfect for loud pro-audio builds\u003c\/strong\u003e using mids like R690, RZ65-OD or R65-NEO.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact format\u003c\/strong\u003e suited to fairings, lowers, bags and custom pods.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEngineered for vibration, heat and high-speed airflow\u003c\/strong\u003e found on Harleys.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHorn geometry directs sound forward\u003c\/strong\u003e — essential for cutting through wind noise.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-output design\u003c\/strong\u003e complements the efficiency of pro-audio mids.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEngineered for loud, open-air riding\u003c\/strong\u003e at 80–120+ km\/h.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIdeal for fairings and saddlebag systems\u003c\/strong\u003e where directional HF matters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFairing-mounted horn tweeters\u003c\/strong\u003e paired with high-efficiency 6.5″ mids.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSaddlebag or Tour-Pak systems\u003c\/strong\u003e in SPL-oriented builds.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRear-stage clarity\u003c\/strong\u003e when used with 6×9 or 6.5″ midrange drivers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBalanced front + rear pro-audio staging\u003c\/strong\u003e with extreme HF extension.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHarley-Davidson \u003cstrong\u003eTouring Models\u003c\/strong\u003e\n\u003c\/li\u003e\n  \u003cli\u003eWorks in fairings, lowers, Tour-Pak pods, saddlebag lids and custom pods\u003c\/li\u003e\n  \u003cli\u003eCompatible with Velocity, AHB and most aftermarket mounting kits\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-output horn-loaded tweeter\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-power capable (amp dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstallation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFairings • Lowers • Bags • Custom mounts\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Pairing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eR690 • R65-NEO • RZ65-OD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eVelocity RZ75H Horn Tweeter (Single)\u003c\/li\u003e\n  \u003cli\u003eMounting Hardware\u003c\/li\u003e\n  \u003cli\u003eInstall Gasket \u0026amp; Components\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eNeed System Design Help?\u003c\/h3\u003e\n\u003cp\u003eThe RZ75H pairs perfectly with Velocity mid-woofers and OverDrive component kits. We can recommend the right amplifiers, DSP settings and placement for your Harley Touring build.\u003c\/p\u003e","brand":"Velocity Speaker Design","offers":[{"title":"Default Title","offer_id":50288720281847,"sku":"RZ75H","price":593.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Velocity-RZ75H-High-Output-Horn-Tweeter-for-Harley.webp?v=1766445073"},{"product_id":"velocity-r65-neo-6-5-mid-woofer","title":"Velocity R65-NEO 6.5″ Neo Mid-Woofer","description":"\u003ch2\u003eVelocity R65-NEO 6.5″ Neo Mid-Woofer for Harley-Davidson Touring\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eVelocity R65-NEO\u003c\/strong\u003e is a lightweight, high-efficiency \u003cstrong\u003e6.5″ neodymium mid-woofer\u003c\/strong\u003e engineered for riders who want powerful midbass, tight midrange response and strong output without adding unnecessary weight to their Harley. Using a precision neo motor structure, the R65-NEO delivers fast transient response, excellent clarity and impressive punch — ideal for fairing, lower-fairing or Tour-Pak installations.\u003c\/p\u003e\n\u003cp\u003eDesigned with American Hard Bag’s motorcycle-focused engineering, the R65-NEO offers reduced magnet weight while increasing magnet strength, giving riders more mounting flexibility and stronger performance per watt. This driver is perfectly suited for high-output touring and SPL-style audio systems.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNeodymium magnet motor\u003c\/strong\u003e for lightweight, high-efficiency performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.5″ mid-woofer design\u003c\/strong\u003e tuned for strong midbass and vocal clarity.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh sensitivity\u003c\/strong\u003e delivers more volume with less amplifier power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact depth\u003c\/strong\u003e ideal for tight Harley fairing and lower-fairing locations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt for motorcycle environments\u003c\/strong\u003e — heat, vibration and open-air acoustics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePairs perfectly with horn tweeters\u003c\/strong\u003e in pro-audio builds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLighter neo motor\u003c\/strong\u003e reduces stress on factory housings and brackets.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-efficiency cone and coil design\u003c\/strong\u003e maximises output in open-air fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExcellent midbass delivery\u003c\/strong\u003e even in small enclosures like Street Glide fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWorks exceptionally well with high-speed riding\u003c\/strong\u003e where clarity matters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFairing speakers\u003c\/strong\u003e for Street Glide \u0026amp; Road Glide.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLower fairing upgrades\u003c\/strong\u003e needing strong midbass in tight spaces.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTour-Pak speaker pods\u003c\/strong\u003e looking for lightweight high-output drivers.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSPL and high-output pro-audio builds.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarley-Davidson \u003cstrong\u003eTouring Models\u003c\/strong\u003e with 6.5″ speaker locations\u003c\/li\u003e\n\u003cli\u003eFits fairings, lower fairings, Tour-Paks and custom pods\u003c\/li\u003e\n\u003cli\u003eWorks with most amplifier setups (100–200W RMS recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5″ neo mid-woofer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMagnet Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNeodymium\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-power capable (amp dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMid-woofer — strong midbass \u0026amp; midrange clarity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFairings • Lowers • Tour-Pak pods • Custom builds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVelocity R65-NEO 6.5″ Mid-Woofer (Single)\u003c\/li\u003e\n\u003cli\u003eMounting Hardware\u003c\/li\u003e\n\u003cli\u003eGasket \u0026amp; Install Components\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNeed Help Building a System?\u003c\/h3\u003e\n\u003cp\u003eThe R65-NEO pairs beautifully with Velocity OverDrive horns, RZ75H tweeters and high-output motorcycle amplifiers. We can help design a complete front or rear-stage setup for your Harley Touring build.\u003c\/p\u003e","brand":"Velocity Speaker Design","offers":[{"title":"Default Title","offer_id":50288720380151,"sku":"R65 Neo","price":762.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Velocity-R65-NEO-6_5-Neo-Mid-Woofer.jpg?v=1766445083"},{"product_id":"velocity-rza500-2-550w-harley-amplifier","title":"Velocity RZA500.2 — 2-Channel Class-D Amplifier for Harley-Davidson (550W RMS \/ 275W x2 @ 2Ω)","description":"\u003ch2\u003eThe compact 2-channel amplifier for a Harley horn or 6x9 stage, with an optional waterproof power harness\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Velocity RZA500.2 is a 2-channel Class-D amplifier rated 275W RMS per channel into 2 ohms, engineered by American Hard Bag to fit inside tight Harley-Davidson Touring fairings. It drives a pair of high-efficiency mids, horn tweeters or 6x9 speakers, and is sold in two forms: amplifier only, or the RZA500.2-WP with a premium waterproof 8AWG power harness.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe RZA500.2 is the two-channel amplifier in the Velocity range. Choose it for a front stage or a saddlebag pair; step up to the four-channel \u003ca href=\"\/products\/velocity-rza1000-4-channel-1000w-harley-amplifier\"\u003eVelocity RZA1000.4\u003c\/a\u003e when you want to run front and rear from one amp, or the \u003ca href=\"\/products\/velocity-rza500-2-twin-amplifier-combo\"\u003eRZA500.2 Twin combo\u003c\/a\u003e for a dual-amp four-channel setup.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou want to power a two-channel Harley stage: a fairing pair of horn-loaded speakers, a set of 6.5 in mids and horns, or a 6x9 saddlebag pair. The RZA500.2 has the output and the compact chassis to do it inside a Road Glide® or Street Glide® fairing. If you need four channels for a full front and rear system, go to the \u003ca href=\"\/products\/velocity-rza1000-4-channel-1000w-harley-amplifier\"\u003eRZA1000.4\u003c\/a\u003e instead.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eA horn-loaded fairing stage.\u003c\/strong\u003e The RZA500.2 has the current to drive high-efficiency horn coaxials such as the \u003ca href=\"\/products\/velocity-rz65h-6-5-full-range-horn-loaded-coax-300w\"\u003eVelocity RZ65H\u003c\/a\u003e, which is what turns a horn speaker's efficiency into real volume over wind noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA 6x9 saddlebag pair.\u003c\/strong\u003e Two channels drive a 6x9 rear stage such as the \u003ca href=\"\/products\/velocity-rz69h-6x9-full-range-horn-loaded-coax-300w\"\u003eVelocity RZ69H\u003c\/a\u003e or the \u003ca href=\"\/products\/velocity-overdrive-6x9-pro-audio-kit-harley\"\u003eOverDrive 6x9 Pro Audio Kit\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA tidy, waterproof install.\u003c\/strong\u003e The RZA500.2-WP includes a fused 8AWG waterproof power harness, so the power feed is done right on a bike that lives in the weather. The amp-only RZA500.2 suits a build that already has power distribution such as a \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eCicada HDPG4K power and ground kit\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA vibration-ready chassis.\u003c\/strong\u003e Built for high-vibration motorcycle use and mountable on the \u003ca href=\"\/products\/velocity-bond-in-saddlebag-amp-rack-rza1000-rza500\"\u003eVelocity bond-in saddlebag amp rack\u003c\/a\u003e for a clean, secure fit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eWhich version: RZA500.2 or RZA500.2-WP\u003c\/h3\u003e\n\u003cp\u003eBoth are the same amplifier. The RZA500.2-WP adds a premium 8AWG waterproof, inline-fused power harness with waterproof connectors, so you have a complete, weather-sealed power feed ready to install. Choose the plain RZA500.2 only if you already run a distribution block or aftermarket power wiring. If in doubt on a new build, the WP version removes the wiring guesswork.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe Velocity RZA500.2 is the two-channel amplifier to choose for a Harley horn, mid or 6x9 stage that needs real power in a compact, weather-ready package. Add it to cart above, and select the WP version for a complete waterproof power harness. For a full four-channel system, step up to the \u003ca href=\"\/products\/velocity-rza1000-4-channel-1000w-harley-amplifier\"\u003eRZA1000.4\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMounting location\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide®, Road Glide®, Electra Glide®, Ultra, CVO\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e1998 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the RZA500.2\u003c\/h3\u003e\n\u003cp\u003eThe amplifier uses a \u003cstrong\u003eClass-D output stage\u003c\/strong\u003e, which converts more of the current the Harley charging system supplies into output and less into heat. \u003cem\u003eOn the road: the amp holds output inside a sealed fairing on a hot day where a less efficient design would heat-soak.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eRZA500.2-WP power harness\u003c\/strong\u003e is 8AWG, waterproof and inline-fused. Correct gauge and a sealed, fused feed are what keep voltage stable at the amplifier and protect the bike's wiring. \u003cem\u003eOn the road: the amp sees full voltage under load and the power feed shrugs off rain and wash-downs.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTopology\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass-D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e275W x2 at 2 ohm (550W RMS total)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVersions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRZA500.2 (amplifier only) or RZA500.2-WP (with 8AWG waterproof power harness)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended speakers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5 in mids, horn tweeters, 6x9 coaxials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEngineered by\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmerican Hard Bag, for high-vibration motorcycle use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVelocity RZA500.2 amplifier\u003c\/li\u003e\n\u003cli\u003eMounting hardware\u003c\/li\u003e\n\u003cli\u003eRZA500.2-WP version adds: 8AWG waterproof power harness, inline-fused power assembly, waterproof connectors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Velocity Speaker Design","offers":[{"title":"No - I dont need the Harness","offer_id":50310373277943,"sku":"RZA500.2","price":762.0,"currency_code":"AUD","in_stock":true},{"title":"Yes - Add the Power Harness","offer_id":50310373310711,"sku":"RZA500-WP","price":912.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Velocity-RZA500_2-2-Channel-Class-D-Amplifier-for-Harley-Davidson-550W-RMS-275W-x2-2O.jpg?v=1779069980"},{"product_id":"velocity-rz65h-6-5-full-range-horn-loaded-coax-300w","title":"Velocity RZ65H 6.5″ Full-Range Horn-Loaded Coaxial Speaker – 300W","description":"\u003ch2\u003eThe 6.5 inch full-range horn-loaded coaxial for a Harley front stage that beats wind noise\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Velocity RZ65H is a full-range 6.5 inch horn-loaded coaxial speaker rated at 300W power handling, engineered by American Hard Bag for maximum forward projection on Harley-Davidson Touring bikes. It combines a high-efficiency midrange cone with a horn-loaded tweeter, so a single driver gives you the clarity of a component set in fairings, lower fairings and Tour-Pak pods. Sold individually.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe RZ65H is the 6.5 inch horn coaxial in the Velocity range. For a saddlebag or 6x9 location, the \u003ca href=\"\/products\/velocity-rz69h-6x9-full-range-horn-loaded-coax-300w\"\u003eVelocity RZ69H\u003c\/a\u003e is the 6x9 version. For a separate mid and horn tweeter build, look at the \u003ca href=\"\/products\/velocity-overdrive-rz65-od-6-5-pro-audio-component-set\"\u003eOverDrive RZ65-OD component set\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou want loud, clear front-stage sound from a single speaker per location, without wiring a separate tweeter and crossover. The RZ65H suits Street Glide® and Road Glide® fairings, lower fairings and Tour-Pak pods on a touring or SPL-style build running 150W to 300W RMS per channel. If you want to run a dedicated mid and a separate horn tweeter for maximum front-stage control, the \u003ca href=\"\/products\/velocity-overdrive-rz65-od-6-5-pro-audio-component-set\"\u003eRZ65-OD component set\u003c\/a\u003e is the alternative.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eA horn-loaded fairing upgrade.\u003c\/strong\u003e The horn geometry focuses sound forward toward you rather than scattering it, which is exactly what a batwing or Sharknose fairing needs to stay intelligible at highway speed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA single-speaker install.\u003c\/strong\u003e The full-range coaxial design removes the need for a separate component tweeter and crossover, so you get high-frequency clarity from one drop-in driver.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh output per watt.\u003c\/strong\u003e A high-efficiency motor turns amplifier power into volume effectively, so the RZ65H pairs naturally with a strong two-channel amp such as the \u003ca href=\"\/products\/velocity-rza500-2-550w-harley-amplifier\"\u003eVelocity RZA500.2\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReal motorcycle conditions.\u003c\/strong\u003e Built for vibration, airflow and open-air exposure, so it holds up to the environment a fairing speaker actually lives in.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eMatch the amplifier to the RZ65H\u003c\/h3\u003e\n\u003cp\u003eThe RZ65H handles up to 300W and rewards a proper amplifier: plan for 150W to 300W RMS per channel to hear what a horn-loaded coaxial can do. A factory Boom! head unit amp will run it, but will not bring out the projection the horn is built for. Pair it with the two-channel \u003ca href=\"\/products\/velocity-rza500-2-550w-harley-amplifier\"\u003eRZA500.2\u003c\/a\u003e for a front stage, or the four-channel \u003ca href=\"\/products\/velocity-rza1000-4-channel-1000w-harley-amplifier\"\u003eRZA1000.4\u003c\/a\u003e for a full front and rear system.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe Velocity RZ65H is the speaker to choose when you want horn-loaded projection and component-level clarity from a single 6.5 inch driver that drops into a Harley fairing, lower or Tour-Pak pod. Add it to cart above. For the 6x9 saddlebag version, see the \u003ca href=\"\/products\/velocity-rz69h-6x9-full-range-horn-loaded-coax-300w\"\u003eRZ69H\u003c\/a\u003e, and finish the fairing with \u003ca href=\"\/products\/velocity-road-glide-fairing-grilles-tweeter-provision-2014-2023\"\u003eVelocity fairing grilles\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003ePosition\u003c\/th\u003e\n\u003cth\u003eNotes\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eHarley-Davidson Touring\u003c\/td\u003e\n\u003ctd\u003eFairing, lower fairing, Tour-Pak pod\u003c\/td\u003e\n\u003ctd\u003eAny 6.5 in speaker location\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the RZ65H\u003c\/h3\u003e\n\u003cp\u003eThe driver pairs a \u003cstrong\u003ehigh-efficiency lightweight composite midrange cone\u003c\/strong\u003e with an \u003cstrong\u003eintegrated horn-loaded HF driver\u003c\/strong\u003e. The lightweight cone responds quickly for strong vocals and mid-bass, while the horn loads the tweeter to project the top end forward. \u003cem\u003eOn the road: vocals and detail stay out in front of you instead of being lost to wind and exhaust at 100km\/h.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe value of horn loading is \u003cstrong\u003edirectivity\u003c\/strong\u003e. A horn concentrates high-frequency energy in a controlled forward pattern rather than radiating it in all directions. \u003cem\u003eOn the road: more of the treble reaches your ears in an open cockpit, so the system sounds clear at speed without simply turning everything up.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eWhy full-range horn coaxial over a component set\u003c\/h3\u003e\n\u003cp\u003eA full-range horn coaxial puts the mid and the horn tweeter on one axis in one opening, so you get most of a component system's clarity with a fraction of the install work and no separate crossover to mount. For builders who want to tune the mid and tweeter independently, the \u003ca href=\"\/products\/velocity-overdrive-rz65-od-6-5-pro-audio-component-set\"\u003eOverDrive RZ65-OD component set\u003c\/a\u003e separates the two. For most fairing upgrades, the RZ65H is the faster path to horn-loaded sound.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-range 6.5 in horn-loaded coaxial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower handling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e300W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended amplifier power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150W to 300W RMS per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMidrange cone\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-efficiency lightweight composite\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIntegrated horn-loaded HF driver\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFairings, lower fairings, Tour-Pak pods, custom mounts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSold as\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle driver\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVelocity RZ65H 6.5 in horn-loaded coaxial speaker (single)\u003c\/li\u003e\n\u003cli\u003eMounting hardware\u003c\/li\u003e\n\u003cli\u003eGasket and install components\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Velocity Speaker Design","offers":[{"title":"Default Title","offer_id":50288720511223,"sku":"RZ65H","price":983.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Velocity-RZ65H-6_5-Full-Range-Horn-Loaded-Coaxial-Speaker-300W.jpg?v=1766445091"},{"product_id":"velocity-rza1000-4-channel-1000w-harley-amplifier","title":"Velocity RZA1000.4 — High-Power 4-Channel Class-D Amplifier for Harley-Davidson (1,100W RMS \/ 275W x4 @ 2Ω)","description":"\u003ch2\u003eVelocity RZA1000.4 – 4-Channel 1100W Amplifier for Harley-Davidson Touring\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eVelocity RZA1000.4\u003c\/strong\u003e is a compact, efficient and motorcycle-ready 4-channel amplifier designed to deliver clean 1100-watt power to high-performance Harley audio systems. Whether you're driving horn tweeters, 6.5″ mids or a set of powerful 6×9 speakers, the RZA1000.4 provides stable, high-quality output in the tight mounting spaces inside Harley fairings and saddlebags.\u003c\/p\u003e\n\u003cp\u003eThis amplifier is available in two configurations: the \u003cstrong\u003eRZA1000-WP\u003c\/strong\u003e version includes a premium waterproof 8AWG power harness kit, while the \u003cstrong\u003eRZA1000.4\u003c\/strong\u003e variant offers the amplifier on its own for riders with existing wiring solutions.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1100W x 4 channels\u003c\/strong\u003e — ideal for mids, horns and 6×9 speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact Class-D design\u003c\/strong\u003e fits inside Road Glide and Street Glide fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePremium waterproof harness option\u003c\/strong\u003e ensures reliable, clean power delivery.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEfficient thermal management\u003c\/strong\u003e designed for motorcycle environments.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePerfect for high-efficiency SPL and touring audio systems.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLightweight, shock-resistant chassis\u003c\/strong\u003e engineered for real-world riding conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh efficiency\u003c\/strong\u003e minimises battery and stator load.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact footprint\u003c\/strong\u003e allows installation in tight Harley fairing chambers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4-channel flexibility\u003c\/strong\u003e supports front + rear systems or mids + horns.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePremium harness eliminates wiring guesswork\u003c\/strong\u003e (WP model).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAvailable Variants\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRZA1000-WP\u003c\/strong\u003e — Includes 8AWG waterproof power harness kit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRZA1000.4\u003c\/strong\u003e — Amplifier only (no power kit)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFairing systems:\u003c\/strong\u003e 6.5″ mids + horn tweeters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaddlebag systems:\u003c\/strong\u003e 6×9 mids or horn-loaded components.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFront\/rear multi-channel touring setups.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL builds\u003c\/strong\u003e that require clean, stable multi-channel power.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarley-Davidson \u003cstrong\u003eTouring Models\u003c\/strong\u003e (Street Glide, Road Glide, Ultra, CVO, etc.)\u003c\/li\u003e\n\u003cli\u003eCompatible with most aftermarket amp plates and trays\u003c\/li\u003e\n\u003cli\u003eWorks with OEM and upgraded charging systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVelocity RZA1000.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1100W × 4 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTopology\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass-D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHarness Options\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRZA1000-WP (with kit) \/ RZA1000.4 (no kit)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Speakers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5″ mids, horn tweeters, 6×9 mids\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVelocity RZA1000.4 Amplifier\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRZA1000-WP Variant Includes:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePremium 8AWG waterproof power harness\u003c\/li\u003e\n\u003cli\u003eInline fuse assembly\u003c\/li\u003e\n\u003cli\u003eConnectors \u0026amp; power accessories\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRZA1000.4 Variant Includes:\u003c\/strong\u003e Amplifier only (no harness)\u003c\/li\u003e\n\u003cli\u003eMounting Hardware\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNeed Help Choosing the Right Variant?\u003c\/h3\u003e\n\u003cp\u003eIf your bike already has a power distribution block or aftermarket harnessing, choose the \u003cstrong\u003eRZA1000.4\u003c\/strong\u003e. If you want a complete, waterproof, plug-ready wiring solution, choose \u003cstrong\u003eRZA1000-WP\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Velocity Speaker Design","offers":[{"title":"No - I dont need the harness","offer_id":50309283610871,"sku":"RZA1000.4","price":1186.0,"currency_code":"AUD","in_stock":true},{"title":"Yes - I want the Premium Harness Kit","offer_id":50309283643639,"sku":"RZA1000 WP","price":1336.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Velocity-RZA1000_4-High-Power-4-Channel-Class-D-Amplifier-for-Harley-Davidson-1100W-RMS-275W-x4-2O.jpg?v=1779069989"},{"product_id":"velocity-rza500-2-twin-amplifier-combo","title":"Velocity RZA500.2 Twin Dual 2-Channel Class-D Amplifier Combo for Harley-Davidson (4x275W RMS @ 2Ω)","description":"\u003ch2\u003eVelocity RZA500.2 Twin Amplifier Combo – 100W x 2 for Harley-Davidson Touring\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eVelocity RZA500.2 Twin Amplifier Combo\u003c\/strong\u003e delivers clean, efficient power for high-output Harley audio systems. Running two compact 100-watt amplifiers gives you the flexibility to power mids, horns, or rear 6×9 speakers with excellent clarity and headroom — all while maintaining a small footprint that fits perfectly inside Harley fairings and saddlebags.\u003c\/p\u003e\n\u003cp\u003eThis twin-amp combo is available in two configurations: a \u003cstrong\u003epremium power kit version\u003c\/strong\u003e that includes AHB’s heavy-duty waterproof wiring harness, and a \u003cstrong\u003eno-harness version\u003c\/strong\u003e for riders who already have power distribution in place.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo RZA500.2 amplifiers\u003c\/strong\u003e for flexible multi-channel configurations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100 watts per amp\u003c\/strong\u003e — ideal for mids, horns and efficient 6×9 systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact motorcycle-specific design\u003c\/strong\u003e fits easily into Road Glide and Street Glide fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePremium waterproof power kit\u003c\/strong\u003e available (DT-RZA500 WP variant).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable, efficient Class-D topology\u003c\/strong\u003e delivers clean power with minimal heat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerfect for SPL-style staging\u003c\/strong\u003e or balanced front + rear audio builds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact size\u003c\/strong\u003e means easy mounting in fairings and saddlebags.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh efficiency\u003c\/strong\u003e minimises strain on the motorcycle charging system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnough power for pro mids and horns\u003c\/strong\u003e while remaining stable at volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptional premium harness\u003c\/strong\u003e simplifies wiring and reduces install time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAvailable Variants\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDT-RZA500 WP\u003c\/strong\u003e — Includes premium waterproof power harness kit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDT-RZA500 NP\u003c\/strong\u003e — Amplifiers only (no power kit)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront Stage:\u003c\/strong\u003e Drive horn tweeters + midrange speakers individually.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRear Stage:\u003c\/strong\u003e Perfect for powering 6×9 mids or horn drivers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Builds:\u003c\/strong\u003e Run independent channels for precise tuning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTouring Systems:\u003c\/strong\u003e Efficient power delivery suited to long-haul riding.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarley-Davidson \u003cstrong\u003eTouring models\u003c\/strong\u003e (Street Glide, Road Glide, Ultra, CVO, etc.)\u003c\/li\u003e\n\u003cli\u003eFits most AHB and aftermarket amp trays\u003c\/li\u003e\n\u003cli\u003eWorks with OEM or upgraded charging systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVelocity RZA500.2 (Pair)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100W x 2 (per amplifier)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 x amplifiers (4 channels total)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTopology\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass-D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHarness Options\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDT-RZA500 WP (with power kit) \/ DT-RZA500 NP (no kit)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2 × Velocity RZA500.2 Amplifiers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDT-RZA500 WP Variant:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePremium waterproof power harness\u003c\/li\u003e\n\u003cli\u003eHeavy-gauge fused power leads\u003c\/li\u003e\n\u003cli\u003eDistribution components\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDT-RZA500 NP Variant:\u003c\/strong\u003e Amplifiers only\u003c\/li\u003e\n\u003cli\u003eMounting Hardware\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNeed Help Choosing the Right Variant?\u003c\/h3\u003e\n\u003cp\u003eIf you already have a power distribution block or amp harness installed, choose \u003cstrong\u003eDT-RZA500 NP\u003c\/strong\u003e. If you want a complete wiring solution with waterproof connectors and fused lines, choose \u003cstrong\u003eDT-RZA500 WP\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Velocity Speaker Design","offers":[{"title":"Yes - Add the Harness","offer_id":50309269651703,"sku":"DT-RZA500 WP","price":1694.0,"currency_code":"AUD","in_stock":true},{"title":"No - I dont need it","offer_id":50309269684471,"sku":"DT-RZA500 NP","price":1525.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Velocity-RZA500_2-Twin-Dual-2-Channel-Class-D-Amplifier-Combo-for-Harley-Davidson-400W-RMS-100W-x4.jpg?v=1779069994"},{"product_id":"hertz-sv-165-1-6-5-spl-midrange-speaker-harley","title":"Hertz SV 165.1 – 6.5\" SPL Midrange Speaker","description":"\u003ch2\u003eThe 6.5 inch SPL midrange for an active, DSP-tuned Harley front stage\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Hertz SV 165.1 is a dedicated 6.5 inch SPL midrange driver for riders building a serious multi-amp, active front stage. With 97dB sensitivity, a strong ferrite motor and a 100 to 10,000Hz mid-focused bandwidth, it projects forward, detailed vocals that stay clear at highway speed. 150W RMS (rated hi-pass filtered at 200Hz, 12dB\/oct), 66mm mounting depth. This is a midrange-only driver: separate tweeters are required.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis is not a coaxial you drop in and forget. It is the midrange in a built front stage where tweeters and mid-bass are amplified and crossed over separately. For a lighter neodymium version of the same driver, see the \u003ca href=\"\/products\/hertz-sv-165-neo-6-5-spl-midrange-speaker-harley\"\u003eHertz SV 165 NEO\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou are building an active, DSP-tuned front stage and you want a dedicated midrange with the efficiency to cut through wind and exhaust. The SV 165.1 belongs in a system with separate tweeters such as the \u003ca href=\"\/products\/cicada-audio-rr075t-titanium-shallow-horn-tweeters\"\u003eCicada RR075T horn tweeters\u003c\/a\u003e, dedicated mid-bass like the \u003ca href=\"\/products\/hertz-sv-200-l-8-inch-spl-mid-bass-driver-harley\"\u003eHertz SV 200-L\u003c\/a\u003e, and a processor such as the \u003ca href=\"\/products\/dsp412pro-4-input-x-12-output-dsp-processor-w-diald-software\"\u003eCicada DSP412PRO\u003c\/a\u003e. If you want a single full-range fairing speaker instead of a component midrange, a coaxial is the simpler choice.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe midrange in an active front stage.\u003c\/strong\u003e Run it with its own amplifier channel and crossover so the mid does only mid duty, which is what gives a built system its clarity and staging.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh efficiency where power is limited.\u003c\/strong\u003e 97dB sensitivity turns modest amplifier power into real output, so vocals stay forward without huge wattage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCutting through noise.\u003c\/strong\u003e The mid-focused 100 to 10,000Hz band covers the vocal and instrument range that wind and pipes mask most, keeping speech intelligible at speed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControlled excursion.\u003c\/strong\u003e The double-wave treated surround and ultra light pressed-paper cone keep distortion low as levels rise. Xmax is 1.2mm, so the crossover point matters: this is a midrange, not a mid-bass.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eThis is a midrange, not a full-range speaker\u003c\/h3\u003e\n\u003cp\u003eThe SV 165.1 covers 100 to 10,000Hz and needs separate tweeters for the top end. Plan 100 to 150W RMS per channel and a low-pass around 3,500 to 5,000Hz where it hands over to the tweeter. For the high-pass, use Hertz's rated condition: \u003cstrong\u003e200Hz at 12dB\/octave\u003c\/strong\u003e. That is the filter the 150W continuous rating is measured under, and with Fs at 110Hz and only 1.2mm of Xmax there is little excursion in reserve below it. Crossing lower than 200Hz is possible but reduces the power the driver will safely accept, so drop the crossover point and you must drop the power with it. It is built for active, DSP-controlled systems, so if you are not running separate amplification and crossovers, a coaxial fairing speaker is the better fit. Confirm your fairing has 66mm of mounting depth.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe Hertz SV 165.1 is the dedicated SPL midrange for a serious active Harley front stage, delivering forward, efficient vocals in a properly amplified and DSP-tuned system. Add it to cart above, and build around it with \u003ca href=\"\/products\/cicada-audio-rr075t-titanium-shallow-horn-tweeters\"\u003ehorn tweeters\u003c\/a\u003e, mid-bass and a \u003ca href=\"\/products\/dsp412pro-4-input-x-12-output-dsp-processor-w-diald-software\"\u003eDSP412PRO\u003c\/a\u003e. For the lighter neo version, see the \u003ca href=\"\/products\/hertz-sv-165-neo-6-5-spl-midrange-speaker-harley\"\u003eSV 165 NEO\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003ePosition\u003c\/th\u003e\n\u003cth\u003eRequirement\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eHarley Touring (Street Glide®, Road Glide®, Ultra)\u003c\/td\u003e\n\u003ctd\u003eUpper or lower fairing, custom pod\u003c\/td\u003e\n\u003ctd\u003e145mm (5.7 in) cutout, 66mm mounting depth (74mm total), active system with tweeters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the SV 165.1\u003c\/h3\u003e\n\u003cp\u003eThe driver pairs an \u003cstrong\u003eultra light pressed-paper cone\u003c\/strong\u003e with a \u003cstrong\u003eferrite magnet assembly\u003c\/strong\u003e. Pressed paper is light and well-damped, giving natural midrange without the ringing of a stiffer material, while the ferrite motor provides strong, reliable force. \u003cem\u003eOn the road: vocals sound natural and stay composed at the high levels a fairing stage runs at.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003edouble-wave treated surround\u003c\/strong\u003e is the detail that lets it play loud cleanly. It allows controlled excursion while resisting weather, so the mid holds together at output and survives open-air mounting. \u003cem\u003eOn the road: the driver takes sustained highway volume without the distortion a lesser surround introduces.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDriver\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5 in SPL midrange (midrange only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower handling (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150W (hi-pass filtered @ 200Hz, 12dB\/oct)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower handling (peak)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e400W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e97dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100Hz to 10,000Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCutout diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e145mm (5.7 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOverall diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e168mm (6.6 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e66mm (2.6 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e74mm (2.9 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice coil\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e38mm (1.5 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCone\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUltra light pressed paper\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e110Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eXmax\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.2mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eQts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVas\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4.65 L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5 T·m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRe\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.2 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.85kg (4 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100 to 150W RMS per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended high-pass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200Hz @ 12dB\/oct (Hertz rated condition)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGrilles included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50296004280567,"sku":"SV165.1","price":335.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-SV-165_1-6_5-SPL-Midrange-Speaker.jpg?v=1766445215"},{"product_id":"hertz-sv-200-l-8-inch-spl-mid-bass-driver-harley","title":"Hertz SV 200 L – 8\" SPL Mid-Bass Driver","description":"\u003ch2\u003eHertz SV 200 L — Extreme-Output 8″ SPL Mid-Bass for Custom Harley Systems\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHertz SV 200 L\u003c\/strong\u003e is an 8″ SPL driver — Hertz classifies it as an SPL Woofer, and we run it as the mid-bass in motorcycle builds — engineered for riders building serious, competition-grade Harley audio systems. With a large cone, high excursion, and wide operational bandwidth, it delivers the punch, impact, and authority that smaller speakers simply cannot match.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-excursion SPL driver\u003c\/strong\u003e designed for extreme motorcycle audio builds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e94.5 dB sensitivity\u003c\/strong\u003e — this driver trades efficiency for output capability. It is the least sensitive driver in the SV range (the SV 165 NEO and SV 165.1 are both 97 dB), so it needs \u003cem\u003emore\u003c\/em\u003e amplifier power than the midranges to match their level, roughly 1.8 times as much. What you get back is excursion and low-frequency reach neither midrange can approach.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.5 mm Xmax and 44 Hz Fs\u003c\/strong\u003e deliver genuine low-frequency extension in a fairing or pod.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e45–4,500 Hz bandwidth\u003c\/strong\u003e allows flexible use as mid-bass or extended midrange.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMassive ferrite motor\u003c\/strong\u003e for strong control and deep mid-bass punch.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eV-Cone® profile\u003c\/strong\u003e improves dispersion and upper-mid transition.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra light non-pressed paper cone\u003c\/strong\u003e — pulp mixed with cotton fibre — on a lossless polymer rubber surround, driven by a 50 mm (2 in) voice coil.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReinforced basket\u003c\/strong\u003e withstands vibration and heavy output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHuge mid-bass output\u003c\/strong\u003e — delivers the hit and body that 6.5″ drivers cannot produce.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerfect for custom fairing pods, side covers, or Tour-Pak enclosures\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExcellent for multi-amp systems\u003c\/strong\u003e where individual bands are actively crossed over.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide usable range\u003c\/strong\u003e allows seamless integration with tweeters and midranges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAmplifier Power:\u003c\/strong\u003e 200–250 W RMS. Do not under-power this driver — at 94.5 dB it needs more power than the SV midranges to keep up with them, so budget amplifier channels accordingly.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Pass Filter (Mid-Bass Use):\u003c\/strong\u003e 60–80 Hz @ 12–24 dB\/octave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-Pass Filter (Mid-Bass Use):\u003c\/strong\u003e 300–400 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMidrange Use:\u003c\/strong\u003e HPF 80–100 Hz, LPF 1,500–3,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnclosure Mounting:\u003c\/strong\u003e Thiele-Small parameters are listed below so you can model a sealed or ported pod properly rather than guessing at volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNote:\u003c\/strong\u003e For fairing installations, ensure strong mounting due to the driver’s weight (2.3 kg).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for \u003cstrong\u003ecustom Harley-Davidson Touring\u003c\/strong\u003e applications\u003c\/li\u003e\n\u003cli\u003eOften used in \u003cstrong\u003e8″ fairing pods, lower fairings, side panels, and Tour-Paks\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eCan also use the \u003cstrong\u003eAmerican Hard Bag 8\" Speaker Adaptors\u003c\/strong\u003e for 6x9\" mounts\u003c\/li\u003e\n\u003cli\u003eRequires a \u003cstrong\u003e178 mm (7 in) cutout\u003c\/strong\u003e and \u003cstrong\u003e82 mm mounting depth\u003c\/strong\u003e (91 mm total depth), with an overall frame diameter of 209 mm (8.3 in)\u003c\/li\u003e\n\u003cli\u003eRequires adequate mounting depth and structural support\u003c\/li\u003e\n\u003cli\u003eNot a drop-in replacement for OEM speaker locations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8″ SPL woofer (used as mid-bass)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRMS Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e250 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePeak Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e500 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e94.5 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45–4,500 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCutout Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e178 mm (7 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOverall Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e209 mm (8.3 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e82 mm (3.2 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e91 mm (3.6 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 mm (2 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCone\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUltra light non-pressed paper, pulp mixed with cotton fibre\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSurround\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLossless polymer rubber\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e44 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eXmax\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4.5 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eQts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.33\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eQes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.36\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eQms\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVas\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e29 L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMms\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e31.5 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8.6 T·m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRe\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.3 kg (5.1 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGrilles Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eNeed System Advice?\u003c\/h3\u003e\n\u003cp\u003eThe SV 200 L performs best when integrated into a properly staged multi-amp setup. We can help you choose amplifiers, pods, crossover points, and DSP tuning profiles tailored to your Harley’s exact layout.\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50296095801591,"sku":"SV200L","price":440.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-SV-200-L-8-SPL-Mid-Bass-Driver.jpg?v=1766445217"},{"product_id":"hertz-sx-200-neo-8-inch-spl-coaxial-speaker-harley","title":"Hertz SX 200 NEO – 8\" SPL Coaxial Speaker","description":"\u003ch2\u003eThe lightweight 8 inch SPL coaxial for custom Harley pods and high-output saddlebag builds\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Hertz SX 200 NEO is a high-efficiency 8 inch coaxial speaker built for riders who want more cone area, presence and midbass than a 6.5 inch can deliver. A neodymium motor keeps it light, while the large cone and integrated tweeter give strong midbass and clear highs. 130W RMS, 100dB sensitivity, 82.8mm mounting depth. Sold individually. This is a custom-fit driver, not a drop-in.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAn 8 inch coaxial sits between a fairing speaker and a subwoofer: it moves far more air than a 6.5 inch for real midbass, without the enclosure of a sub. It suits custom pods, lowers, side panels and saddlebag builds where you can make the depth.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou are building a custom Harley system and want big midbass from an 8 inch driver rather than adding a subwoofer. The SX 200 NEO fits custom 8 inch fairing pods, or saddlebag lids via the \u003ca href=\"\/products\/ip-6x9-8-speaker-adapter-set-6x9-to-8-inch-2014-2023-harley\"\u003eIP-6X9-8 adapter set\u003c\/a\u003e that converts a 6x9 lid to 8 inch. For a dedicated 8 inch mid-bass driver in a ported bag rather than a full-range coaxial, the \u003ca href=\"\/products\/hertz-sv-200-l-8-inch-spl-mid-bass-driver-harley\"\u003eHertz SV 200-L\u003c\/a\u003e is the alternative.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMidbass a 6.5 inch cannot make.\u003c\/strong\u003e The larger 8 inch cone moves more air, so you get stronger, deeper midbass without a subwoofer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh output per watt.\u003c\/strong\u003e 100dB sensitivity turns moderate amplifier power into serious volume, so it hits hard on a sensible amp such as a \u003ca href=\"\/products\/soundigital-evo-ps-800-4-motorcycle-amplifier\"\u003eSounDigital EVO PS 800.4\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLight enough for the fairing.\u003c\/strong\u003e The neodymium motor keeps weight down, which matters when you run multiple drivers in a fairing or on brackets.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom pods and saddlebag builds.\u003c\/strong\u003e Full-range coaxial output from a single 8 inch driver suits pods, lowers, side covers and Tour-Pak locations where depth allows.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eThis is not a drop-in: plan the enclosure\u003c\/h3\u003e\n\u003cp\u003eThe SX 200 NEO needs 82.8mm of mounting depth and a custom pod, adapter or enclosure. It is not a drop-in replacement for a 6.5 inch. For 2014 to 2023 saddlebag lids, the \u003ca href=\"\/products\/ip-6x9-8-speaker-adapter-set-6x9-to-8-inch-2014-2023-harley\"\u003eIP-6X9-8 adapter set\u003c\/a\u003e converts a 6x9 mount to 8 inch. Plan 100 to 130W RMS and an 80 to 100Hz high-pass filter. Tell us your build and we will help match the pod, amp and crossover.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe Hertz SX 200 NEO is the 8 inch coaxial to choose when you want subwoofer-adjacent midbass from a light, high-efficiency driver in a custom Harley pod or saddlebag. Add it to cart above, and pair it with the \u003ca href=\"\/products\/ip-6x9-8-speaker-adapter-set-6x9-to-8-inch-2014-2023-harley\"\u003eIP-6X9-8 adapters\u003c\/a\u003e for a 6x9 lid conversion.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eApplication\u003c\/th\u003e\n\u003cth\u003eRequirement\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eCustom Harley Touring pods, lowers, side covers, Tour-Pak\u003c\/td\u003e\n\u003ctd\u003e82.8mm depth, custom enclosure or adapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2014 to 2023 saddlebag lids\u003c\/td\u003e\n\u003ctd\u003eVia IP-6X9-8 6x9-to-8 inch adapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the SX 200 NEO\u003c\/h3\u003e\n\u003cp\u003eThe driver pairs a \u003cstrong\u003elarge 8 inch cone\u003c\/strong\u003e with a \u003cstrong\u003elightweight neodymium motor\u003c\/strong\u003e. Neodymium delivers strong motor force in a fraction of the weight of a ferrite magnet, which is what makes a high-output 8 inch practical to mount in a fairing. \u003cem\u003eOn the road: you get big midbass without hanging heavy magnets off the fairing structure.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cone itself is \u003cstrong\u003enature-proof high stiffness pressed paper\u003c\/strong\u003e — treated to resist water and humidity and finished to be anti-UV. \u003cem\u003eOn the road: it holds its shape and its finish in an open pod, in the rain and in the sun.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eintegrated tweeter\u003c\/strong\u003e makes it full-range, so one driver covers midbass to highs with no separate tweeter or crossover. \u003cem\u003eOn the road: a single 8 inch pod plays full-range and stays clear at speed thanks to the 100dB efficiency.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDriver size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 in coaxial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower handling (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e130W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower handling (peak)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e260W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100dB (per Hertz current product data)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100Hz to 20,000Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCone material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNature-proof high stiffness pressed paper, water and humidity resistant, anti-UV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHi-SPL 1.4 inch neodymium PEI dome, 28mm voice coil, resettable solid-state protection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCut-out diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e182.7mm (7.19 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOverall diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e208mm (8.19 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e82.8mm (3.26 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e96.2mm (3.79 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.32kg (2.91 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100 to 130W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGrilles included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50296145412343,"sku":"SX200NEO","price":890.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-SX-200-NEO-8-SPL-Coaxial-Speaker.jpg?v=1765777325"},{"product_id":"hertz-hmp1d-compact-mono-motorcycle-amplifier","title":"Hertz HMP1D — Compact 1-Channel Class-D Motorcycle Subwoofer Amplifier (250W RMS @ 2Ω)","description":"\u003ch2\u003eThe compact, weather-resistant mono amplifier for a shallow Harley sub without a charging upgrade\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Hertz HMP 1D is a compact IP64-rated mono amplifier that delivers 150W RMS at 4 ohm and 250W RMS at 2 ohm (@ 14.4 VDC, 1% THD), sized at just 223 x 100.5 x 43.6mm. It is built to power an 8 to 10 inch motorcycle subwoofer in a fairing, Tour-Pak or custom bag enclosure, with a remote bass level control, selectable low-pass and subsonic filters and a bass boost included. Its low current draw suits a stock Harley charging system.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis is the sensible-bass mono amp: clean, controlled low end without the heavy electrical demand of a high-output sub amplifier. For a full-range front and rear build, pair it with the four-channel \u003ca href=\"\/products\/hertz-hmp4d-4-channel-compact-motorcycle-amplifier\"\u003eHertz HMP 4D\u003c\/a\u003e to run speakers and sub from a matched Hertz pair.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou want clean daily-ride bass from a compact subwoofer without upgrading the charging system. The HMP 1D suits a shallow 8 to 10 inch sub such as a \u003ca href=\"\/products\/hertz-mps-250-s4-10-inch-shallow-subwoofer-harley\"\u003eHertz MPS 250 S4\u003c\/a\u003e in a Tour-Pak, side-cover or saddlebag enclosure. If you are chasing maximum SPL from dual subs, a higher-output mono amp like the \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eSounDigital EVO PS 1200.1\u003c\/a\u003e is the bigger option.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eA compact single sub.\u003c\/strong\u003e 150W RMS at 4 ohm or 250W RMS at 2 ohm (@ 14.4 VDC, 1% THD) is the right power band for a shallow 8 to 10 inch motorcycle sub, which is what most riders actually fit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow draw on a stock charging system.\u003c\/strong\u003e The HMP 1D asks far less of the alternator than a big mono amp, so you can add bass without an immediate stator or battery upgrade.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReal weather resistance.\u003c\/strong\u003e The IP64-rated chassis shrugs off rain, washdowns and dust, so it can live in a fairing or side cover on a bike that rides in all conditions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOn-the-fly control.\u003c\/strong\u003e The included remote bass level control lets you trim low end from the bars, and the selectable low-pass, subsonic and bass boost settings tune it to the enclosure.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eMatch the sub and the enclosure\u003c\/h3\u003e\n\u003cp\u003eThe HMP 1D is tuned for compact bass, so pair it with a shallow 8 to 10 inch sub in a sealed enclosure sized to the driver. At 2 ohm it makes 250W RMS (@ 14.4 VDC, 1% THD), with a 300W maximum power figure quoted at 10% THD, so wire a 2 ohm sub or a parallel pair to get the most from it. Tell us your enclosure and we will help match the right sub.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe Hertz HMP 1D is the amplifier to choose for clean, weather-resistant Harley bass from a compact sub that will not stress the charging system. Add it to cart above, pair it with a shallow sub such as the \u003ca href=\"\/products\/hertz-mps-250-s4-10-inch-shallow-subwoofer-harley\"\u003eMPS 250 S4\u003c\/a\u003e, and add the \u003ca href=\"\/products\/hertz-hmp4d-4-channel-compact-motorcycle-amplifier\"\u003eHMP 4D\u003c\/a\u003e when you want to power the speakers too.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMounting\u003c\/th\u003e\n\u003cth\u003eApplication\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eHarley-Davidson Touring\u003c\/td\u003e\n\u003ctd\u003eInner fairing, under-radio, side cover\u003c\/td\u003e\n\u003ctd\u003e8 to 10 in subwoofer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the HMP 1D\u003c\/h3\u003e\n\u003cp\u003eThe amplifier is a \u003cstrong\u003ecompact Class-D mono design\u003c\/strong\u003e with an \u003cstrong\u003eIP64-rated chassis\u003c\/strong\u003e. IP64 means sealed against dust and protected from splashing water, which is exactly the exposure a fairing or side-cover amp sees. \u003cem\u003eOn the road: rain and a washdown do not reach the electronics, so the amp keeps working through weather that would kill an unsealed unit.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003efilter set and remote level\u003c\/strong\u003e make it flexible. This is a bass-only monoblock, so the filters are built for subwoofer duty rather than full-range work: a selectable low-pass at 65, 85 or 115 Hz at 12 dB\/oct, a subsonic filter set to off, 22, 32 or 45 Hz at 12 dB\/oct, and a 50 Hz bass boost switchable between off, +6 dB and +9 dB. There is no high-pass filter and no full-range setting. \u003cem\u003eIn practice: you set the low-pass to suit the sub, use the subsonic filter to protect it from enclosure-unloading frequencies, then trim bass from the bars for a highway run or back for town without touching the amp.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 (mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower at 4 ohm (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150W x 1 (@ 14.4 VDC, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower at 2 ohm (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e250W x 1 (@ 14.4 VDC, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum power at 2 ohm\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e300W x 1 (@ 14.4 VDC, 10% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum stable impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10Hz to 500Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e65 \/ 85 \/ 115Hz selectable, 12dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSubsonic filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOff \/ 22 \/ 32 \/ 45Hz, 12dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBass boost\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50Hz, Off \/ +6dB \/ +9dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLow level 0.2 to 5V, high level 0.8 to 20V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e105dB (A-weighted @ 1V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1% (100Hz @ 4 ohm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e300 (100Hz @ 4 ohm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSupply voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e11 to 15 VDC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 x 15A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRemote level control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e223 x 100.5 x 43.6mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.35kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003cp\u003e\u003cem\u003eSpecifications per Hertz published technical documentation.\u003c\/em\u003e\u003c\/p\u003e","brand":"Hertz","offers":[{"title":"Default Title","offer_id":50296313839863,"sku":"HMP1D","price":595.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hertz-HMP1D-Compact-1-Channel-Class-D-Motorcycle-Subwoofer-Amplifier-300W-RMS-2O.jpg?v=1779070022"},{"product_id":"american-hard-bag-hydrophobic-6-5-speaker-covers","title":"Hydrophobic 6.5″ Speaker Covers with Gasket – American Hard Bag AHB-SSK-65","description":"\u003ch2\u003eAmerican Hard Bag Hydrophobic 6.5″ Speaker Covers with Gasket – AHB-SSK-65\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eProtect your sound. Protect your investment.\u003c\/strong\u003e The American Hard Bag \u003cstrong\u003eAHB-SSK-65 Hydrophobic 6.5″ Speaker Covers\u003c\/strong\u003e are engineered specifically for Harley-Davidson® Touring motorcycles, giving your fairing, lower fairing and Tour-Pak speakers the water-resistant defense they need without choking output or clarity.\u003c\/p\u003e\n\u003cp\u003eMost “weather-resistant” speakers only seal the tweeter — leaving the cone, surround and voice coil exposed to spray, wash water and road grime. American Hard Bag solves this with a \u003cstrong\u003efull-coverage hydrophobic barrier\u003c\/strong\u003e and a \u003cstrong\u003eprecision-cut sealing gasket\u003c\/strong\u003e that installs between the speaker and its grille. The result: superior water protection, cleaner audio and dramatically improved long-term reliability.\u003c\/p\u003e\n\u003ch3\u003eWhy American Hard Bag?\u003c\/h3\u003e\n\u003cp\u003eAHB products are designed, tested and built for real riders who demand performance in the harshest motorcycle environments. Every hydrophobic cover is created to withstand rain, wash cycles, UV exposure and the vibration unique to Harley fairings — all while remaining acoustically transparent.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHydrophobic acoustic mesh\u003c\/strong\u003e repels water while allowing clean, unrestricted sound to pass through.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrecision-cut gasket\u003c\/strong\u003e creates a tight, protective seal around the speaker frame.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull-cone protection\u003c\/strong\u003e — far more effective than tweeter-only moisture seals found in many speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIdeal for Harley environments\u003c\/strong\u003e where speakers face rain, wash water and road spray.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatible with all major 6.5″ speakers\u003c\/strong\u003e including Velocity, Hertz, Cicada, PRV and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSimple installation\u003c\/strong\u003e between the grille and speaker basket.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy Your Harley Needs This\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFairings, lowers and Tour-Paks funnel water directly toward the speaker openings.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStops cone saturation\u003c\/strong\u003e which leads to distortion, buzzing and premature failure.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKeeps high-end speakers performing at their peak\u003c\/strong\u003e no matter the weather.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNo acoustic choke\u003c\/strong\u003e — mesh is engineered for full-range clarity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLower fairing 6.5″ upgrades\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBatwing \u0026amp; Sharknose fairing speakers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTour-Pak \/ rear 6.5″ speaker systems\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAny speaker exposed to water, pressure washing or road grime\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarley-Davidson \u003cstrong\u003eTouring Models\u003c\/strong\u003e running 6.5″ speakers\u003c\/li\u003e\n\u003cli\u003eStreet Glide • Road Glide • Ultra • Electra Glide • Road King (with 6.5″ housings)\u003c\/li\u003e\n\u003cli\u003eFits OEM and aftermarket fairing pods, lower fairings and Tour-Pak lids\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHydrophobic acoustic mesh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHydrophobic Covers + Gaskets (Pair)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUse Case\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMotorcycle speaker water protection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat’s Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAmerican Hard Bag Hydrophobic 6.5″ Speaker Covers (Pair)\u003c\/li\u003e\n\u003cli\u003ePrecision-fit Gaskets (Pair)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProtecting Premium Speakers?\u003c\/h3\u003e\n\u003cp\u003eThese covers are ideal for high-performance 6.5″ speakers from Velocity, Hertz, Cicada and similar brands. If you’re building a full Harley audio system, we can help you match these to the right speakers, lids and amplifiers.\u003c\/p\u003e","brand":"American Hard Bag","offers":[{"title":"Default Title","offer_id":50313077784823,"sku":"IP-SSK-6.5","price":165.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hydrophobic-6_5-Speaker-Covers-with-Gasket-American-Hard-Bag-AHB-SSK-65.jpg?v=1766445225"},{"product_id":"tour-pack-speaker-grilles-upgrade-replacement","title":"Tour Pack Speaker Grilles — Upgrade Replacement for Harley-Davidson Tour-Pak Systems","description":"\u003ch2\u003eTour Pack Speaker Grilles — Upgrade Replacement for Harley-Davidson Tour-Pak Systems\u003c\/h2\u003e\n\u003cp\u003eThese \u003cstrong\u003eTour Pack speaker grilles\u003c\/strong\u003e are a high-quality, non-branded replacement option for Harley-Davidson® Tour-Pak audio systems. Designed to refresh ageing or damaged OEM grilles, they offer improved acoustic transparency, a clean modern look, and long-term durability without the premium price tag of branded alternatives.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect OEM replacement\u003c\/strong\u003e — Installs into factory Tour-Pak speaker lids with no modifications needed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClean, non-branded design\u003c\/strong\u003e — Ideal for riders wanting an understated aesthetic or a neutral match for any speaker system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustically transparent mesh\u003c\/strong\u003e — Ensures your rear speakers play freely with minimal restriction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDurable ABS and mesh construction\u003c\/strong\u003e — Built to withstand UV, vibration, and the rigours of touring.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatible with most 5.25” and 6.5” Tour-Pak speaker lids\u003c\/strong\u003e — Works with OEM and aftermarket speakers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarley-Davidson Tour-Pak Lids with OEM-style speaker cutouts\u003c\/li\u003e\n\u003cli\u003eCompatible with most 5.25” and 6.5” rear speakers\u003c\/li\u003e\n\u003cli\u003eWorks with factory and aftermarket Tour-Pak speaker pods\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy Riders Choose These Grilles\u003c\/h3\u003e\n\u003cp\u003eFor riders wanting a clean, reliable replacement without the added cost of branded components, these grilles offer excellent performance and durability. A simple way to refresh worn Tour-Pak speaker lids or improve airflow to upgraded rear speakers.\u003c\/p\u003e","brand":"American Hard Bag","offers":[{"title":"Default Title","offer_id":50334159143159,"sku":"6716b5b072fa2","price":140.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Tour-Pack-Speaker-Grilles-Upgrade-Replacement-for-Harley-Davidson-Tour-Pak-Systems.jpg?v=1765777350"},{"product_id":"hydrophobic-8-speaker-covers-american-hard-bag-ahb-ssk-8","title":"Hydrophobic 8″ Speaker Covers – American Hard Bag AHB-SSK-8","description":"\u003ch2\u003eAmerican Hard Bag Hydrophobic 8″ Speaker Covers – AHB-SSK-8\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eSerious bagger audio needs serious protection.\u003c\/strong\u003e The American Hard Bag \u003cstrong\u003eAHB-SSK-8 Hydrophobic 8″ Speaker Covers\u003c\/strong\u003e deliver full-cone moisture defense for the oversized speakers found in custom saddlebag lids, rear pods and high-output motorcycle audio systems. Designed for riders who push their systems hard in any weather, these covers keep your speakers safe without muting the sound.\u003c\/p\u003e\n\n\u003cp\u003eWhile large-format 8″ speakers deliver huge midbass and output, they are also \u003cstrong\u003ehighly exposed to rain, wash water and road spray\u003c\/strong\u003e. AHB's hydrophobic covers create a \u003cstrong\u003ewater-resistant acoustic barrier\u003c\/strong\u003e that preserves your speaker’s performance and dramatically extends its lifespan — all without restricting volume or clarity.\u003c\/p\u003e\n\n\u003ch3\u003eBuilt for Big Power \u0026amp; Big Weather\u003c\/h3\u003e\n\u003cp\u003eCrafted from premium hydrophobic acoustic material, these covers shed water instantly while remaining acoustically transparent. They are specifically engineered to survive the vibration, airflow and moisture found in saddlebag installs on Harley-Davidson® Touring motorcycles.\u003c\/p\u003e\n\n\u003ch3\u003eWhy American Hard Bag?\u003c\/h3\u003e\n\u003cp\u003eAmerican Hard Bag is the industry leader in high-performance motorcycle audio components. Every product is tested on real bikes, in real conditions, by real riders — ensuring unmatched durability and sound integrity. These covers aren’t adapted from marine or automotive parts; they are \u003cstrong\u003epurpose-built for bagger audio\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHydrophobic acoustic mesh\u003c\/strong\u003e repels water without reducing midbass, clarity or output.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull-cone moisture protection\u003c\/strong\u003e for 8″ midbass, midrange and pro-audio drivers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIdeal for saddlebag lid installs\u003c\/strong\u003e where speakers sit directly in the water spray path.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDesigned for high-power motorcycle audio systems\u003c\/strong\u003e.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniversal compatibility\u003c\/strong\u003e with Velocity, Hertz, Cicada, PRV, DS18 and other 8″ speakers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEasy installation\u003c\/strong\u003e — fits between the grille and speaker basket.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy Your Harley Needs This\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e8″ speakers in bagger lids are \u003cstrong\u003edirectly exposed to wind-driven rain\u003c\/strong\u003e and pressure washing.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStops cone saturation\u003c\/strong\u003e which causes distortion and early speaker failure.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProtects premium speakers\u003c\/strong\u003e in high-output builds that generate significant vibration.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNo loss of performance\u003c\/strong\u003e — mesh is tuned for motorcycle audio frequencies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\u003cstrong\u003eSaddlebag lid 8″ cut-ins\u003c\/strong\u003e\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eCustom pod or bag-mounted 8″ drivers\u003c\/strong\u003e\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eTour-Pak or rear-mounted 8″ bass\/midbass upgrades\u003c\/strong\u003e\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eAny speaker exposed to rain, pressure washing or debris\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eUniversal \u003cstrong\u003e8″ motorcycle speaker applications\u003c\/strong\u003e\n\u003c\/li\u003e\n  \u003cli\u003eHarley-Davidson Touring saddlebag lids (1998–2023+)\u003c\/li\u003e\n  \u003cli\u003eCompatible with OEM and aftermarket enclosures, pods and cut-in kits\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8″\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHydrophobic acoustic mesh\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHydrophobic Speaker Covers (Pair)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUse Case\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWater protection for 8″ motorcycle speakers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat’s Included\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eAmerican Hard Bag Hydrophobic 8″ Speaker Covers (Pair)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eProtecting Premium 8″ Speakers?\u003c\/h3\u003e\n\u003cp\u003eThese covers are ideal for high-performance 8″ speakers from Velocity, Hertz, Cicada, PRV and similar brands. If you're building a custom Harley audio system, we can help pair these covers with the right speakers, grilles and amplifiers.\u003c\/p\u003e","brand":"American Hard Bag","offers":[{"title":"Default Title","offer_id":50334171431159,"sku":"IP-SSK-8","price":165.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hydrophobic-8-Speaker-Covers-American-Hard-Bag-AHB-SSK-8.jpg?v=1766445236"},{"product_id":"american-hard-bag-hydrophobic-6x9v-speaker-screens","title":"Hydrophobic 6×9″ Speaker Covers – Universal Motorcycle \u0026 Bagger Audio Protection","description":"\u003ch2\u003eAmerican Hard Bag Hydrophobic 6×9″ Speaker Screens – AHB-SSK-6×9V\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSeal out the water. Keep the sound.\u003c\/strong\u003e The American Hard Bag \u003cstrong\u003eAHB-SSK-6×9V Hydrophobic Speaker Screens\u003c\/strong\u003e provide full-cone moisture protection for 6×9 speakers mounted in Harley-Davidson® saddlebag lids and custom bagger audio systems. Engineered for both classic and modern Touring models, these covers create a \u003cstrong\u003ewater-resistant acoustic barrier\u003c\/strong\u003e that keeps your speakers performing at their peak in rain, wash cycles and real-world riding conditions.\u003c\/p\u003e\n\u003cp\u003eThe “V” version is designed with a \u003cstrong\u003ewider flange footprint\u003c\/strong\u003e to suit most full-frame aftermarket 6×9 speakers — giving more coverage and a more universal fit compared to narrow-flange OEM-style designs. If your speakers have a full front gasket or a broad mounting rim, this is the correct version.\u003c\/p\u003e\n\u003ch3\u003eBuilt for Harley Riders Who Don’t Back Down\u003c\/h3\u003e\n\u003cp\u003eLarge-format 6×9 speakers deliver serious output — but they’re also seriously exposed. Saddlebag lids catch water from spray, wash runoff and standing puddles. AHB’s hydrophobic mesh sheds moisture instantly without choking the sound, protecting your cones, surrounds and voice coils from long-term water damage.\u003c\/p\u003e\n\u003ch3\u003eAmerican Hard Bag: Performance You Can Trust\u003c\/h3\u003e\n\u003cp\u003eEvery AHB product is designed and tested in the U.S. and built specifically for motorcycle audio. These screens are not repurposed marine cloth — they are \u003cstrong\u003epurpose-engineered for Harley Touring environments\u003c\/strong\u003e, where vibration, moisture and airflow demand stronger, smarter protection.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHydrophobic acoustic mesh\u003c\/strong\u003e repels water while preserving full speaker output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull-cone protection\u003c\/strong\u003e — guards the entire speaker surface, not just the tweeter area.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e“V” series wide-flange fitment\u003c\/strong\u003e ideal for most aftermarket 6×9 speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerfect for saddlebag lid installs\u003c\/strong\u003e where water exposure is unavoidable.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal 6×9 compatibility\u003c\/strong\u003e with Velocity, Hertz, Cicada, PRV, Rockford and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEasy installation\u003c\/strong\u003e between the grille and speaker basket.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy Harley Tourers Need This\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaddlebag lids flood speakers with water\u003c\/strong\u003e during rides and washes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrevents moisture buildup\u003c\/strong\u003e that causes distortion, cone failure and corrosion.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProtects high-powered bagger systems\u003c\/strong\u003e used in shows and long-distance touring.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNo acoustic compromise\u003c\/strong\u003e — mesh is tuned for midbass and full-range clarity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaddlebag-mounted 6×9 speakers\u003c\/strong\u003e in cut-in kits or AHB Velocity lids.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTour-Pak rear 6×9 installs\u003c\/strong\u003e requiring additional moisture protection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-output bagger audio systems\u003c\/strong\u003e using oversized coaxials or midbass drivers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAny motorcycle exposed to wash water, rain or road spray\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarley-Davidson \u003cstrong\u003eTouring models 1998–2023+\u003c\/strong\u003e running 6×9 saddlebag speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBest suited for full-frame \/ wide-flange 6×9 speakers\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor newer 2023.5+ Harley lids with narrow flange speakers, use the \u003cstrong\u003eAHB-SSK-6×9 (IP-SSK-6×9)\u003c\/strong\u003e version.\u003c\/li\u003e\n\u003cli\u003eCompatible with OEM and aftermarket saddlebag lid cut-in kits.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6×9″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHydrophobic acoustic mesh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHydrophobic Screens (Pair)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUse Case\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWater protection for 6×9 bagger speakers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAmerican Hard Bag Hydrophobic 6×9″ Screens (Pair)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProtecting Premium 6×9 Speakers?\u003c\/h3\u003e\n\u003cp\u003eThese screens provide ideal protection for aftermarket 6×9 speakers from Velocity, Hertz, Cicada, PRV and other pro-audio manufacturers. For maximum performance and reliability, combine them with AHB saddlebags, lids and wiring solutions.\u003c\/p\u003e","brand":"American Hard Bag","offers":[{"title":"Default Title","offer_id":50334174216439,"sku":"IP-SSK-6x9V","price":165.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Hydrophobic-6x9-Speaker-Covers-Universal-Motorcycle-Bagger-Audio-Protection.jpg?v=1765777358"},{"product_id":"american-hard-bag-ip-ssk-6x9-waterproof-speaker-covers","title":"American Hard Bag Hydrophobic 6×9″ Waterproof Speaker Covers – IP-SSK-6×9","description":"\u003ch2\u003eFull-cone hydrophobic covers that keep saddlebag 6x9 speakers dry on a Harley\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe American Hard Bag IP-SSK-6x9 provides full-cone moisture protection for 6x9 speakers mounted in Harley-Davidson Touring saddlebags. Unlike a tweeter gasket that leaves the cone exposed, these covers are a full-coverage hydrophobic acoustic barrier with a precision-moulded gasket that seals the speaker to the lid. Made from premium hydrophobic cloth with a 3M 9448A adhesive backing, and sold as a pair. This narrow-flange version is designed for 2023.5 and newer Harley lids.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSaddlebag lids funnel water straight onto the speaker in rain and washing, and cone saturation is a leading cause of distortion and early speaker death. These covers stop that while staying acoustically transparent.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou run 6x9 speakers in Harley saddlebags and want to protect them from the water a lid funnels in, without dulling the sound. The IP-SSK-6x9 suits 2023.5 and newer lids with their narrower flange footprint, and most aftermarket 6x9 speakers in earlier lids. For full-flange 6x9 speakers, the \u003ca href=\"\/products\/american-hard-bag-hydrophobic-6x9v-speaker-screens\"\u003eAHB 6x9V version\u003c\/a\u003e is the better match.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull-cone protection, not a tweeter gasket.\u003c\/strong\u003e The hydrophobic barrier covers the whole cone, which is what actually stops the standing water and spray a saddlebag collects.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProtecting premium 6x9 drivers.\u003c\/strong\u003e High-output bagger speakers are an investment, and preventing cone saturation is what keeps them from distorting and failing early.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNo acoustic compromise.\u003c\/strong\u003e The mesh is engineered for motorcycle frequency performance, so it sheds water without muting the sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA secure, lasting bond.\u003c\/strong\u003e The industrial 3M 9448A adhesive backing holds the cover to most aftermarket 6x9 frames for the long term.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eMatch the version to your flange and lid\u003c\/h3\u003e\n\u003cp\u003eThis IP-SSK-6x9 version is designed for the narrower flange footprint of 2023.5 and newer Harley lids, and also works with many aftermarket 6x9 speakers in earlier lids. If your 6x9 speakers have a full flange, choose the \u003ca href=\"\/products\/american-hard-bag-hydrophobic-6x9v-speaker-screens\"\u003eAHB 6x9V\u003c\/a\u003e version instead. These covers provide significant moisture protection but do not guarantee complete waterproofing. Tell us your speakers and lids if you want the right version confirmed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe American Hard Bag IP-SSK-6x9 is the full-cone moisture barrier that protects saddlebag 6x9 speakers from water without dulling the sound. Add it to cart above. For full-flange 6x9 drivers, use the \u003ca href=\"\/products\/american-hard-bag-hydrophobic-6x9v-speaker-screens\"\u003e6x9V version\u003c\/a\u003e instead.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eApplication\u003c\/th\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBest fit\u003c\/td\u003e\n\u003ctd\u003e2023.5+ Harley lids, narrower flange footprint\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAlso fits\u003c\/td\u003e\n\u003ctd\u003eMost aftermarket 6x9 speakers in earlier lids (1998 to 2023.5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUse 6x9V instead\u003c\/td\u003e\n\u003ctd\u003eFull-flange 6x9 speakers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eHow the barrier works\u003c\/h3\u003e\n\u003cp\u003eThe cover is a \u003cstrong\u003ehydrophobic acoustic cloth\u003c\/strong\u003e that sheds water on contact while letting sound pass, backed by a \u003cstrong\u003eprecision-moulded gasket\u003c\/strong\u003e that seals the speaker to the lid. Full-cone coverage is the point: a tweeter-only seal leaves the cone open to the water a lid collects. \u003cem\u003eOn the road: rain and washdowns run off the cover instead of soaking into the cone.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Detail\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6x9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHydrophobic acoustic mesh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAdhesive\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3M 9448A industrial backing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBest fit\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2023.5+ narrow-flange lids\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFull-flange alternative\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAHB 6x9V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSold as\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePair, with surround gaskets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAmerican Hard Bag IP-SSK-6x9 hydrophobic speaker covers (pair)\u003c\/li\u003e\n\u003cli\u003ePrecision-fit surround gaskets (pair)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Hard Bag","offers":[{"title":"Default Title","offer_id":50334178050295,"sku":"IP-SSK-6x9","price":165.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/American-Hard-Bag-Hydrophobic-6x9-Waterproof-Speaker-Covers-IP-SSK.jpg?v=1766445239"},{"product_id":"soundigital-evo-ps-800-4-motorcycle-amplifier","title":"SounDigital EVO PS 800.4 — Compact 4-Channel Class-D Motorcycle Amplifier (800W RMS \/ 200W x4 @ 2Ω)","description":"\u003ch2\u003eSounDigital EVO PS 800.4 — 4-Channel 800W Compact Amplifier for Motorcycle Audio Systems\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eSounDigital EVO PS 800.4\u003c\/strong\u003e is a compact, high-efficiency 4-channel amplifier engineered for motorcycle audio systems where space is limited but clean, punchy output is essential. Delivering up to \u003cstrong\u003e4 × 200 W RMS @ 2 Ω\u003c\/strong\u003e or \u003cstrong\u003e2 × 400 W RMS bridged @ 4 Ω\u003c\/strong\u003e, this amp is ideal for powering front and rear stages, pro-audio coaxials, or mid-bass drivers in Harley Touring builds.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4 × 200 W RMS @ 2 Ω\u003c\/strong\u003e — strong output for efficient speakers and full-stage systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4 × 132 W RMS @ 4 Ω\u003c\/strong\u003e or \u003cstrong\u003e2 × 400 W RMS bridged\u003c\/strong\u003e for flexible system design.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact Class-D topology\u003c\/strong\u003e designed for motorcycle charging systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-level \u0026amp; low-level inputs\u003c\/strong\u003e for easy OEM or aftermarket integration.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThermal, overload \u0026amp; short-circuit protection\u003c\/strong\u003e for long-term durability.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocked gain control\u003c\/strong\u003e to protect system tuning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8–16 V operating range\u003c\/strong\u003e suitable for Harley electrical systems.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact footprint\u003c\/strong\u003e ideal for Street Glide and Road Glide fairings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExcellent match\u003c\/strong\u003e for high-efficiency pro-audio speakers and coaxials.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClean mid-bass response\u003c\/strong\u003e with strong headroom at highway speed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow heat operation\u003c\/strong\u003e in Australian riding temperatures.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible wiring\u003c\/strong\u003e — run 4-channel, front + rear, or bridged mid-bass setups.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront + Rear Stages:\u003c\/strong\u003e Drive 6.5″ or 6×9″ speakers across all four channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePro-Audio Front Stage:\u003c\/strong\u003e Powers high-efficiency SPL drivers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridged Mid-Bass Setup:\u003c\/strong\u003e 2 × 400 W RMS for dedicated mid-bass drivers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHybrid Builds:\u003c\/strong\u003e Pair with a monoblock amp for full-bike systems.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for \u003cstrong\u003eHarley-Davidson Touring\u003c\/strong\u003e motorcycles.\u003c\/li\u003e\n\u003cli\u003eFits Street Glide, Road Glide, Ultra Limited, CVO and custom baggers.\u003c\/li\u003e\n\u003cli\u003eCompatible with most aftermarket amp trays and fairing mounts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance Version\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower @ 4 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 × 132 W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower @ 2 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 × 200 W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower @ 1 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eN\/A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBridged @ 4 Ω\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 × 400 W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 – 16 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e35 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Max)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e70 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Fuse (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e40 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Efficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e79%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response (-3dB)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5 Hz – 22 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e91 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHPF\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45 Hz – 850 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLPF\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45 Hz – 850 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD + N (10% Rated Power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (Inches)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5.7 × 5.1 × 2.2 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (CM)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14.4 × 13 × 5.6 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eNeed System Advice?\u003c\/h3\u003e\n\u003cp\u003eThe EVO PS 800.4 is perfect for riders who want a compact but powerful 4-channel amp capable of driving full-stage Harley audio systems. We can help you choose matching speakers, wiring kits, and charging upgrades for best performance.\u003c\/p\u003e","brand":"SounDigital","offers":[{"title":"Default Title","offer_id":50334503076087,"sku":"800.4EVOPS","price":990.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/SounDigital-EVO-PS-800_4-Compact-4-Channel-Class-D-Motorcycle-Amplifier-800W-RMS-200W-x4-2O.jpg?v=1779070038"},{"product_id":"soundigital-evo-ps-1200-4-motorcycle-amplifier","title":"SounDigital EVO PS 1200.4 — Compact 4-Channel Class-D Motorcycle Amplifier (1,200W RMS \/ 300W x4)","description":"\u003ch2\u003eThe compact 4-channel amplifier for a full Harley front and rear speaker stage\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe SounDigital EVO PS 1200.4 is a four-channel Class-D amplifier delivering up to 300W RMS per channel, or 600W RMS per side bridged, from a chassis of 166 x 149 x 62mm (6.5 x 5.8 x 2.4 in). It is built to run a complete Harley-Davidson Touring speaker system, front fairing and saddlebag lids, or a bridged mid-bass build, from one compact amplifier. High and low level inputs, locked gain, and full protection circuitry are standard.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe 1200.4 is the middle four-channel amplifier in the EVO PS range. It gives you real headroom over the entry \u003ca href=\"\/products\/soundigital-evo-ps-800-4-motorcycle-amplifier\"\u003eEVO PS 800.4\u003c\/a\u003e while staying compact, and it steps below the \u003ca href=\"\/products\/soundigital-evo-ps-2000-4-motorcycle-amplifier\"\u003eEVO PS 2000.4\u003c\/a\u003e for builds that do not need 500W a channel. If your priority is bass rather than a speaker stage, the mono \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eEVO PS 1200.1\u003c\/a\u003e is the amplifier you want.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou are running a four-speaker Harley Touring build: a front fairing pair and a saddlebag pair, or a front stage plus a bridged mid-bass load. The 1200.4 has the per-channel power for pro-audio coaxials and horn-loaded speakers that a factory amp cannot drive. If you want the maximum output for high-efficiency SPL drivers, step up to the \u003ca href=\"\/products\/soundigital-evo-ps-2000-4-motorcycle-amplifier\"\u003eEVO PS 2000.4\u003c\/a\u003e; if you are only powering a front pair, the \u003ca href=\"\/products\/soundigital-evo-ps-800-4-motorcycle-amplifier\"\u003eEVO PS 800.4\u003c\/a\u003e is enough.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eA full front and rear speaker stage.\u003c\/strong\u003e Four channels drive a fairing pair and a saddlebag pair such as the \u003ca href=\"\/products\/cicada-audio-cxx69-4-6x9-motorcycle-coaxial-speakers\"\u003eCicada CXX69.4\u003c\/a\u003e, so the whole system runs from one amplifier with matched tuning front to rear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower for horn-loaded and pro-audio speakers.\u003c\/strong\u003e Up to 300W RMS a channel gives high-efficiency drivers like the \u003ca href=\"\/products\/precision-power-htw-652-6-5-inch-2-ohm-horn-loaded-motorcycle-speakers\"\u003ePrecision Power HTW-652 horn-loaded speakers\u003c\/a\u003e the current they are designed around, which a factory head unit amp cannot supply.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA bridged mid-bass build.\u003c\/strong\u003e Bridge the four channels to two and you have 600W RMS per side for a dedicated mid-bass pair, freeing a separate amp for the front stage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible impedance.\u003c\/strong\u003e Offered in 2 ohm and 4 ohm versions, the 1200.4 matches whichever speaker load your build uses so you get full rated power rather than a mismatch.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eMatching the version and the charging system\u003c\/h3\u003e\n\u003cp\u003eThe 1200.4 comes in a 2 ohm and a 4 ohm version. The 4 ohm version delivers 4 x 198W at 4 ohm and 4 x 300W at 2 ohm; the 2 ohm version reaches 4 x 300W at 1 ohm and 2 x 600W bridged at 2 ohm. Match the version to your speaker impedance so the amplifier makes its rated power. Current draw is around 50A during music and up to 101A maximum, with a 60A music fuse, so on a four-speaker build fit a proper power and ground kit such as the \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eCicada HDPG4K 4 AWG kit\u003c\/a\u003e. Tell us your speakers and we will confirm the right version.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe EVO PS 1200.4 is the four-channel amplifier to choose when you want to run a complete Harley speaker system, front and rear, from one compact chassis with power to spare for pro-audio drivers. Add it to cart above. For maximum SPL output move up to the \u003ca href=\"\/products\/soundigital-evo-ps-2000-4-motorcycle-amplifier\"\u003eEVO PS 2000.4\u003c\/a\u003e, and add the \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eEVO PS 1200.1\u003c\/a\u003e mono amp when you want a dedicated bass stage alongside it.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMounting location\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2015 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eElectra Glide®, Ultra Limited®, Road King®, CVO\u003c\/td\u003e\n\u003ctd\u003eSaddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the EVO PS 1200.4\u003c\/h3\u003e\n\u003cp\u003eThe amplifier uses a \u003cstrong\u003eClass-D output stage\u003c\/strong\u003e across all four channels. Class-D efficiency is what lets a 1200W four-channel amplifier fit inside a fairing or under a seat without a heat problem, because the current it draws becomes output rather than warmth. \u003cem\u003eOn the road: the amp holds its output through stop-start summer traffic where a less efficient design would heat-soak and pull back.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eSignal control comes from a \u003cstrong\u003edamping factor of 200\u003c\/strong\u003e and a signal-to-noise ratio of 88dB. The damping figure keeps cone movement tight on the mid-bass channels, and the low noise floor keeps the front stage clean at the low listening levels you use around town. \u003cem\u003eOn the road: the system stays composed at a walking-pace cruise and controlled when you open it up on the highway.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eWhy per-channel power matters on a Harley\u003c\/h3\u003e\n\u003cp\u003eA factory Boom! head unit amplifier gives each speaker a fraction of the power a pro-audio driver is designed for. The 1200.4 supplies up to 300W a channel, which is what horn-loaded and SPL coaxials need to reach their rated output and cut through wind and exhaust noise at highway speed. Feed the front stage the power it wants and the difference in clarity above 100km\/h is immediate. For the biggest drivers, the \u003ca href=\"\/products\/soundigital-evo-ps-2000-4-motorcycle-amplifier\"\u003eEVO PS 2000.4\u003c\/a\u003e adds another 200W a channel.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance versions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 ohm or 4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower, 4 ohm version (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 x 198W at 4 ohm, 4 x 300W at 2 ohm, 2 x 600W bridged at 4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower, 2 ohm version (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 x 130W at 4 ohm, 4 x 198W at 2 ohm, 4 x 300W at 1 ohm, 2 x 600W bridged at 2 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 to 16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (max)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e101A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended fuse (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e60A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal efficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e82 to 84 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response (-3dB)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5Hz to 22kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e88dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45Hz to 850Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45Hz to 850Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10 percent rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e166 x 149 x 62mm (6.5 x 5.8 x 2.4 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh level and low level, locked gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"SounDigital","offers":[{"title":"4 Ohm","offer_id":50334536073463,"sku":"1200.4EVOPS.4","price":1450.0,"currency_code":"AUD","in_stock":true},{"title":"2 Ohm","offer_id":50334536106231,"sku":"1200.4EVOPS.2","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/SounDigital-EVO-PS-1200_4-Compact-4-Channel-Class-D-Motorcycle-Amplifier-1200W-RMS-300W-x4.jpg?v=1779070051"},{"product_id":"soundigital-evo-ps-2000-4-motorcycle-amplifier","title":"SounDigital EVO PS 2000.4 — Compact 4-Channel Class-D Motorcycle Amplifier (2,000W RMS \/ 500W x4 @ 1Ω)","description":"\u003ch2\u003eThe high-power 4-channel amplifier for an SPL Harley front stage and pro-audio speakers\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe SounDigital EVO PS 2000.4 is a four-channel Class-D amplifier delivering up to 500W RMS per channel, or 1000W RMS per side bridged, from a chassis of 214 x 149 x 62mm (8.4 x 5.8 x 2.4 in). It is the top four-channel amplifier in the EVO PS range, built for aggressive Harley-Davidson Touring builds running high-efficiency pro-audio and horn-loaded speakers. High and low level inputs, locked gain, and full protection circuitry are standard.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe 2000.4 is the most powerful four-channel amplifier in the EVO PS line. Choose it over the \u003ca href=\"\/products\/soundigital-evo-ps-1200-4-motorcycle-amplifier\"\u003eEVO PS 1200.4\u003c\/a\u003e when your speakers can use every watt and you are chasing maximum output. For a moderate four-speaker build, the 1200.4 or entry \u003ca href=\"\/products\/soundigital-evo-ps-800-4-motorcycle-amplifier\"\u003eEVO PS 800.4\u003c\/a\u003e draw less current for the same channel count.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou are building an SPL-focused Harley Touring system with high-efficiency pro-audio or horn-loaded speakers that thrive on power. The 2000.4 supplies up to 500W a channel to a front and rear stage, or 1000W a side bridged to a demanding mid-bass pair. If your speakers are conventional coaxials that will not use that power, the \u003ca href=\"\/products\/soundigital-evo-ps-1200-4-motorcycle-amplifier\"\u003eEVO PS 1200.4\u003c\/a\u003e is the better-matched and lower-draw choice.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eA high-output front stage.\u003c\/strong\u003e Up to 500W RMS a channel drives pro-audio and horn-loaded speakers such as the \u003ca href=\"\/products\/precision-power-htw-652-6-5-inch-2-ohm-horn-loaded-motorcycle-speakers\"\u003ePrecision Power HTW-652\u003c\/a\u003e to the output they are engineered for, so the front stage stays clear over wind and pipes at speed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA full four-speaker SPL build.\u003c\/strong\u003e Run a fairing pair and a saddlebag pair such as the \u003ca href=\"\/products\/cicada-audio-cxx69-4-6x9-motorcycle-coaxial-speakers\"\u003eCicada CXX69.4\u003c\/a\u003e from one amplifier with power to spare on every channel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA bridged high-power mid-bass stage.\u003c\/strong\u003e Bridged to two channels the 2000.4 makes 1000W RMS per side for heavy mid-bass drivers, keeping low end level with a loud front stage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClean output at high volume.\u003c\/strong\u003e A signal-to-noise ratio of 90dB and 0.1 percent THD keep the sound clean as you push the level, so more power does not mean more distortion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eThis amplifier needs a charging upgrade\u003c\/h3\u003e\n\u003cp\u003eThe 2000.4 draws 85A during music and up to 171A at maximum, with a recommended 90A to 100A music fuse depending on version. That is more than a stock Harley charging system can sustain. Plan for a high-output stator, a strong or lithium battery, and a 1\/0 AWG power and ground feed such as the \u003ca href=\"\/products\/cicada-audio-hdpg2kd-harley-2awg-dual-amp-power-ground-kit\"\u003eCicada HDPG2KD kit\u003c\/a\u003e before you fit this amplifier. It is offered in 2 ohm and 4 ohm versions: the 4 ohm version gives 4 x 330W at 4 ohm and 4 x 500W at 2 ohm. Match the version to your speaker load, and tell us your build if you want that confirmed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe EVO PS 2000.4 is the four-channel amplifier to choose when your speakers can use serious power and you are building for maximum output in a compact chassis. Add it to cart above. For a moderate build that draws less current, the \u003ca href=\"\/products\/soundigital-evo-ps-1200-4-motorcycle-amplifier\"\u003eEVO PS 1200.4\u003c\/a\u003e is the sensible step down, and the \u003ca href=\"\/products\/soundigital-hki-mini-dsp-8-channel-dsp\"\u003eSounDigital HKI Mini DSP\u003c\/a\u003e lets you tune the stage to the bike.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMounting location\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2015 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eElectra Glide®, Ultra Limited®, Road King®, CVO\u003c\/td\u003e\n\u003ctd\u003eSaddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the EVO PS 2000.4\u003c\/h3\u003e\n\u003cp\u003eThe amplifier runs a \u003cstrong\u003eClass-D output stage\u003c\/strong\u003e across four channels at around 81 percent efficiency. At 2000W that efficiency is what keeps the amplifier thermally viable in a motorcycle install, where there is no airflow and the chassis lives in a sealed space. \u003cem\u003eOn the road: the 2000.4 sustains high output on a long summer run instead of stepping into thermal protection.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eOutput quality holds up under load thanks to a \u003cstrong\u003e90dB signal-to-noise ratio and 0.1 percent THD\u003c\/strong\u003e. A clean noise floor and low distortion matter most at high volume, where a lesser amplifier starts to sound harsh. \u003cem\u003eOn the road: the front stage stays clear and controlled at the volume you actually use to beat wind noise, not just in the driveway.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eWhy headroom changes the front stage\u003c\/h3\u003e\n\u003cp\u003eHigh-efficiency pro-audio and horn-loaded speakers convert power to volume very effectively, but they need that power delivered cleanly to do it. The 2000.4 gives each channel up to 500W of headroom, so the front stage plays loud without the amplifier clipping, and clipping is what damages speakers and makes a system sound harsh. Feed a pro-audio front stage this much clean power and it stays composed at highway speed. For conventional coaxials that cannot use it, the \u003ca href=\"\/products\/soundigital-evo-ps-1200-4-motorcycle-amplifier\"\u003eEVO PS 1200.4\u003c\/a\u003e is the better match.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance versions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 ohm or 4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower, 4 ohm version (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 x 330W at 4 ohm, 4 x 500W at 2 ohm, 2 x 1000W bridged at 4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower, 2 ohm version (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 x 218W at 4 ohm, 4 x 330W at 2 ohm, 4 x 500W at 1 ohm, 2 x 1000W bridged at 2 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 to 16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e85A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (max)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e171A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended fuse (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90A to 100A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal efficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e81 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response (-3dB)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5Hz to 22kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45Hz to 850Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45Hz to 850Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10 percent rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e214 x 149 x 62mm (8.4 x 5.8 x 2.4 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh level and low level, locked gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"SounDigital","offers":[{"title":"4 Ohm","offer_id":50334533746935,"sku":"2000.4EVOPS.4","price":2150.0,"currency_code":"AUD","in_stock":true},{"title":"2 Ohm","offer_id":50334533779703,"sku":"2000.4EVOPS.2","price":2150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/SounDigital-EVO-PS-2000_4-Compact-4-Channel-Class-D-Motorcycle-Amplifier-2000W-RMS-500W-x4-1O.jpg?v=1779070064"},{"product_id":"soundigital-evo-ps-800-1-motorcycle-amplifier","title":"SounDigital EVO PS 800.1 — Compact 1-Channel Class-D Motorcycle Subwoofer Amplifier (800W RMS @ 2Ω)","description":"\u003ch2\u003eThe compact 800W mono amplifier for a Harley saddlebag sub or dedicated mid-bass stage\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe SounDigital EVO PS 800.1 is a single-channel Class-D amplifier that delivers up to 800W RMS from a chassis of just 144 x 130 x 56mm (5.7 x 5.1 x 2.2 in). It is built to power one job well: a saddlebag subwoofer or a dedicated mid-bass stage on a Harley-Davidson Touring bike, in the tightest install SounDigital offers. Locked gain, high and low level inputs, and full protection circuitry are standard.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe 800.1 is the entry point in the EVO PS mono range. Step up to the \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eEVO PS 1200.1\u003c\/a\u003e for 1200W into a single 4 ohm sub, or the \u003ca href=\"\/products\/soundigital-evo-ps-2400-1-motorcycle-amplifier\"\u003eEVO PS 2400.1\u003c\/a\u003e when you want maximum bass output from one amplifier. If you need to drive front and rear speakers instead of bass, the four-channel \u003ca href=\"\/products\/soundigital-evo-ps-800-4-motorcycle-amplifier\"\u003eEVO PS 800.4\u003c\/a\u003e is the amplifier you want.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou want to add clean, controlled low end to a Harley Touring system without the heat or current draw of a large amplifier. The 800.1 suits a single saddlebag subwoofer, a pair of 6.5 in or 8 in mid-bass drivers run in a bridged mono load, or a bass stage added alongside an existing four-channel amp. If you are powering a full front and rear speaker stage, you want a four-channel amplifier instead: start with the \u003ca href=\"\/products\/soundigital-evo-ps-800-4-motorcycle-amplifier\"\u003eEVO PS 800.4\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eA saddlebag subwoofer stage\u003c\/strong\u003e that fits where larger amps will not. At 144mm wide the 800.1 tucks under a seat, inside a fairing, or onto a saddlebag amp rack such as the \u003ca href=\"\/products\/cicada-audio-hdbagar-harley-saddlebag-amp-mounting-rack\"\u003eCicada HDBAGAR\u003c\/a\u003e, keeping wiring runs short and heat away from luggage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA dedicated mid-bass driver stage.\u003c\/strong\u003e With a frequency range of 5Hz to 500Hz and a low-pass filter adjustable from 50Hz to 500Hz, the 800.1 is tuned for the low end rather than full range, so it hands a pair of mid-bass drivers like the \u003ca href=\"\/products\/cicada-audio-cmb8-s4-midbass-8-inch\"\u003eCicada CMB8-S4\u003c\/a\u003e the power band they actually use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow current draw on a stock charging system.\u003c\/strong\u003e At 32A during music playback and 85 percent efficiency, the 800.1 asks little of a Harley alternator, which means you can add bass without an immediate charging upgrade on a moderate build.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdding bass to an existing system.\u003c\/strong\u003e Run it as the dedicated low-frequency amp alongside a four-channel speaker amp, tuned with the onboard 0 to 12dB bass boost at 50Hz and subsonic filter, for a full-bike setup from two compact amplifiers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eChoosing the 2 ohm or 4 ohm version\u003c\/h3\u003e\n\u003cp\u003eThe 800.1 is offered in a 2 ohm and a 4 ohm version, and they hit 800W RMS at different loads. The 2 ohm version produces 528W into 4 ohms and the full 800W into a 2 ohm load, so it suits a single 2 ohm sub or two 4 ohm drivers wired in parallel. The 4 ohm version produces the full 800W into a 4 ohm load, which suits a single 4 ohm sub or a series-wired pair. Match the version to your speaker load before you order. If you are not sure which your build needs, tell us your driver and we will confirm the right one.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe EVO PS 800.1 is the amplifier to choose when you want real, controlled bass from the smallest possible package and the lowest current draw in the EVO PS mono range. Add it to cart above. For more sub output from one amplifier, move up to the \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eEVO PS 1200.1\u003c\/a\u003e, and to tune the stage properly pair it with the \u003ca href=\"\/products\/soundigital-hki-mini-dsp-8-channel-dsp\"\u003eSounDigital HKI Mini DSP\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMounting location\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2015 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eElectra Glide®, Ultra Limited®, Road King®, CVO\u003c\/td\u003e\n\u003ctd\u003eSaddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the EVO PS 800.1\u003c\/h3\u003e\n\u003cp\u003eThe amplifier uses a \u003cstrong\u003efull-range Class-D output stage\u003c\/strong\u003e restricted here to low-frequency duty. Class-D converts more of the current the alternator supplies into output and less into heat, which is why an 800W amplifier can live inside a sealed fairing without cooking. \u003cem\u003eOn the road: the amp holds its output through a hot Australian summer run instead of pulling back into protection when a linear amplifier would be heat-soaked.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003ePower delivery is governed by a \u003cstrong\u003edamping factor of 200\u003c\/strong\u003e. Damping factor describes how tightly the amplifier controls cone movement, and a higher figure means the sub stops and starts on cue rather than ringing on after the note. \u003cem\u003eOn the road: kick drum and bass lines stay tight and defined at highway speed instead of turning into one-note boom.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eWhy current draw and fusing matter\u003c\/h3\u003e\n\u003cp\u003eThe 800.1 draws 32A during music and up to 65A at maximum, with a recommended music fuse of 40A. Those numbers sit comfortably within a healthy Harley charging system on a single-amp build, which is what makes this the sensible starting point for a first bass stage. If you later add a second amplifier, upgrade the power and ground with a kit such as the \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eCicada HDPG4K 4 AWG kit\u003c\/a\u003e so both amps see stable voltage.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 (monoblock)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance versions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 ohm or 4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower, 2 ohm version (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e528W at 4 ohm, 800W at 2 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower, 4 ohm version (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e800W at 4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 to 16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e32A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (max)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e65A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended fuse (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e40A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal efficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e85 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response (-3dB)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5Hz to 500Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSubsonic filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5Hz to 30Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50Hz to 500Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBass boost\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0 to 12dB at 50Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10 percent rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e144 x 130 x 56mm (5.7 x 5.1 x 2.2 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh level and low level, locked gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"SounDigital","offers":[{"title":"4 Ohm","offer_id":50334530765047,"sku":"800.1EVOPS.4","price":950.0,"currency_code":"AUD","in_stock":true},{"title":"2 Ohm","offer_id":50334530797815,"sku":"800.1EVOPS.2","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/SounDigital-EVO-PS-800_1-Compact-1-Channel-Class-D-Motorcycle-Subwoofer-Amplifier-800W-RMS-2O.jpg?v=1779070076"},{"product_id":"soundigital-evo-ps-1200-1-motorcycle-amplifier","title":"SounDigital EVO PS 1200.1 — Compact 1-Channel Class-D Motorcycle Subwoofer Amplifier (1,200W RMS @ 4Ω)","description":"\u003ch2\u003eThe 1200W mono amplifier for a controlled Harley saddlebag sub or hard-hitting mid-bass stage\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe SounDigital EVO PS 1200.1 delivers 1200W RMS into a 4 ohm load from a compact 166 x 149 x 62mm (6.5 x 5.8 x 2.4 in) chassis. It is a single-channel Class-D amplifier built for one purpose on a Harley-Davidson Touring bike: driving a saddlebag subwoofer or a mid-bass stage with authority and control. A damping factor over 2000, locked gain, and high and low level inputs come standard.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe 1200.1 sits in the middle of the EVO PS mono range. It gives you meaningfully more output than the \u003ca href=\"\/products\/soundigital-evo-ps-800-1-motorcycle-amplifier\"\u003eEVO PS 800.1\u003c\/a\u003e while keeping current draw sensible, and it steps below the \u003ca href=\"\/products\/soundigital-evo-ps-2400-1-motorcycle-amplifier\"\u003eEVO PS 2400.1\u003c\/a\u003e for builds that do not need competition-level bass. Unlike the 800.1 and 2400.1, the 1200.1 is a single 4 ohm design, so there is no version choice to get wrong.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou are building a Harley Touring system where bass is a priority and you want a single amplifier that controls a 4 ohm subwoofer tightly rather than just making it loud. The 1200.1 suits a saddlebag sub, a powered enclosure such as the \u003ca href=\"\/products\/precision-power-hd14-sbw-harley-2014-plus-powered-saddlebag-subwoofer-kit\"\u003ePrecision Power HD14-SBW saddlebag sub kit\u003c\/a\u003e, or a pair of 8 in mid-bass drivers. If you only need light bass reinforcement, the \u003ca href=\"\/products\/soundigital-evo-ps-800-1-motorcycle-amplifier\"\u003eEVO PS 800.1\u003c\/a\u003e draws less current for the job.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eA single 4 ohm saddlebag subwoofer.\u003c\/strong\u003e The 1200.1 is rated 1200W RMS at 4 ohm, which is the load most quality motorcycle subs present, so you get full rated power without parallel wiring or a second driver.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight, defined low end.\u003c\/strong\u003e A damping factor over 2000 means the amplifier grips the cone hard and stops it on time. \u003cem\u003eThis is the difference between bass you feel as separate notes and bass that smears into a single tone.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA serious mid-bass stage.\u003c\/strong\u003e With a low-pass filter from 50Hz to 500Hz, the 1200.1 hands a pair of mid-bass drivers such as the \u003ca href=\"\/products\/cicada-audio-cmb10-s4-midbass-10-inch\"\u003eCicada CMB10-S4\u003c\/a\u003e the power to punch through wind and exhaust noise at speed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEfficient high output.\u003c\/strong\u003e At 90 percent efficiency and 45A during music, the 1200.1 turns alternator current into output rather than heat, so a healthy charging system carries it on a well-planned single-sub build.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eDo you need a charging upgrade?\u003c\/h3\u003e\n\u003cp\u003eThe 1200.1 draws 45A during music and up to 90A at maximum, with a recommended 60A music fuse. A stock Harley charging system in good condition handles this on a single-amp build, but if you run the 1200.1 alongside a speaker amplifier you are adding both current demands together. In that case fit a proper power and ground kit such as the \u003ca href=\"\/products\/cicada-audio-hdpg2kd-harley-2awg-dual-amp-power-ground-kit\"\u003eCicada HDPG2KD dual-amp 2 AWG kit\u003c\/a\u003e and consider a higher-output stator or lithium battery so voltage stays stable under sustained bass.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe EVO PS 1200.1 is the mono amplifier to choose when you want a single 4 ohm sub or mid-bass stage that is controlled as well as loud, with no impedance version to second-guess. Add it to cart above. For maximum bass output from one amplifier, step up to the \u003ca href=\"\/products\/soundigital-evo-ps-2400-1-motorcycle-amplifier\"\u003eEVO PS 2400.1\u003c\/a\u003e, and tune the stage with the \u003ca href=\"\/products\/soundigital-hki-mini-dsp-8-channel-dsp\"\u003eSounDigital HKI Mini DSP\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMounting location\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2015 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eElectra Glide®, Ultra Limited®, Road King®, CVO\u003c\/td\u003e\n\u003ctd\u003eSaddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the EVO PS 1200.1\u003c\/h3\u003e\n\u003cp\u003eThe output stage is \u003cstrong\u003efull-range Class-D\u003c\/strong\u003e configured for low-frequency use. Class-D efficiency of 90 percent is what lets a 1200W amplifier run inside a sealed saddlebag or fairing without a heat problem, because most of the current it pulls becomes output rather than warmth. \u003cem\u003eOn the road: the amp holds rated output on a long hot run instead of stepping back into thermal protection.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe headline mechanical figure is the \u003cstrong\u003edamping factor over 2000\u003c\/strong\u003e, an order of magnitude beyond a typical general-purpose amplifier. Damping factor is the amplifier's grip on the voice coil, and a figure this high means the cone follows the signal and stops dead when the signal stops. \u003cem\u003eOn the road: fast bass lines stay separate and punchy rather than blurring into sustained boom you feel but cannot follow.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eWhy the single 4 ohm design is an advantage\u003c\/h3\u003e\n\u003cp\u003eBecause the 1200.1 makes its full 1200W at 4 ohm, you wire a single 4 ohm sub directly and get rated power with no parallel driver and no 2 ohm or 4 ohm version to match. That removes the most common cause of a mismatched bass stage. For builds that want two subs or a 2 ohm load, the \u003ca href=\"\/products\/soundigital-evo-ps-2400-1-motorcycle-amplifier\"\u003eEVO PS 2400.1\u003c\/a\u003e is the flexible-impedance option.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 (monoblock)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower at 4 ohm (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1200W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 to 16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e45A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (max)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended fuse (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e60A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal efficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOver 2000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response (-3dB)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5Hz to 25kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSubsonic filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5Hz to 40Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50Hz to 500Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10 percent rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e166 x 149 x 62mm (6.5 x 5.8 x 2.4 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh level and low level, locked gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"SounDigital","offers":[{"title":"Default Title","offer_id":50334503305463,"sku":"1200.1EVOPS.4","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/SounDigital-EVO-PS-1200_1-Compact-1-Channel-Class-D-Motorcycle-Subwoofer-Amplifier-1200W-RMS-4O.webp?v=1779070089"},{"product_id":"soundigital-evo-ps-2400-1-motorcycle-amplifier","title":"SounDigital EVO PS 2400.1 — Compact 1-Channel Class-D Motorcycle Subwoofer Amplifier (2,400W RMS @ 2Ω)","description":"\u003ch2\u003eThe 2400W mono amplifier for maximum Harley bass output from a single compact chassis\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe SounDigital EVO PS 2400.1 delivers up to 2400W RMS from a chassis of 214 x 149 x 62mm (8.4 x 5.8 x 2.4 in). It is the top of the EVO PS monoblock range, built for Harley-Davidson Touring systems that demand serious subwoofer or mid-bass output but have no room for a large amplifier. A damping factor over 2000, locked gain, high and low level inputs, and full protection circuitry are standard.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe 2400.1 is the most powerful single-channel amplifier in the EVO PS line. Choose it over the \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eEVO PS 1200.1\u003c\/a\u003e when you are running dual subs, a demanding single sub, or a high-output mid-bass stage. For a lighter build that draws less current, the \u003ca href=\"\/products\/soundigital-evo-ps-800-1-motorcycle-amplifier\"\u003eEVO PS 800.1\u003c\/a\u003e is the compact starting point.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eYou are building an aggressive Harley Touring bass stage: dual saddlebag subs, a single high-power sub, or a bank of mid-bass drivers that need real wattage to keep up with a loud front stage. The 2400.1 has the output and the flexible impedance to drive them. If your build is a single 4 ohm sub with no plan to expand, the \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eEVO PS 1200.1\u003c\/a\u003e is the tidier match and draws less current.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual subwoofer builds.\u003c\/strong\u003e The 2 ohm version makes the full 2400W into a 2 ohm load, which is what two 4 ohm subs wired in parallel present, so you drive a pair from one amplifier at rated power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA high-output single sub.\u003c\/strong\u003e The 4 ohm version delivers 2400W into a 4 ohm load, giving a single capable sub every watt it can take.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA hard-hitting mid-bass stage\u003c\/strong\u003e that keeps pace with a pro-audio front stage. Paired with drivers such as the \u003ca href=\"\/products\/cicada-audio-cmb10-s4-midbass-10-inch\"\u003eCicada CMB10-S4\u003c\/a\u003e, the 2400.1 supplies the headroom mid-bass needs to punch through wind at highway speed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl at high power.\u003c\/strong\u003e A damping factor over 2000 keeps the low end tight even at full output, so more power does not become loose, boomy bass.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003ePlan the charging system first\u003c\/h3\u003e\n\u003cp\u003eThe 2400.1 draws 93A during music and up to 185A at maximum, with a recommended 100A music fuse. This is a genuine load on a Harley electrical system. Run a 1\/0 AWG or heavy 2 AWG power and ground feed such as the \u003ca href=\"\/products\/cicada-audio-hdpg2kd-harley-2awg-dual-amp-power-ground-kit\"\u003eCicada HDPG2KD kit\u003c\/a\u003e, and plan for a high-output stator and a strong or lithium battery so voltage stays up under sustained bass. A 2400W amplifier on a stock charging system will run out of voltage before it runs out of power. Choose the 2 ohm or 4 ohm version to match your sub load, and tell us your drivers if you want that confirmed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe EVO PS 2400.1 is the amplifier to choose when you want the most bass a single EVO PS monoblock can make, with the impedance flexibility to run one sub or two. Add it to cart above. For a lighter single-sub build, the \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eEVO PS 1200.1\u003c\/a\u003e is the sensible step down, and the \u003ca href=\"\/products\/soundigital-hki-mini-dsp-8-channel-dsp\"\u003eSounDigital HKI Mini DSP\u003c\/a\u003e lets you tune the stage to the bike.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMounting location\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eInner fairing, saddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2015 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eElectra Glide®, Ultra Limited®, Road King®, CVO\u003c\/td\u003e\n\u003ctd\u003eSaddlebag or custom amp rack\u003c\/td\u003e\n\u003ctd\u003e2014 to 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eInside the EVO PS 2400.1\u003c\/h3\u003e\n\u003cp\u003eThe amplifier runs a \u003cstrong\u003efull-range Class-D output stage\u003c\/strong\u003e at 90 percent efficiency. At 2400W that efficiency is what makes the amplifier physically possible in a motorcycle chassis, because a less efficient design would generate far more heat than a sealed fairing or saddlebag can shed. \u003cem\u003eOn the road: the 2400.1 sustains its output on a long hot run where a lower-efficiency amplifier would drop into protection.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eBass control comes from a \u003cstrong\u003edamping factor over 2000\u003c\/strong\u003e. At this power level tight control matters more, not less, because there is enough energy to make a poorly controlled cone overshoot badly. \u003cem\u003eOn the road: even at full output the bass stays articulate rather than turning into undefined pressure.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eWhy the flexible impedance matters\u003c\/h3\u003e\n\u003cp\u003eOffered in 2 ohm and 4 ohm versions, the 2400.1 covers both common bass loads at full power. The 2 ohm version suits dual subs or a single 2 ohm driver; the 4 ohm version suits a single 4 ohm sub. Matching the version to your load is what lets the amplifier make its rated 2400W rather than falling short into the wrong impedance. If your build is fixed at a single 4 ohm sub, the \u003ca href=\"\/products\/soundigital-evo-ps-1200-1-motorcycle-amplifier\"\u003eEVO PS 1200.1\u003c\/a\u003e gives you a no-choice 4 ohm design.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 (monoblock)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance versions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 ohm or 4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower, 2 ohm version (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1584W at 4 ohm, 2400W at 2 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower, 4 ohm version (RMS)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2400W at 4 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 to 16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e93A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent draw (max)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e185A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended fuse (music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal efficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOver 2000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response (-3dB)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5Hz to 25kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSubsonic filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5Hz to 40Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50Hz to 500Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10 percent rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1 percent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e214 x 149 x 62mm (8.4 x 5.8 x 2.4 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh level and low level, locked gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"SounDigital","offers":[{"title":"2 Ohm","offer_id":50334526931191,"sku":"2400.1EVOPS.2","price":1400.0,"currency_code":"AUD","in_stock":true},{"title":"4 Ohm","offer_id":50334526963959,"sku":"2400.1EVOPS.4","price":1400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/SounDigital-EVO-PS-2400_1-Compact-1-Channel-Class-D-Motorcycle-Subwoofer-Amplifier-2400W-RMS-2O.webp?v=1779070098"},{"product_id":"soundigital-hki-mini-dsp-8-channel-dsp","title":"HKI Mini DSP — 8-Channel Digital Sound Processor for Motorcycle \u0026 Powersports Audio","description":"\u003ch2\u003eHKI Mini DSP — 8-Channel Digital Sound Processor for Motorcycle \u0026amp; Powersports Audio\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eHKI Mini DSP\u003c\/strong\u003e is a compact 8-channel digital signal processor designed to give you full control over your audio system tuning in motorcycles, cars, UTVs and marine applications. Roughly the size of a mobile phone, it offers \u003cstrong\u003e4-channel RCA inputs\u003c\/strong\u003e and \u003cstrong\u003e8-channel RCA outputs\u003c\/strong\u003e with powerful EQ, crossover and time-alignment tools so you can shape your system exactly how you want it.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4-input \/ 8-output DSP architecture\u003c\/strong\u003e — perfect for multi-amp, multi-speaker systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmartphone-based setup\u003c\/strong\u003e — designed for mobile programming and easy tuning access.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConformal-coated PCB\u003c\/strong\u003e to help protect against moisture and harsh environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-resolution 32-bit processing\u003c\/strong\u003e with 96 kHz sampling for clean, detailed sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput EQ (15 bands)\u003c\/strong\u003e and \u003cstrong\u003eoutput EQ (8 bands per channel)\u003c\/strong\u003e for precise tuning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced crossover options\u003c\/strong\u003e — Linkwitz-Riley, Butterworth, Bessel up to 48 dB\/oct.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTime alignment\u003c\/strong\u003e per channel to centre the sound stage at the rider’s position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-in limiter\u003c\/strong\u003e with adjustable threshold, attack and release to protect your speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree user presets\u003c\/strong\u003e so you can switch between different tuning profiles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Works on Harleys \u0026amp; Motorcycles\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmall footprint\u003c\/strong\u003e — easy to hide in the fairing, saddlebag or under a side cover.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConformal coating\u003c\/strong\u003e helps it survive in bikes, buggies and off-road gear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFine control over EQ and time alignment\u003c\/strong\u003e to overcome harsh motorcycle acoustics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIdeal front-end for multi-amp systems\u003c\/strong\u003e running front, rear, lids and subs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreset switching\u003c\/strong\u003e lets you have different tunes for solo, two-up or “parked and loud”.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecommended System Use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarley Touring audio builds:\u003c\/strong\u003e Integrate with multiple amplifiers for front, rear, saddlebag and subwoofer channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom bagger systems:\u003c\/strong\u003e Perfect for pro-audio style speakers and staged upgrades.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUTV \/ SxS \/ Marine:\u003c\/strong\u003e Tune multiple speaker zones from a single compact DSP.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOEM radio integration:\u003c\/strong\u003e Clean up factory EQ and correct frequency response before your amps.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSuitable for \u003cstrong\u003eHarley-Davidson Touring\u003c\/strong\u003e and other motorcycles.\u003c\/li\u003e\n\u003cli\u003eAlso ideal for cars, UTVs, marine and off-road audio systems.\u003c\/li\u003e\n\u003cli\u003eCompact size allows mounting in \u003cstrong\u003efairings, saddlebags, side covers or amp racks\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 × balanced RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMax Input Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Vrms (+14 dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 × RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMax Output Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.5 Vrms (+13 dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 Hz – 24 kHz (–1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD + N\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.01%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBit Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e32-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSampling Frequency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossovers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLinkwitz-Riley \/ Butterworth \/ Bessel (up to 48 dB\/oct)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput EQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15 bands\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput EQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 bands per channel (Q: 0.6 – 0.99)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTime Alignment\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0 – 18.95 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLimiter Threshold\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e–54 to +6 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLimiter Attack\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 – 200 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLimiter Release\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 – 988 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePhase Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePer channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 user-selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (Inches)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5.9 × 4.3 × 1.7 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eNeed System Advice?\u003c\/h3\u003e\n\u003cp\u003eThe HKI Mini DSP is the brain of a serious motorcycle audio system. If you’re planning multi-amp or multi-speaker builds, we can help you design the signal flow, recommend matching amplifiers and speakers, and guide you on a sensible starting tune.\u003c\/p\u003e","brand":"SounDigital","offers":[{"title":"Default Title","offer_id":50334545838327,"sku":"HKIMINI","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/HKI-Mini-DSP-8-Channel-Digital-Sound-Processor-for-Motorcycle-Powersports-Audio.jpg?v=1766317144"},{"product_id":"cicada-audio-flx700-4-4-channel-motorcycle-amplifier","title":"Cicada Audio FLX700.4 — Full-Range 4-Channel Class-D Motorcycle Amplifier (700W RMS \/ 175W x4 @ 2Ω)","description":"\u003ch2\u003eFactory Harley audio runs out of headroom before you leave the suburbs.\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio FLX700.4 is a full-range 4-channel Class-D amplifier purpose-built for motorcycle audio — compact enough to fit standard Harley-Davidson Touring fairing amp trays, capable of delivering 175W × 4 RMS at 2Ω, and carrying the full 20 Hz – 20 kHz crossover range with 48 dB per octave slope control for any speaker stage configuration. The most versatile amplifier in the FLX range.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMost factory Harley audio systems are engineered to a price point, not a performance target. They clip at highway speeds, roll off in the midrange where clarity matters most, and have no meaningful headroom for demanding speakers. At 100 km\/h with wind and pipes, that gap becomes obvious immediately. A conventional car amplifier is not the answer — wrong chassis size, not weather-rated, and the current draw stresses a motorcycle's charging system. The FLX700.4 solves all three problems.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\n\u003cp\u003eFor riders who want a properly powered Harley audio system — not the minimum improvement, but the correct amplifier that drives quality speakers at highway speed without clipping. The FLX700.4 is the step up from the \u003ca href=\"\/products\/cicada-audio-flx500-4-4-channel-class-d-motorcycle-amplifier\"\u003eFLX500.4\u003c\/a\u003e (same crossover, 40% more output per channel) and the crossover-architecture choice when driving multi-way component speaker stages. For builds that need substantially more per-channel output, the \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e is the next step at the same compact footprint.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUpgrading a factory Harley Boom! Box system without replacing the head unit\u003c\/strong\u003e — high-level inputs connect directly, VOX\/DC offset turn-on handles remote wire issues on OEM platforms. No signal processor required to integrate.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRunning a 4-speaker front and rear fairing stage on a Street Glide or Road Glide\u003c\/strong\u003e where amp space is tight — 175W × 4 at 2Ω from a chassis that fits standard Harley fairing amp trays.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-way component builds requiring full crossover control\u003c\/strong\u003e — the 20 Hz – 20 kHz crossover range with 48 dB per octave slopes provides clean driver separation between dedicated horn tweeters and midrange drivers, keeping the front stage coherent at highway speed.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBridged rear channels for a compact subwoofer or mid-bass enclosure\u003c\/strong\u003e — 350W × 2 at 4Ω bridged provides genuine headroom for a sealed mid-bass driver in a saddlebag or Tour-Pak position.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBuilds where charging system load matters\u003c\/strong\u003e — at 50A music-level draw, the FLX700.4 stays within factory Harley alternator capacity on most Touring models. No alternator upgrade required.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIntermediate builds that will add DSP later\u003c\/strong\u003e — the FLX700.4 can be retained in the signal chain when a processor is added upstream. Buy the amplifier now, add the DSP when the build progresses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003eThe most versatile amplifier in the FLX range — 175W × 4 RMS at 2Ω, the widest crossover control, and a chassis that fits any standard Harley Touring amp tray. If the build needs real amplifier power without a high-output electrical upgrade, this is the correct starting point.\u003c\/p\u003e\n\n\u003cp\u003eReady to upgrade? Add to cart above. For more per-channel output, the \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4 delivers 254W × 4 at 2Ω\u003c\/a\u003e in the next chassis size up. For a more modest build, the \u003ca href=\"\/products\/cicada-audio-flx500-4-4-channel-class-d-motorcycle-amplifier\"\u003eFLX500.4 offers 125W × 4\u003c\/a\u003e at the same footprint.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX700.4 delivers 120W × 4 RMS at 4Ω and 175W × 4 RMS at 2Ω — 700W total RMS at rated voltage (14.4V DC). That is the figure that matters for motorcycle builds where 2Ω pro-audio speakers are standard. The 2Ω figure represents real usable power, not inflated peak numbers.\u003c\/p\u003e\n\n\u003cp\u003eBridged, the amp produces 350W × 2 at 4Ω — the configuration for a two-speaker front stage that needs high output per channel, or for driving a compact subwoofer from the rear channels with authority.\u003c\/p\u003e\n\n\u003cp\u003eAt 80% Class-D efficiency, the FLX700.4 generates significantly less heat than a Class-AB amplifier at equivalent output. On a motorcycle with limited airflow and a charging system running near capacity, this matters for both thermal stability on long rides and for keeping electrical load manageable.\u003c\/p\u003e\n\n\u003ch3\u003eCrossover and Signal Control\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX700.4's crossover spans the full audio range — 20 Hz to 20 kHz — with four selectable slopes: 6, 12, 24, and 48 dB per octave. HPF, LPF, or Full Range mode selection. This is a significantly wider range and steeper slope capability than is common in motorcycle amplifiers, and the 48 dB\/octave option is what makes the difference when running dedicated drivers.\u003c\/p\u003e\n\n\u003cp\u003eAt 48 dB\/octave, you get clean separation between a midrange driver and a horn tweeter without bleed — the kind of control that keeps a front stage coherent at highway speeds. At 6 dB\/octave, the gentle slope suits full-range or wideband coaxial applications.\u003c\/p\u003e\n\n\u003cp\u003eFor builds that need 254W per channel rather than 175W but do not require the steeper crossover slopes of the FLX700.4 — such as high-output coaxial builds — the \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e offers more power with a 12 dB\/octave crossover at 30 Hz – 300 Hz. The FLX700.4 is the correct choice when multi-way driver separation is part of the system design.\u003c\/p\u003e\n\n\u003cp\u003eInput sensitivity runs 0.2V – 12V, covering both OEM Harley signal levels and standard RCA output from aftermarket head units without requiring a line driver.\u003c\/p\u003e\n\n\u003ch3\u003eBuilt for the Motorcycle Environment\u003c\/h3\u003e\n\n\u003cp\u003eThe circuit board is \u003cstrong\u003econformal coated\u003c\/strong\u003e — a protective film sealing the electronics against moisture, humidity, and vibration-borne dust — and the whole amplifier is encased in an extruded aluminium heatsink chassis. \u003cem\u003eOn the road: road spray, humidity swings, and constant vibration are the normal operating environment for a fairing- or bag-mounted amp, not an edge case — this is the packaging that survives them.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eICAD overload protection circuit\u003c\/strong\u003e guards the output stage against short circuits, thermal overload, and wiring faults, and two indicators handle the diagnostics: a power\/protect LED that shows blue in normal operation and red in protect mode, and a dedicated clip LED that should only flash on musical peaks. If the clip LED holds solid for more than 2–3 seconds, back the volume or gain off. \u003cem\u003eOn the road: gain setting and fault-finding by eye — a shorted speaker wire or an overheating amp announces itself before it becomes a failure.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003ecrossover and gain potentiometers are detented\u003c\/strong\u003e — they click through fixed positions rather than sweeping freely, so settings are exact, repeatable, and immune to vibration drift. \u003cem\u003eOn the road: the crossover point set in the workshop is still the crossover point after a corrugated highway — and a known-good tune can be replicated on a second bike click-for-click.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003ePower and ground run through \u003cstrong\u003ebusbar-style terminals accepting up to 4 AWG wire\u003c\/strong\u003e, with 12 AWG busbar speaker terminals that clamp solid on bare speaker wire — no crimped pins to work loose under vibration. Signal input is via Molex® connectors, hooking up through standard RCA or H-D custom-terminated harnesses, and the speaker-output side can run plug-and-play through the \u003ca href=\"\/products\/cicada-audio-hdflxfo-front-speaker-output-harness\"\u003eHDFLXFO front\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-hdflxro-rear-speaker-output-harness\"\u003eHDFLXRO rear\u003c\/a\u003e H-D speaker output harnesses.\u003c\/p\u003e\n\n\u003ch3\u003eMounting Options\u003c\/h3\u003e\n\n\u003cp\u003eEvery FLX amplifier ships with \u003cstrong\u003etwo sets of mounting brackets\u003c\/strong\u003e: standard brackets (preinstalled) for flat-surface mounting, and inverted brackets that mount the amp top-face down — keeping the cooling fan on fan-equipped models facing downward with proper airflow clearance. The brackets carry multiple mounting points and can be trimmed or modified to suit a specific fairing, amp rack, or bag install without compromising structural integrity. Where there is no surface to screw into, the included 3M® locking velcro, zip ties, or straps secure the chassis directly. For 2024+ Road Glide® and Street Glide®, the model-specific \u003ca href=\"\/products\/24hddar-rg\"\u003e24HDAR-RG\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e single-amplifier mounting systems bolt an FLX amp into the fairing without custom fabrication. \u003cem\u003eOn the road: the amp adapts to the space the bike actually has — factory amp tray, amp rack, or a tight custom cavity — rather than dictating it.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX700.4 sits between the source unit and the speakers in the signal path. It accepts high-level speaker output from the factory Harley Boom! Box radio directly — no additional converter required for 2014–2023 models — or low-level RCA from any aftermarket head unit.\u003c\/p\u003e\n\n\u003cp\u003eTurn-on supports three modes: REM (remote trigger), DC offset detection, and VOX (audio signal sensing). VOX and DC offset are particularly useful for OEM integration on older Harley platforms where running a clean remote wire to the head unit is not straightforward.\u003c\/p\u003e\n\n\u003cp\u003eAt 50A music-level current draw, the FLX700.4 sits within the operating range of most factory Harley charging systems — no alternator upgrade required for most builds. Maximum draw is 80A; a 50A fuse is recommended on the power feed.\u003c\/p\u003e\n\n\u003cp\u003eThe FLX700.4 does not include onboard DSP. For builds requiring time alignment, multi-band EQ, or advanced signal routing — particularly on a Street Glide or Road Glide front stage running dedicated drivers — pair with a dedicated DSP processor upstream of the amp inputs.\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003e2ch\/4ch input switch\u003c\/strong\u003e lets channels 1\/2 feed all four outputs from a single stereo pair — no external Y-adapters needed when running a 2-channel source into a four-channel or bridged configuration. For bikes retaining the factory Harley amplifier, Cicada's HDFiMY or HDFiM56Y-1.5 harness handles the OEM amplifier connection.\u003c\/p\u003e\n\n\u003cp\u003eWiring matters at these current levels: use properly sized \u003cstrong\u003eOFC (oxygen-free copper)\u003c\/strong\u003e power and ground wire only — never CCAW (copper-clad aluminium), which carries less current for the same gauge and heats under sustained draw — and locate the main fuse within 457 mm (18\") of the battery terminal.\u003c\/p\u003e\n\n\u003ch3\u003e2024+ Platform Notes\u003c\/h3\u003e\n\n\u003cp\u003eFor 2023.5 CVO and 2024+ Harley-Davidson Touring models running Skyline OS, the FLX700.4 can be integrated as part of an aftermarket audio system when paired with a NAV-TV ZEN-H or ZEN-H Pro. The ZEN-H \/ ZEN-H Pro handles the Skyline OS signal interface — the FLX700.4 then receives the processed output and powers the speakers downstream from it. Without a NAV-TV ZEN-H or ZEN-H Pro, integration with a 2023.5 CVO or 2024+ Harley is not supported. For 2014–2023 models (excluding 2023.5 CVO), the high-level input connects directly to the factory Boom! Box radio.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Street Glide:\u003c\/strong\u003e Batwing fairing — fits standard fairing amp tray.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Road Glide:\u003c\/strong\u003e Sharknose fairing — fits standard amp tray positions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Ultra Limited \/ Ultra Classic:\u003c\/strong\u003e Fits fairing amp rack positions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson CVO models:\u003c\/strong\u003e Fits fairing amp rack (see 2024+ note above for Skyline OS bikes).\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Trike:\u003c\/strong\u003e Compatible — fits fairing, trunk, or saddlebag amp rack positions.\u003c\/li\u003e\n  \u003cli\u003eCompatible with OEM Boom! Box radios (high-level input) and all aftermarket head units (high-level or RCA inputs).\u003c\/li\u003e\n  \u003cli\u003eRun 2Ω speakers for maximum rated output; 4Ω for bridged applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e4-Channel\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eClass D\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e120W × 4 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e175W × 4 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e350W × 2 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eTotal RMS Power\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e700W\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e80%\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e91 dB (A-weighted, 20 Hz – 20 kHz)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eTHD + N\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e0.1% @ 2Ω per channel (10% rated power)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e200\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e20 Hz – 20 kHz (±3 dB)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCrossover Modes\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eLPF \/ Full Range \/ HPF (selectable)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCrossover Range\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e20 Hz – 20 kHz\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCrossover Slopes\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e6 \/ 12 \/ 24 \/ 48 dB per octave\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e0.2V – 12V\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eHigh-level or Low-level RCA\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eREM \/ DC Offset \/ VOX\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e9V – 16V\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e50A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e80A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e50A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Protection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eICAD overload protection with clip and power\/protect LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Board\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConformal coated PCB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDetented crossover and gain potentiometers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTerminals\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBusbar style — power up to 4 AWG, speaker 12 AWG; Molex® signal inputs (RCA or H-D termination)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExtruded aluminium heatsink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded Mounting Hardware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStandard + inverted bracket sets, 3M® locking velcro, zip ties\/straps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eOutdoor-rated — moisture and vibration resistant\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eDimensions — Chassis Only\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e104 × 125 × 51 mm (4.1 × 4.9 × 2.0 in)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eDimensions — With Mounting Brackets\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e134 × 125 × 51 mm (5.3 × 4.9 × 2.0 in)\u003c\/td\u003e\n  \u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049229047,"sku":"FLX700.4","price":855.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-FLX700_4-Full-Range-4-Channel-Class-D-Motorcycle-Amplifier-700W-RMS-175W-x4-2O.jpg?v=1779070174"},{"product_id":"cicada-audio-flx700-4pro-ultra-compact-4-channel-dsp-amplifier","title":"Cicada Audio FLX700.4PRO — Ultra-Compact 4-Channel Class-D DSP Amplifier for Harley-Davidson (700W RMS \/ 175W x4 @ 2Ω)","description":"\u003ch2\u003eThe FLX700.4 with full DSP tuning built in.\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio FLX700.4PRO is a 4-channel Class-D amplifier with an integrated 6-channel DSP — delivering 175W × 4 RMS at 2Ω and 350W × 2 RMS bridged at 4Ω, with onboard Bluetooth streaming, USB-C DSP configuration, and two line-level pass-through outputs for downstream amplifier integration. The FLX700.4's output in a single chassis with the tuning that used to require a separate processor.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe standard FLX700.4 is the amplifier. The DSP412PRO is the signal processor that goes upstream of it. The FLX700.4PRO combines both into one chassis — the same compact footprint, the same 175W per channel, with a built-in DSP that handles EQ, time alignment, and crossover control without adding another unit to the install. For builds where a separate processor is the right answer, the DSP412PRO and FLX700.4 remain that solution. For builds where a single tuned amplifier fits the brief, the FLX700.4PRO is the correct choice.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\n\u003cp\u003eFor riders who want the crossover control and tuning capability of a dedicated DSP without the installation complexity of a two-unit signal chain. The FLX700.4PRO is the step up from the \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e for builds where onboard DSP tuning is the priority, and the integrated alternative to pairing a \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e with a separate \u003ca href=\"\/products\/dsp412pro-4-input-x-12-output-dsp-processor-w-diald-software\"\u003eDSP412PRO\u003c\/a\u003e when a single chassis solution is preferred.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e4-channel fairing builds requiring DSP tuning in a single unit\u003c\/strong\u003e — EQ, time alignment, and crossover control without routing signal through a separate processor. The FLX700.4PRO handles the amplification and signal processing from one fairing amp tray position.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBuilds adding a downstream sub or mid-bass amp\u003c\/strong\u003e — the two line-level pass-through outputs send a DSP-processed signal directly to a mono amplifier like the \u003ca href=\"\/products\/cicada-audio-flx1600-1-mono-motorcycle-amplifier\"\u003eFLX1600.1\u003c\/a\u003e or \u003ca href=\"\/products\/cicada-audio-flx2500-1-mono-motorcycle-amplifier\"\u003eFLX2500.1\u003c\/a\u003e, with no Y-splitter or separate processor output required. The sub amp receives the same corrected, tuned signal as the main channels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-way front stage builds on Street Glide or Road Glide\u003c\/strong\u003e — per-channel DSP control covers dedicated tweeter and midrange driver separation, time alignment for the asymmetric fairing position, and EQ to compensate for the acoustic environment.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBluetooth streaming direct to the amplifier\u003c\/strong\u003e — the FLX700.4PRO accepts audio via Bluetooth directly, removing the head unit from the signal chain for Bluetooth source material when the bike's charging system is the only source needed.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eClean OEM integration without a line driver\u003c\/strong\u003e — VOX, REM, and DC offset turn-on modes cover all factory Harley head unit configurations, including older platforms where running a clean remote wire is not straightforward.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003e175W × 4 RMS at 2Ω, 6-channel DSP, Bluetooth streaming, and two pass-through outputs — in the same compact chassis as the FLX700.4. One unit for amplification and tuning.\u003c\/p\u003e\n\n\u003cp\u003eReady to upgrade? Add to cart above. For the same output without onboard DSP, the \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e is the standard version. For more per-channel output with onboard DSP, the \u003ca href=\"\/products\/cicada-audio-flx1400-4pro-4-channel-dsp-pro-amplifier\"\u003eFLX1400.4PRO delivers 350W × 4\u003c\/a\u003e — but requires 4 AWG wiring.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX700.4PRO delivers 120W × 4 at 4Ω and 175W × 4 at 2Ω at 14.4V — 700W total RMS at rated voltage. These figures are identical to the standard FLX700.4. The PRO designation reflects the addition of onboard DSP, not a change in the amplifier stage. For builds running 2Ω pro-audio speakers, the 2Ω figure is the rated operating condition.\u003c\/p\u003e\n\n\u003cp\u003eBridged, the amp produces 350W × 2 at 4Ω — the configuration for a two-channel front stage at high per-channel output, or for driving a compact subwoofer from the rear channels. The two line-level pass-through outputs allow a separate mono amp to handle dedicated subwoofer duties from a processed signal, keeping the four main channels free for the full-range stage.\u003c\/p\u003e\n\n\u003ch3\u003eDSP and Crossover Control\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX700.4PRO integrates a 6-channel DSP — four channels driving the amplifier outputs and two operating as line-level pass-through for downstream amplifiers. All processing is configured via PC over USB-C using the included cable.\u003c\/p\u003e\n\n\u003cp\u003eThe onboard DSP provides per-channel EQ, time alignment, crossover control, phase, and gain structure — the same tuning parameters available in a dedicated DSP processor, in a chassis that also delivers the amplified output. For builds where the amplifier and processor would otherwise occupy separate positions, the FLX700.4PRO collapses that into a single unit.\u003c\/p\u003e\n\n\u003cp\u003eBluetooth audio streaming is integrated — the amplifier accepts audio directly via Bluetooth, removing the requirement for a head unit connection in Bluetooth-source applications.\u003c\/p\u003e\n\n\u003cp\u003eInput sensitivity runs 0.2V – 12V, covering OEM Harley signal levels and standard RCA output from aftermarket head units without a line driver.\u003c\/p\u003e\n\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX700.4PRO accepts high-level speaker output from the factory Harley Boom! Box radio directly — no additional converter required for 2014–2023 models — or low-level RCA from any aftermarket head unit via Molex® inputs.\u003c\/p\u003e\n\n\u003cp\u003eTurn-on supports REM, DC offset, and VOX modes. VOX and DC offset are particularly useful for OEM integration on older Harley platforms where running a clean remote wire is not straightforward.\u003c\/p\u003e\n\n\u003cp\u003eAt 50A music-level current draw, the FLX700.4PRO stays within factory Harley charging system capacity on most Touring models. Maximum draw is 80A; a 50A fuse is recommended on the power feed. Speaker outputs use 12 AWG busbar-style connections for solid high-current termination.\u003c\/p\u003e\n\n\u003cp\u003eThe FLX700.4PRO does not require a separate DSP processor — the onboard DSP handles all signal processing. For builds requiring more than 12 output channels or a standalone processor that can be retained when the amplifier is upgraded, a separate \u003ca href=\"\/products\/dsp412pro-4-input-x-12-output-dsp-processor-w-diald-software\"\u003eDSP412PRO\u003c\/a\u003e may be the better architecture.\u003c\/p\u003e\n\n\u003ch3\u003e2024+ Platform Notes\u003c\/h3\u003e\n\n\u003cp\u003eFor 2023.5 CVO and 2024+ Harley-Davidson Touring models running Skyline OS, the FLX700.4PRO can be integrated as part of an aftermarket audio system when paired with a NAV-TV ZEN-H or ZEN-H Pro. The ZEN-H \/ ZEN-H Pro handles the Skyline OS signal interface — the FLX700.4PRO then receives the processed output and powers the speakers downstream from it. Without a NAV-TV ZEN-H or ZEN-H Pro, integration with a 2023.5 CVO or 2024+ Harley is not supported. For 2014–2023 models (excluding 2023.5 CVO), the high-level input connects directly to the factory Boom! Box radio.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Street Glide:\u003c\/strong\u003e Batwing fairing — fits standard fairing amp tray.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Road Glide:\u003c\/strong\u003e Sharknose fairing — fits standard amp tray positions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Ultra Limited \/ Ultra Classic:\u003c\/strong\u003e Fits fairing amp rack positions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson CVO models:\u003c\/strong\u003e Fits fairing amp rack (see 2024+ note above for Skyline OS bikes).\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Trike:\u003c\/strong\u003e Compatible — fits fairing, trunk, or saddlebag amp rack positions.\u003c\/li\u003e\n  \u003cli\u003eCompatible with OEM Boom! Box radios (high-level input) and all aftermarket head units (high-level or RCA inputs via Molex® connector).\u003c\/li\u003e\n  \u003cli\u003eRun 2Ω speakers for maximum rated output; 4Ω for bridged applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e4-Channel amplified + 2 pass-through (line level)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eClass D\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e120W × 4 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e175W × 4 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e350W × 2 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e80%\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e91 dB (A-weighted)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eTHD + N\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e0.1% @ 2Ω per channel (10% rated power)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e200\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e20 Hz – 20 kHz (±3 dB)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eOnboard DSP\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e6-channel (4 amplified \/ 2 pass-through) — PC configuration via USB-C\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eBluetooth Streaming\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eYes — direct audio input\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e0.2V – 12V\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eHigh-level or Low-level RCA (Molex® connector)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eREM \/ DC Offset \/ VOX\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e9V – 16V\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e50A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e80A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e50A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eOutdoor-rated — conformal coated, moisture and vibration resistant\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eDimensions — Chassis Only\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e104 × 125 × 51 mm (4.1 × 4.9 × 2.0 in)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eDimensions — With Mounting Brackets\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e134 × 125 × 51 mm (5.3 × 4.9 × 2.0 in)\u003c\/td\u003e\n  \u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049261815,"sku":"FLX700.4PRO","price":1195.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-24FLXPCM-4X4SG-Level-4-PRO-Front-Stage-Kit-for-2024-Street-Glide-DSP-Carbon-Matrix-Active-Component-2.webp?v=1782089740"},{"product_id":"cicada-audio-flx1000-4-4-channel-motorcycle-amplifier","title":"Cicada Audio FLX1000.4 — High-Power 4-Channel Class-D Motorcycle Amplifier (1,000W RMS \/ 254W x4 @ 2Ω)","description":"\u003ch2\u003eWhen pro-audio speakers need an amplifier that can actually keep up.\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio FLX1000.4 is a high-power 4-channel Class-D amplifier built for Harley-Davidson Touring — delivering 254W × 4 RMS at 2Ω and 530W × 2 RMS bridged at 4Ω in a compact chassis designed to fit standard fairing amp trays. Over 45% more output per channel than the FLX700.4 at the same impedance.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThere is a ceiling on what a moderate-power amplifier can do. Run high-sensitivity pro-audio speakers at sustained highway volume, add wind noise, and push the system hard on a long ride — and the gaps in headroom become audible. Distortion creeps in at the top of the gain range, and the system runs out of clean output before it reaches the volume the build was designed for. The FLX1000.4 is the step up for builds where that ceiling has become the limiting factor — real high-output power in a chassis compact enough for standard Harley Touring amp trays, without the size and installation complexity of a full-format car amplifier.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\n\u003cp\u003eFor riders who have upgraded their speakers and found their amplifier running out of headroom at speed — or who are building a system around high-output pro-audio drivers from the start and want adequate power in the signal chain from day one. The FLX1000.4 is the step up from the \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e for builds where output matters more than crossover flexibility, and the step down from the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e for builds that don't require 350W per channel or the high-current wiring infrastructure that comes with it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-output coaxial builds on Street Glide or Road Glide\u003c\/strong\u003e — 254W per channel drives demanding pro-audio coaxials at sustained highway volume with genuine headroom to spare. The ceiling that limits a moderate-output amp disappears.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUpgrading from the FLX700.4\u003c\/strong\u003e — same fairing amp tray footprint, significantly more output per channel. If the FLX700.4 is already running at its limits at highway speed, this is the direct replacement.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBridged front or rear stage\u003c\/strong\u003e — 530W × 2 at 4Ω bridged drives a compact mid-bass enclosure or subwoofer with real authority. More bridged headroom than any other amp that fits a standard fairing amp tray without 4 AWG wiring requirements.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull front and rear coaxial systems\u003c\/strong\u003e — HPF on the front channels and LPF on the rear channels covers the full stage without steep driver-separation slopes, which is exactly where the FLX1000.4's 12 dB\/octave crossover is well-matched.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBuilds needing reliable operation across a wide voltage range\u003c\/strong\u003e — the 8V–16V operating range handles the full spread of a motorcycle charging system under varying load, including cold starts and high-demand riding conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003eThe step up for builds that have outgrown moderate-output amplification — 254W × 4 at 2Ω, 530W × 2 bridged, in the same compact chassis profile that fits standard Harley Touring amp trays. Runs from a factory charging system without an alternator upgrade for most builds.\u003c\/p\u003e\n\n\u003cp\u003eReady to upgrade? Add to cart above. For more output, the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4 delivers 350W × 4 at 2Ω\u003c\/a\u003e — but requires 4 AWG power wiring. If the current build needs the FLX1000.4's output with better crossover flexibility for multi-way drivers, the \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e covers the 48 dB\/oct slope requirement at 175W × 4.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX1000.4 is rated at two supply voltages, which matters for real-world motorcycle installs where charging voltage varies with RPM and electrical load. At 14.4V — a fully charged, engine-running system — the amp delivers 168W × 4 at 4Ω and 254W × 4 at 2Ω. At 12.5V — closer to battery voltage under heavy load — output drops to 150W × 4 at 4Ω and 220W × 4 at 2Ω. The 2Ω figures drive the product name: 254W × 4 yields approximately 1,000W total RMS at rated voltage.\u003c\/p\u003e\n\n\u003cp\u003eBridged, the amp produces 530W × 2 at 4Ω at 14.4V (461W × 2 at 12.5V) — the configuration for a high-output two-channel front stage, a mid-bass enclosure, or a compact subwoofer application where maximum per-channel power is the priority.\u003c\/p\u003e\n\n\u003ch3\u003eCrossover and Signal Control\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX1000.4 runs HPF, LPF, or Full Range crossover modes with a frequency range of 30 Hz – 300 Hz and a fixed 12 dB per octave slope. This covers the primary use cases for a high-power 4-channel motorcycle amp — high-pass filtering for fairing speakers, low-pass filtering for a rear mid-bass or subwoofer channel, and full-range operation for coaxial speakers.\u003c\/p\u003e\n\n\u003cp\u003eThe 12 dB\/octave slope is well-matched to coaxial and mid-bass builds. For builds that require steeper driver-separation slopes — separating dedicated horn tweeters and midrange drivers where 24 or 48 dB\/octave gives cleaner isolation — the \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e's crossover architecture handles that role more precisely. The FLX1000.4 is the high-output choice for coaxial and mid-bass builds where headroom and current delivery matter more than multi-octave crossover flexibility.\u003c\/p\u003e\n\n\u003cp\u003eInput sensitivity runs 0.2V – 12V, covering both OEM Harley signal levels and standard RCA output from aftermarket head units.\u003c\/p\u003e\n\n\u003ch3\u003eBuilt for the Motorcycle Environment\u003c\/h3\u003e\n\n\u003cp\u003eThe circuit board is \u003cstrong\u003econformal coated\u003c\/strong\u003e — a protective film sealing the electronics against moisture, humidity, and vibration-borne dust — and the whole amplifier is encased in an extruded aluminium heatsink chassis. \u003cem\u003eOn the road: road spray, humidity swings, and constant vibration are the normal operating environment for a fairing- or bag-mounted amp, not an edge case — this is the packaging that survives them.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eICAD overload protection circuit\u003c\/strong\u003e guards the output stage against short circuits, thermal overload, and wiring faults, and two indicators handle the diagnostics: a power\/protect LED that shows blue in normal operation and red in protect mode, and a dedicated clip LED that should only flash on musical peaks. If the clip LED holds solid for more than 2–3 seconds, back the volume or gain off. \u003cem\u003eOn the road: gain setting and fault-finding by eye — a shorted speaker wire or an overheating amp announces itself before it becomes a failure.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003ecrossover and gain potentiometers are detented\u003c\/strong\u003e — they click through fixed positions rather than sweeping freely, so settings are exact, repeatable, and immune to vibration drift. \u003cem\u003eOn the road: the crossover point set in the workshop is still the crossover point after a corrugated highway — and a known-good tune can be replicated on a second bike click-for-click.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003ePower and ground run through \u003cstrong\u003ebusbar-style terminals accepting up to 4 AWG wire\u003c\/strong\u003e, with 12 AWG busbar speaker terminals that clamp solid on bare speaker wire — no crimped pins to work loose under vibration. Signal input is via Molex® connectors, hooking up through standard RCA or H-D custom-terminated harnesses, and the speaker-output side can run plug-and-play through the \u003ca href=\"\/products\/cicada-audio-hdflxfo-front-speaker-output-harness\"\u003eHDFLXFO front\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-hdflxro-rear-speaker-output-harness\"\u003eHDFLXRO rear\u003c\/a\u003e H-D speaker output harnesses.\u003c\/p\u003e\n\n\u003ch3\u003eMounting Options\u003c\/h3\u003e\n\n\u003cp\u003eEvery FLX amplifier ships with \u003cstrong\u003etwo sets of mounting brackets\u003c\/strong\u003e: standard brackets (preinstalled) for flat-surface mounting, and inverted brackets that mount the amp top-face down — keeping the cooling fan on fan-equipped models facing downward with proper airflow clearance. The brackets carry multiple mounting points and can be trimmed or modified to suit a specific fairing, amp rack, or bag install without compromising structural integrity. Where there is no surface to screw into, the included 3M® locking velcro, zip ties, or straps secure the chassis directly. For 2024+ Road Glide® and Street Glide®, the model-specific \u003ca href=\"\/products\/24hddar-rg\"\u003e24HDAR-RG\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e single-amplifier mounting systems bolt an FLX amp into the fairing without custom fabrication. \u003cem\u003eOn the road: the amp adapts to the space the bike actually has — factory amp tray, amp rack, or a tight custom cavity — rather than dictating it.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\n\u003cp\u003eThe FLX1000.4 accepts high-level speaker output from the factory Harley Boom! Box radio directly — no additional converter required for 2014–2023 models — or low-level RCA from any aftermarket head unit.\u003c\/p\u003e\n\n\u003cp\u003eTurn-on supports REM and DC offset modes. DC offset turn-on is useful on older Harley platforms where routing a clean remote wire to the factory head unit is not practical.\u003c\/p\u003e\n\n\u003cp\u003eAt 60A music-level current draw, the FLX1000.4 operates at the upper limit of most factory Harley charging systems. Maximum draw is 116A; a 120A fuse is recommended on the power feed. For builds pairing the FLX1000.4 with additional amplifiers or high-draw accessories, verify total system current load against the bike's alternator output before finalising the design.\u003c\/p\u003e\n\n\u003cp\u003eThe FLX1000.4 does not include onboard DSP. For builds requiring time alignment, multi-band EQ, or advanced signal routing, pair with a dedicated DSP processor upstream of the amp inputs.\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003e2ch\/4ch input switch\u003c\/strong\u003e lets channels 1\/2 feed all four outputs from a single stereo pair — no external Y-adapters needed when running a 2-channel source into a four-channel or bridged configuration. For bikes retaining the factory Harley amplifier, Cicada's HDFiMY or HDFiM56Y-1.5 harness handles the OEM amplifier connection.\u003c\/p\u003e\n\n\u003cp\u003eWiring matters at these current levels: use properly sized \u003cstrong\u003eOFC (oxygen-free copper)\u003c\/strong\u003e power and ground wire only — never CCAW (copper-clad aluminium), which carries less current for the same gauge and heats under sustained draw — and locate the main fuse within 457 mm (18\") of the battery terminal.\u003c\/p\u003e\n\n\u003ch3\u003e2024+ Platform Notes\u003c\/h3\u003e\n\n\u003cp\u003eFor 2023.5 CVO and 2024+ Harley-Davidson Touring models running Skyline OS, the FLX1000.4 can be integrated as part of an aftermarket audio system when paired with a NAV-TV ZEN-H or ZEN-H Pro. The ZEN-H \/ ZEN-H Pro handles the Skyline OS signal interface — the FLX1000.4 then receives the processed output and powers the speakers downstream from it. Without a NAV-TV ZEN-H or ZEN-H Pro, integration with a 2023.5 CVO or 2024+ Harley is not supported. For 2014–2023 models (excluding 2023.5 CVO), the high-level input connects directly to the factory Boom! Box radio.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Street Glide:\u003c\/strong\u003e Batwing fairing — fits standard fairing amp tray.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Road Glide:\u003c\/strong\u003e Sharknose fairing — fits standard amp tray positions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Ultra Limited \/ Ultra Classic:\u003c\/strong\u003e Fits fairing amp rack positions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson CVO models:\u003c\/strong\u003e Fits fairing amp rack (see 2024+ note above for Skyline OS bikes).\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Trike:\u003c\/strong\u003e Compatible — fits fairing, trunk, or saddlebag amp rack positions.\u003c\/li\u003e\n  \u003cli\u003eCompatible with OEM Boom! Box radios (high-level input) and all aftermarket head units (high-level or RCA inputs).\u003c\/li\u003e\n  \u003cli\u003eRun 2Ω speakers for maximum rated output; 4Ω for bridged applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e4-Channel\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eClass D\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e168W × 4 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e150W × 4 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e254W × 4 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e220W × 4 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e530W × 2 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e461W × 2 RMS\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e79%\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e91 dB\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eTHD + N\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e0.1% (10% rated power)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e\u0026lt;0.5%\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e200\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e20 Hz – 20 kHz (±3 dB)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCrossover Modes\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eLPF \/ Full Range \/ HPF (selectable)\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCrossover Range\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e30 Hz – 300 Hz\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCrossover Slope\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e12 dB per octave\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e0.2V – 12V\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eHigh-level or Low-level RCA\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eREM \/ DC Offset\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e8V – 16V\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e60A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e116A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e120A\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Protection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eICAD overload protection with clip and power\/protect LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Board\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConformal coated PCB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDetented crossover and gain potentiometers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTerminals\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBusbar style — power up to 4 AWG, speaker 12 AWG; Molex® signal inputs (RCA or H-D termination)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExtruded aluminium heatsink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded Mounting Hardware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStandard + inverted bracket sets, 3M® locking velcro, zip ties\/straps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003eOutdoor-rated — moisture and vibration resistant\u003c\/td\u003e\n  \u003c\/tr\u003e\n  \u003ctr\u003e\n    \u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n    \u003ctd\u003e152 × 124 × 51 mm (6.0 × 4.9 × 2.0 in)\u003c\/td\u003e\n  \u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049327351,"sku":"FLX1000.4","price":1195.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-FLX1000_4-High-Power-4-Channel-Class-D-Motorcycle-Amplifier-1000W-RMS-254W-x4-2O.jpg?v=1779070192"},{"product_id":"cicada-audio-flx1400-4-4-channel-motorcycle-amplifier","title":"Cicada Audio FLX1400.4 — Ultra-High-Power 4-Channel Class-D Motorcycle Amplifier (1,400W RMS \/ 350W x4 @ 2Ω)","description":"\u003c!-- TAB 1: OVERVIEW --\u003e\n\n\u003ch2\u003e350W × 4 Class-D amplifier for Harley-Davidson Touring — the highest-output compact FLX amp without a lithium battery requirement\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio FLX1400.4 is a high-output 4-channel Class-D amplifier built for Harley-Davidson Touring — delivering 350W × 4 RMS at 2Ω and 700W × 2 RMS bridged at 4Ω. The highest-output amp in the FLX compact range to fit a standard fairing amp tray without chassis modification. Requires 4 AWG power wiring and a high-current capable supply.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThere is a point in a high-output motorcycle audio build where the amplifier stops being the bottleneck and the electrical infrastructure becomes the real constraint. The FLX1400.4 sits at that line — 350W per channel from the same compact chassis profile that fits standard Harley Touring fairing amp trays, with the current demand that comes with it. For builds where the FLX1000.4's headroom is the ceiling and the system is ready for the next step, the FLX1400.4 is the answer — but it requires 4 AWG power and ground wiring from the supply to the amp, and a charging system capable of sustaining the load.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eFor riders building a maximum-output system around high-sensitivity pro-audio drivers — and who have already committed to the electrical infrastructure the amp requires. The FLX1400.4 is the step up from the \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e for builds where 254W per channel is no longer enough, and the step down from the \u003ca href=\"\/products\/cicada-audio-flx2000-4-4-channel-motorcycle-amplifier\"\u003eFLX2000.4\u003c\/a\u003e for builds that don't need 542W per channel or a full lithium battery upgrade. For the same output with integrated DSP, Bluetooth streaming, and iOS App tuning, the \u003ca href=\"\/products\/cicada-audio-flx1400-4pro-4-channel-dsp-pro-amplifier\"\u003eFLX1400.4PRO\u003c\/a\u003e is the single-chassis alternative.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum-output coaxial builds on Street Glide® or Road Glide®\u003c\/strong\u003e — 350W per channel drives the most demanding pro-audio coaxials at sustained highway volume with genuine headroom beyond the system's acoustic limits. For builds where the FLX1000.4 has already been pushed and found wanting.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBridged front or rear stage at 700W × 2\u003c\/strong\u003e — 700W × 2 at 4Ω bridged delivers real authority to a dedicated mid-bass enclosure, compact subwoofer, or high-output two-channel stage. More bridged headroom than any other amp in the FLX compact range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull four-channel pro-audio systems requiring maximum headroom\u003c\/strong\u003e — HPF on the front stage and LPF on the rear stage at 350W per channel means the system never approaches the clean output ceiling, even in demanding riding conditions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual-amp builds where total output is the design goal\u003c\/strong\u003e — paired with the \u003ca href=\"\/products\/cicada-audio-hdpg2kd-harley-2awg-dual-amp-power-ground-kit\"\u003eHDPG2KD dual-amp wiring kit\u003c\/a\u003e, the FLX1400.4 can be run alongside a second amplifier on a properly fused and wired supply circuit.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBuilds prepared for the electrical infrastructure\u003c\/strong\u003e — riders who have already upgraded to a high-current supply, run 4 AWG power and ground wiring, and confirmed their charging system can sustain the load at music-level draw.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n  \u003ch3\u003e4 AWG Wiring Required\u003c\/h3\u003e\n  \u003cp\u003eThe FLX1400.4 requires 4 AWG power and ground wiring from the supply to the amplifier. Standard motorcycle audio installs using 8 AWG wiring are not adequate for this amplifier at rated output. A 120A fuse is required on the power feed. For builds adding this amp to an existing system, verify total current load against the charging system's sustained output before finalising the install.\u003c\/p\u003e\n  \u003cp\u003eThe \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eHDPG4K 4 AWG power and ground kit\u003c\/a\u003e is the correct wiring solution for this application.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe highest-output compact motorcycle amplifier that fits a standard Harley Touring fairing amp tray — 350W × 4 at 2Ω, 700W × 2 bridged, in the same profile as the FLX1000.4. Requires 4 AWG wiring infrastructure. Ready to upgrade? Add to cart above. For builds that need the output of the FLX1400.4 without the 4 AWG wiring requirement, the \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e delivers 254W × 4 at 2Ω from a standard 8 AWG install. For maximum output above this level — and a full lithium battery upgrade — the \u003ca href=\"\/products\/cicada-audio-flx2000-4-4-channel-motorcycle-amplifier\"\u003eFLX2000.4\u003c\/a\u003e delivers 542W × 4 at 2Ω.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003cthead\u003e\n    \u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003ePosition\u003c\/th\u003e\n\u003cth\u003eNotes\u003c\/th\u003e\n\u003c\/tr\u003e\n  \u003c\/thead\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eBatwing fairing amp tray\u003c\/td\u003e\n\u003ctd\u003eFits standard fairing amp tray\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eSharknose fairing amp tray\u003c\/td\u003e\n\u003ctd\u003eFits standard amp tray positions\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eUltra Limited® \/ Ultra Classic®\u003c\/td\u003e\n\u003ctd\u003eFairing amp rack positions\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCVO models\u003c\/td\u003e\n\u003ctd\u003eFairing amp rack\u003c\/td\u003e\n\u003ctd\u003eSee 2024+ Skyline OS note in Technical Specifications tab\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHarley-Davidson Trike\u003c\/td\u003e\n\u003ctd\u003eFairing, trunk, or saddlebag amp rack\u003c\/td\u003e\n\u003ctd\u003eCompatible\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003c!-- TAB 2: TECHNICAL SPECIFICATIONS --\u003e\n\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\u003cp\u003eThe FLX1400.4 is rated at two supply voltages, matching real-world motorcycle conditions. At 14.4V — a fully charged, engine-running system — the amp delivers 225W × 4 at 4Ω and 350W × 4 at 2Ω. At 12.5V — closer to battery voltage under heavy load — output drops to 200W × 4 at 4Ω and 300W × 4 at 2Ω. The 2Ω figures at 14.4V drive the product name: 350W × 4 yields approximately 1,400W total RMS at rated voltage.\u003c\/p\u003e\n\u003cp\u003eBridged, the amp produces 700W × 2 at 4Ω at 14.4V (600W × 2 at 12.5V) — the configuration for maximum per-channel output to a dedicated mid-bass enclosure, subwoofer, or high-output two-channel front stage. At 4Ω bridged, the amplifier sees a 2Ω load per side — within the FLX1400.4's rated bridged impedance specification. \u003cem\u003eOn the road: at 50A music-level current draw, the FLX1400.4 operates within a cautious margin for most factory Harley charging systems under normal riding conditions — notably more conservative than the FLX2000.4's 60A draw or the lithium-dependent current profile of the FLX2000.4 at full rated output.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eCrossover and Signal Control\u003c\/h3\u003e\n\u003cp\u003eThe FLX1400.4 runs HPF, LPF, or Full Range crossover modes with a frequency range of 30 Hz–300 Hz and a fixed 12 dB per octave slope. This covers the primary use cases for a high-power 4-channel motorcycle amp — high-pass filtering for fairing speakers, low-pass filtering for a rear mid-bass or subwoofer channel, and full-range operation for coaxial speakers. The 12 dB\/octave slope is well-matched to coaxial and mid-bass builds.\u003c\/p\u003e\n\u003cp\u003eFor builds requiring steeper driver-separation slopes — dedicated horn tweeters and midrange drivers where 24 or 48 dB\/octave gives cleaner isolation — the \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e's crossover architecture handles that role at 175W × 4. The FLX1400.4 is the choice when maximum per-channel output for coaxial and mid-bass builds is the priority. Input sensitivity runs 0.2V–12V, covering both OEM Harley signal levels and standard RCA output from aftermarket head units.\u003c\/p\u003e\n\n\u003ch3\u003eBuilt for the Motorcycle Environment\u003c\/h3\u003e\n\n\u003cp\u003eThe circuit board is \u003cstrong\u003econformal coated\u003c\/strong\u003e — a protective film sealing the electronics against moisture, humidity, and vibration-borne dust — and the whole amplifier is encased in an extruded aluminium heatsink chassis. \u003cem\u003eOn the road: road spray, humidity swings, and constant vibration are the normal operating environment for a fairing- or bag-mounted amp, not an edge case — this is the packaging that survives them.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eICAD overload protection circuit\u003c\/strong\u003e guards the output stage against short circuits, thermal overload, and wiring faults, and two indicators handle the diagnostics: a power\/protect LED that shows blue in normal operation and red in protect mode, and a dedicated clip LED that should only flash on musical peaks. If the clip LED holds solid for more than 2–3 seconds, back the volume or gain off. \u003cem\u003eOn the road: gain setting and fault-finding by eye — a shorted speaker wire or an overheating amp announces itself before it becomes a failure.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003ecrossover and gain potentiometers are detented\u003c\/strong\u003e — they click through fixed positions rather than sweeping freely, so settings are exact, repeatable, and immune to vibration drift. \u003cem\u003eOn the road: the crossover point set in the workshop is still the crossover point after a corrugated highway — and a known-good tune can be replicated on a second bike click-for-click.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003ePower and ground run through \u003cstrong\u003ebusbar-style terminals accepting up to 4 AWG wire\u003c\/strong\u003e, with 12 AWG busbar speaker terminals that clamp solid on bare speaker wire — no crimped pins to work loose under vibration. Signal input is via Molex® connectors, hooking up through standard RCA or H-D custom-terminated harnesses, and the speaker-output side can run plug-and-play through the \u003ca href=\"\/products\/cicada-audio-hdflxfo-front-speaker-output-harness\"\u003eHDFLXFO front\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-hdflxro-rear-speaker-output-harness\"\u003eHDFLXRO rear\u003c\/a\u003e H-D speaker output harnesses.\u003c\/p\u003e\n\n\u003ch3\u003eMounting Options\u003c\/h3\u003e\n\n\u003cp\u003eEvery FLX amplifier ships with \u003cstrong\u003etwo sets of mounting brackets\u003c\/strong\u003e: standard brackets (preinstalled) for flat-surface mounting, and inverted brackets that mount the amp top-face down — keeping the cooling fan on fan-equipped models facing downward with proper airflow clearance. The brackets carry multiple mounting points and can be trimmed or modified to suit a specific fairing, amp rack, or bag install without compromising structural integrity. Where there is no surface to screw into, the included 3M® locking velcro, zip ties, or straps secure the chassis directly. For 2024+ Road Glide® and Street Glide®, the model-specific \u003ca href=\"\/products\/24hddar-rg\"\u003e24HDAR-RG\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e single-amplifier mounting systems bolt an FLX amp into the fairing without custom fabrication. \u003cem\u003eOn the road: the amp adapts to the space the bike actually has — factory amp tray, amp rack, or a tight custom cavity — rather than dictating it.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\u003cp\u003eThe FLX1400.4 accepts high-level speaker output from the factory Harley Boom! Box radio directly — no additional converter required for 2014–2023 models — or low-level RCA from any aftermarket head unit. Turn-on supports REM and DC offset modes. DC offset turn-on is useful on older Harley platforms where routing a clean remote wire to the factory head unit is not practical.\u003c\/p\u003e\n\u003cp\u003eAt 50A music-level current draw, the FLX1400.4 operates within a cautious margin for most factory Harley charging systems under normal riding conditions — but maximum draw is 220A, and the wiring infrastructure must be rated accordingly. A 120A fuse is required on the power feed. For builds pairing the FLX1400.4 with additional amplifiers or high-draw accessories, verify total system current load against the bike's alternator output and battery capacity before finalising the design. The \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eHDPG4K 4 AWG power and ground kit\u003c\/a\u003e is the correct wiring solution for this amplifier.\u003c\/p\u003e\n\u003cp\u003eThe FLX1400.4 does not include onboard DSP. For builds requiring time alignment, multi-band EQ, or advanced signal routing, pair with a dedicated DSP processor upstream of the amp inputs — or consider the \u003ca href=\"\/products\/cicada-audio-flx1400-4pro-4-channel-dsp-pro-amplifier\"\u003eFLX1400.4PRO\u003c\/a\u003e for the same output with integrated DSP in a single chassis.\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003e2ch\/4ch input switch\u003c\/strong\u003e lets channels 1\/2 feed all four outputs from a single stereo pair — no external Y-adapters needed when running a 2-channel source into a four-channel or bridged configuration. For bikes retaining the factory Harley amplifier, Cicada's HDFiMY or HDFiM56Y-1.5 harness handles the OEM amplifier connection.\u003c\/p\u003e\n\n\u003cp\u003eWiring matters at these current levels: use properly sized \u003cstrong\u003eOFC (oxygen-free copper)\u003c\/strong\u003e power and ground wire only — never CCAW (copper-clad aluminium), which carries less current for the same gauge and heats under sustained draw — and locate the main fuse within 457 mm (18\") of the battery terminal. For systems at or above 1,400W total output, Cicada strongly recommends upgrading the OEM battery to a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery\u003c\/a\u003e — not a hard requirement at this level, but the upgrade that keeps supply voltage close to the 14.4V rated condition under sustained draw.\u003c\/p\u003e\n\n\u003ch3\u003e2024+ Platform Notes\u003c\/h3\u003e\n\u003cp\u003eFor 2023.5 CVO and 2024+ Harley-Davidson Touring models running Skyline OS, the FLX1400.4 can be integrated as part of an aftermarket audio system when paired with a NAV-TV ZEN-H or ZEN-H Pro. The ZEN-H \/ ZEN-H Pro handles the Skyline OS signal interface — the FLX1400.4 then receives the processed output and powers the speakers downstream from it. Without a NAV-TV ZEN-H or ZEN-H Pro, integration with a 2023.5 CVO or 2024+ Harley is not supported. For 2014–2023 models (excluding 2023.5 CVO), the high-level input connects directly to the factory Boom! Box radio.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4-Channel\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass D\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e225W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e350W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e300W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e700W × 2 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600W × 2 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e79%\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e91 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10% rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1%\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz–20 kHz (±3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLPF \/ Full Range \/ HPF (selectable)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e30 Hz–300 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Slope\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 dB per octave\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.2V–12V\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-level or Low-level RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eREM \/ DC Offset\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8V–16V\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50A\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e220A\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120A\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Power Wire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Protection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eICAD overload protection with clip and power\/protect LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Board\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConformal coated PCB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDetented crossover and gain potentiometers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTerminals\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBusbar style — power up to 4 AWG, speaker 12 AWG; Molex® signal inputs (RCA or H-D termination)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExtruded aluminium heatsink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded Mounting Hardware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStandard + inverted bracket sets, 3M® locking velcro, zip ties\/straps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOutdoor-rated — moisture and vibration resistant\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions — Chassis Only\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e168 × 125 × 51 mm (6.6 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions — Overall\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200 × 125 × 51 mm (7.9 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 years\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049360119,"sku":"FLX1400.4","price":1535.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-24FLXCHX-4X4SG-Level-5-Full-Stage-Kit-for-2024-Street-Glide-1400W-Carbon-Matrix-Horn-Coaxials-2.jpg?v=1782089807"},{"product_id":"cicada-audio-flx1400-4pro-4-channel-dsp-pro-amplifier","title":"Cicada Audio FLX1400.4PRO — High-Power 4-Channel Class-D DSP Amplifier for Harley-Davidson (1,400W RMS \/ 350W x4 @ 2Ω)","description":"\u003c!-- TAB 1: OVERVIEW --\u003e\n\u003ch2\u003e350W × 4 DSP Pro amplifier for Harley-Davidson Touring — integrated 6-channel DSP with Bluetooth audio streaming and USB-C PC tuning\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio FLX1400.4PRO is a high-power, ultra-efficient Class-D amplifier with an integrated 6-channel DSP — delivering 350W × 4 RMS at 2Ω and 700W × 2 RMS bridged at 4Ω, with an onboard DSP covering the full 20 Hz–20 kHz range at slopes up to 48 dB\/oct, Bluetooth® audio streaming, and DSP tuning via USB-C with Windows PC software. Four amplified output channels and two pass-through DSP outputs — the complete amplification and signal processing hub for a high-output Harley Touring system in a single chassis that fits standard Road Glide® and Street Glide® amp rack positions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FLX1400.4 is the high-output amplifier. The DSP412PRO is the processor that handles tuning upstream. The FLX1400.4PRO eliminates the two-unit architecture by integrating both into a single chassis — the same 350W per channel, the same compact fairing amp tray footprint, with a built-in DSP that handles EQ, time alignment, and full-range crossover control without adding a separate unit to the install. The two DSP pass-through outputs extend the signal routing to additional downstream amplifiers, making the FLX1400.4PRO the signal hub for a multi-amp build as well as a standalone solution. For maximum-output builds where signal control is part of the design from the start, the FLX1400.4PRO is the complete solution.\u003c\/p\u003e\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eFor riders building a high-output, properly tuned system — and who want the amplification and signal processing in a single chassis rather than separate units. The FLX1400.4PRO is the DSP-integrated alternative to pairing the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e with a standalone \u003ca href=\"\/products\/dsp412pro-4-input-x-12-output-dsp-processor-w-diald-software\"\u003eDSP412PRO\u003c\/a\u003e, and the step up from the \u003ca href=\"\/products\/cicada-audio-flx700-4pro-ultra-compact-4-channel-dsp-amplifier\"\u003eFLX700.4PRO\u003c\/a\u003e for builds where 175W per channel is no longer enough. Requires 4 AWG power wiring infrastructure. Riders who want integrated signal processing without adding a separate DSP unit will find the onboard 6-channel DSP a practical advantage over a two-unit amplifier-plus-processor setup.\u003c\/p\u003e\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-output builds requiring DSP in a single chassis\u003c\/strong\u003e — 350W per channel with per-channel EQ, time alignment, and variable crossover slope from one fairing amp tray position. No separate processor required, no additional wiring run for a second unit. The 6-channel architecture — 4 amplified, 2 pass-through — means the FLX1400.4PRO can simultaneously power the main stage and feed processed signal to a downstream subwoofer or rear-stage amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated DSP tuning and Bluetooth audio streaming\u003c\/strong\u003e — the onboard 6-channel DSP is configured over USB-C with DIALD™ Windows PC software for per-channel EQ, time alignment and crossover control, with settings stored on the unit so no laptop stays connected during use. Bluetooth® handles audio streaming, so you can play directly from a phone even on bikes without a Bluetooth-capable head unit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eActive front stage builds at high output\u003c\/strong\u003e — the DSP crossover's full 20 Hz–20 kHz range and 6–48 dB\/oct slope options handle dedicated tweeter and midrange driver separation cleanly at the output levels where it matters most. Bandpass mode adds a third crossover configuration for mid-bass channel control without relying on upstream or downstream filtering.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridged front or rear stage at 700W × 2\u003c\/strong\u003e — 700W × 2 at 4Ω bridged with DSP-processed signal feeding each bridged pair. The 2CH\/4CH input switch selects bridging mode directly on the chassis. The crossover handles sub or mid-bass channel separation in the DSP before the signal reaches the output stage — no downstream LPF required.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti-amp systems using DSP pass-through\u003c\/strong\u003e — the two pass-through DSP outputs extend processed signal to a second amplifier downstream. A single FLX1400.4PRO can drive the front stage directly and feed a processed, time-aligned signal to a rear-stage or subwoofer amplifier, all from one fairing amp tray position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReplacing a FLX1400.4 + DSP412PRO two-unit setup\u003c\/strong\u003e — for builds where the separate processor and amplifier are already the architecture but a simpler single-unit solution is preferred, the FLX1400.4PRO consolidates both into one chassis and one install position. Riders upgrading from that architecture can retain the same 4 AWG wiring infrastructure without modification.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003e4 AWG Wiring Required — DSP Tuning via USB-C (Windows PC)\u003c\/h3\u003e\n\u003cp\u003eThe FLX1400.4PRO requires 4 AWG power and ground wiring from the supply to the amplifier. A 100A fuse is required on the power feed. The \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eHDPG4K 4 AWG power and ground kit\u003c\/a\u003e is the correct solution for this application.\u003c\/p\u003e\n\u003cp\u003eDSP configuration is performed with DIALD™ PC software over USB-C (Windows PC required). Settings are stored on the unit and persist with no laptop connected during operation. Bluetooth® on the FLX1400.4PRO handles audio streaming only, not tuning.\u003c\/p\u003e\n\u003cp\u003eFor the same output without integrated DSP, the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e is the standard version. For DSP-integrated output with less per-channel power, the \u003ca href=\"\/products\/cicada-audio-flx700-4pro-ultra-compact-4-channel-dsp-amplifier\"\u003eFLX700.4PRO\u003c\/a\u003e delivers 175W × 4 without the 4 AWG requirement.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe complete high-output solution — 350W × 4 at 2Ω, 700W × 2 bridged, full-range DSP crossover with HP\/BP\/LP modes, Bluetooth® audio streaming, USB-C PC tuning, and 2 DSP pass-through outputs in a single compact chassis that fits standard Road Glide® and Street Glide® amp racks. For builds where the amplifier and the tuning belong in one unit rather than two. Ready to upgrade? Add to cart above. For the same output without integrated DSP, see the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e. For DSP-integrated output at lower power, see the \u003ca href=\"\/products\/cicada-audio-flx700-4pro-ultra-compact-4-channel-dsp-amplifier\"\u003eFLX700.4PRO\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003ePosition\u003c\/th\u003e\n\u003cth\u003eNotes\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eBatwing fairing amp tray\u003c\/td\u003e\n\u003ctd\u003eDirect fit — Road Glide® and Street Glide® amp rack compatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eSharknose fairing amp tray\u003c\/td\u003e\n\u003ctd\u003eDirect fit — Road Glide® and Street Glide® amp rack compatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUltra Limited® \/ Ultra Classic®\u003c\/td\u003e\n\u003ctd\u003eFairing amp rack positions\u003c\/td\u003e\n\u003ctd\u003eFits standard fairing amp tray\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCVO models\u003c\/td\u003e\n\u003ctd\u003eFairing amp rack\u003c\/td\u003e\n\u003ctd\u003eSee 2024+ Skyline OS note in Technical Specifications tab\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHarley-Davidson Trike\u003c\/td\u003e\n\u003ctd\u003eFairing, trunk, or saddlebag amp rack\u003c\/td\u003e\n\u003ctd\u003eCompatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr class=\"maa-tab-split\"\u003e\u003c!-- TAB 2: TECHNICAL SPECIFICATIONS --\u003e\n\u003ch3\u003eWhat's Inside the FLX1400.4PRO\u003c\/h3\u003e\n\u003cp\u003eThe amplifier section uses a \u003cstrong\u003eClass-D IR® chipset\u003c\/strong\u003e — the same digital amplifier topology that delivers the high output-to-chassis-size ratio across the FLX compact range, but specified here with the latest-generation IR (Infineon) silicon. Class-D switches the output stage at high frequency rather than running it continuously in the linear region, which is why 80% efficiency is achievable at this output level from a chassis that fits a standard fairing amp tray. \u003cem\u003eOn the road: the FLX1400.4PRO generates substantially less heat at sustained highway volume than a comparable AB-class design — relevant when the amp is mounted in a sealed fairing cavity with limited airflow.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003econformal-coated circuit board\u003c\/strong\u003e seals the PCB surface against moisture ingress, condensation, and fine particulate. Combined with the fully extruded aluminium heatsink enclosure, the board is protected from the environment a motorcycle fairing creates — temperature cycling, humidity variation, and vibration that would degrade an uncoated board over time. \u003cem\u003eOn the road: reliable operation across Australian riding conditions, from coastal humidity to outback heat cycles, without the gradual performance degradation that moisture and vibration cause on unprotected boards.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eICAD overload protection circuit\u003c\/strong\u003e monitors the output stage continuously and intervenes before a fault condition develops into component damage. Unlike a standard thermal cutout that reacts after the fact, ICAD limits operation within safe parameters during sustained high-output operation. \u003cem\u003eOn the road: the amp recovers from a momentary overload condition and keeps playing rather than shutting down and requiring a key cycle to reset.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eWhy the 6-Channel DSP Architecture\u003c\/h3\u003e\n\u003cp\u003eThe DSP in the FLX1400.4PRO is a 6-channel processor: 4 channels feed the amplifier output stage directly, and 2 channels are available as processed pass-through outputs for a downstream amplifier. This is a different architecture from a 4-channel DSP amp — the pass-through outputs allow the FLX1400.4PRO to function as the central signal processor for a multi-amp system, not just as an amplifier with tuning capability.\u003c\/p\u003e\n\u003cp\u003eIn a two-amp build, the FLX1400.4PRO handles the front stage at 350W × 4 while sending a processed, time-aligned signal from the pass-through outputs to a rear-stage or subwoofer amplifier downstream. The entire system runs through one DSP, one tuning interface, one fairing amp tray position. The alternative — a standalone DSP upstream feeding two separate amplifiers — adds wiring runs, a second mounting position, and a more complex signal chain to achieve the same result.\u003c\/p\u003e\n\u003cp\u003eThe DSP crossover covers the full 20 Hz–20 kHz range with HP, BP, and LP modes at selectable slopes of 6, 12, 24, and 48 dB per octave. Bandpass mode is available for mid-bass channel control without relying on upstream or downstream filtering. The 48 dB\/oct slope provides the sharp driver separation needed for active tweeter and midrange configurations — the steepest slope available in any amplifier in the FLX range.\u003c\/p\u003e\n\u003ch3\u003eWhy Onboard DSP and Bluetooth Streaming\u003c\/h3\u003e\n\u003cp\u003eEvery DSP amplifier in the FLX range is tuned over USB-C with DIALD™ Windows PC software. The FLX1400.4PRO adds Bluetooth® audio streaming — a receiver feature that is separate from tuning.\u003c\/p\u003e\n\u003cp\u003eDSP tuning is done over USB-C with the DIALD™ Windows PC software — adjusting per-channel EQ, crossover frequency, and time alignment while hearing the actual result through the speakers on the bike, not through studio monitors. The \u003ca href=\"\/products\/cicada-audio-c2c-usbc-waterproof-extension-kit-dsp\"\u003eC2C USB-C waterproof extension kit\u003c\/a\u003e mounts the USB-C access point at the cockpit so tuning sessions don't require removing a fairing panel to reach the amplifier. Settings are stored on the unit, so the laptop is only needed when you change the tune.\u003c\/p\u003e\n\u003cp\u003eBluetooth® audio streaming means the DSP can also function as a Bluetooth® receiver — useful for bikes without a Bluetooth-capable head unit or as a direct streaming path independent of the head unit's source.\u003c\/p\u003e\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\u003cp\u003eThe FLX1400.4PRO is rated at 14.4V — a fully charged, engine-running system. At that voltage, the amp delivers 225W × 4 at 4Ω and 350W × 4 at 2Ω. The 2Ω figures at 14.4V drive the product name: 350W × 4 yields approximately 1,400W total RMS at rated voltage. Bridged, the amp produces 700W × 2 at 4Ω — the configuration for maximum per-channel output to a dedicated mid-bass enclosure, subwoofer, or high-output two-channel front stage.\u003c\/p\u003e\n\u003cp\u003eIn bridged operation, the DSP's onboard crossover handles channel filtering before the signal reaches the output stage — the sub or mid-bass channel receives a DSP-processed low-pass signal rather than relying on amp-level crossover control downstream. The 2CH\/4CH input switch on the chassis selects bridged or four-channel operation directly without needing to access the DSP software.\u003c\/p\u003e\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\u003cp\u003eThe FLX1400.4PRO accepts high-level speaker output from the factory Harley Boom!™ Box radio directly via Molex® inputs — the same connector format as H-D® factory termination, no adaptor required for 2014–2023 models — or standard RCA from any aftermarket head unit. The Molex® input accepts RCA or H-D® custom termination in the same connector housing, which simplifies integration across both factory and aftermarket head unit installs.\u003c\/p\u003e\n\u003cp\u003eTurn-on supports REM, DC offset, and VOX modes. DC offset turn-on is useful on older Harley platforms where routing a clean remote wire to the factory head unit is not practical. VOX (voice-activated) turn-on triggers the amplifier from signal presence — useful for installs where neither a clean remote wire nor reliable DC offset is available.\u003c\/p\u003e\n\u003cp\u003eAt 70A music-level current draw, the FLX1400.4PRO's wiring requirement is well-defined: a 100A fuse on the power feed and 4 AWG for the power and ground run. The \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eHDPG4K 4 AWG power and ground kit\u003c\/a\u003e is the correct solution for this amplifier. For builds pairing the FLX1400.4PRO with a second downstream amplifier fed from the pass-through outputs, verify total system current load against the bike's alternator output and battery capacity before finalising the design.\u003c\/p\u003e\n\u003ch3\u003e2024+ Platform Notes\u003c\/h3\u003e\n\u003cp\u003eFor 2023.5 CVO and 2024+ Harley-Davidson Touring models running Skyline OS, the FLX1400.4PRO can be integrated as part of an aftermarket audio system when paired with a \u003ca href=\"\/products\/nav-tv-zen-h-8-channel-a2b-audio-interface-harley-touring-2023-5-plus\"\u003eNAV-TV ZEN-H\u003c\/a\u003e or \u003ca href=\"\/products\/nav-tv-zen-h-pro-8-channel-a2b-dsp-interface-harley-touring-2023-5-plus\"\u003eZEN-H Pro\u003c\/a\u003e. The ZEN-H handles the Skyline OS signal interface — the FLX1400.4PRO then receives the processed output, applies its own DSP tuning, and powers the speakers downstream. Without a NAV-TV ZEN-H or ZEN-H Pro, integration with a 2023.5 CVO or 2024+ Harley is not supported. For 2014–2023 models (excluding 2023.5 CVO), the high-level Molex® input connects directly to the factory Boom!™ Box radio.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4-Channel Amplifier + 2 DSP Pass-Through\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass-D (IR® chipset)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e225W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e350W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e700W × 2 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e91 dB (A-weighted)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10% rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1% @ 2Ω per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz–20 kHz (±3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6-channel (4 amplified \/ 2 pass-through)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP Tuning Interface\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDIALD™ PC Software (USB-C, Windows PC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBluetooth®\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAudio streaming only (not used for tuning)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHPF \/ BPF \/ LPF (DSP-selectable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz–20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Slopes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 \/ 12 \/ 24 \/ 48 dB per octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.2V–12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMolex® (RCA or H-D® custom termination)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker Outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 AWG busbar\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eREM \/ DC Offset \/ VOX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9V–16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e70A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Power Wire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Protection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConformal-coated PCB — moisture, dust, and vibration resistant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEnclosure\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExtruded aluminium heatsink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions — With Mounting Brackets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e210 × 125 × 51 mm (8.26 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions — Chassis Only\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e180 × 125 × 51 mm (7.1 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049392887,"sku":"FLX1400.4PRO","price":1875.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-14FLXPCHX-4X4-Level-5-PRO-Horn-Coaxial-Complete-System-for-2014-2023-Harley-Touring-2.webp?v=1782089580"},{"product_id":"cicada-audio-flx2000-4-4-channel-motorcycle-amplifier","title":"Cicada Audio FLX2000.4 — Ultra-High-Power 4-Channel Class-D Motorcycle Amplifier (2,000W RMS \/ 542W x4 @ 2Ω)","description":"\u003c!-- TAB 1: OVERVIEW --\u003e\n\u003ch2\u003e542W × 4 Class-D amplifier for Harley-Davidson Touring — the highest-output compact FLX amplifier, lithium battery required\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio FLX2000.4 is the flagship 4-channel Class-D amplifier in the FLX compact range — delivering 542W × 4 RMS at 2Ω and 1,044W × 2 RMS bridged at 4Ω. Maximum output in the compact chassis format. Requires a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e, 4 AWG power wiring, and a charging system capable of sustaining the load.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FLX2000.4 is not an incremental step — it is the upper limit of what the compact FLX chassis format delivers. At 542W per channel into 2Ω speakers, or over 1,000W bridged into a single driver pair, this amplifier requires infrastructure that most motorcycles don't have from the factory. A \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e is necessary to supply the current demand; 4 AWG power and ground wiring is required from supply to amplifier. For the build where none of that is a constraint — and maximum output is the objective — this is the amp.\u003c\/p\u003e\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eFor riders who have already committed to the full electrical infrastructure required and are building the highest-output system the compact FLX chassis format allows. The FLX2000.4 is the step up from the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e for builds where 350W per channel is the ceiling that needs to be broken, and where the electrical upgrade required is already part of the plan.\u003c\/p\u003e\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum-output coaxial or pro-audio driver builds\u003c\/strong\u003e — 542W per channel drives the highest-sensitivity pro-audio coaxials and component drivers at volume levels that no other compact motorcycle amp can reach. The system acoustic limits, not the amplifier, become the ceiling.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBridged stage at over 1,000W\u003c\/strong\u003e — 1,044W × 2 at 4Ω bridged is the specification for a single dedicated subwoofer or mid-bass enclosure requiring maximum excursion control and dynamic headroom. No other compact motorcycle amplifier delivers this bridged output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilds with a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e already in place\u003c\/strong\u003e — the FLX2000.4's current demand requires a lithium battery that can sustain high-current discharge without voltage sag. For builds where that upgrade is already done, this amplifier uses the available capacity correctly.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual-amp high-output systems\u003c\/strong\u003e — paired with a second amplifier and the \u003ca href=\"\/products\/cicada-audio-hdpg2kd-harley-2awg-dual-amp-power-ground-kit\"\u003eHDPG2KD dual-amp wiring kit\u003c\/a\u003e, the FLX2000.4 anchors a multi-amp install where total system output is the design brief.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShow builds and competition-level installs\u003c\/strong\u003e — where electrical infrastructure is purpose-built for the audio system, and output capability is the primary specification.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eElectrical Infrastructure Required — Lithium Battery + 4 AWG Wiring\u003c\/h3\u003e\n\u003cp\u003eThe FLX2000.4 requires a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e, 4 AWG power and ground wiring, and a charging system capable of sustaining the load at music-level draw. A standard factory Harley lead-acid battery and charging system are not adequate for this amplifier at rated output. A 120A fuse is required on the power feed. Before purchasing, confirm your electrical infrastructure meets these requirements.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eHDPG4K 4 AWG power and ground kit\u003c\/a\u003e is the correct wiring solution for this application.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003eThe highest-output amplifier in the FLX compact range — 542W × 4 at 2Ω, 1,044W × 2 bridged, in a chassis designed for Harley-Davidson Touring amp tray positions. For builds with the electrical infrastructure to match. Ready to upgrade? Add to cart above. For the highest-output compact amp without the lithium battery requirement, the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e delivers 350W × 4 at 2Ω with 4 AWG wiring but no lithium upgrade required. For wiring infrastructure, the \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eHDPG4K\u003c\/a\u003e is the correct 4 AWG power and ground kit for this amplifier.\u003c\/p\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003ePosition\u003c\/th\u003e\n\u003cth\u003eNotes\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eBatwing fairing amp tray\u003c\/td\u003e\n\u003ctd\u003eFits standard fairing amp tray\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eSharknose fairing amp tray\u003c\/td\u003e\n\u003ctd\u003eFits standard amp tray positions\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUltra Limited® \/ Ultra Classic®\u003c\/td\u003e\n\u003ctd\u003eFairing amp rack positions\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCVO models\u003c\/td\u003e\n\u003ctd\u003eFairing amp rack\u003c\/td\u003e\n\u003ctd\u003eSee 2024+ Skyline OS note in Technical Specifications tab\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHarley-Davidson Trike\u003c\/td\u003e\n\u003ctd\u003eFairing, trunk, or saddlebag amp rack\u003c\/td\u003e\n\u003ctd\u003eCompatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr class=\"maa-tab-split\"\u003e\n\u003c!-- TAB 2: TECHNICAL SPECIFICATIONS --\u003e\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\u003cp\u003eThe FLX2000.4 is rated at two supply voltages. At 14.4V — a fully charged, engine-running system with a lithium battery — the amp delivers 331W × 4 at 4Ω and 542W × 4 at 2Ω. At 12.5V — the lower end of a system under heavy load — output drops to 275W × 4 at 4Ω and 450W × 4 at 2Ω. The 2Ω figures at 14.4V drive the product name: 542W × 4 yields approximately 2,000W total RMS at rated voltage.\u003c\/p\u003e\n\u003cp\u003eBridged, the amp produces 1,044W × 2 at 4Ω at 14.4V (866W × 2 at 12.5V) — the configuration for a dedicated subwoofer, high-excursion mid-bass driver, or two-channel front stage requiring maximum per-channel output. At 4Ω bridged, the amplifier sees a 2Ω load per side — within the FLX2000.4's rated bridged impedance specification. A lithium battery is particularly important in bridged configurations where sustained current demand is highest. \u003cem\u003eOn the road: bridged at 1,044W into a Tour-Pak subwoofer, voltage sag from a lead-acid battery will compress dynamic peaks and reduce effective output — a lithium battery maintains stable supply voltage under the kind of sustained current draw the FLX2000.4 generates.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eCrossover and Signal Control\u003c\/h3\u003e\n\u003cp\u003eThe FLX2000.4 runs HPF, LPF, or Full Range crossover modes with a frequency range of 30 Hz–300 Hz and a fixed 12 dB per octave slope. This covers the primary use cases for a high-power 4-channel motorcycle amp — high-pass filtering for fairing speakers, low-pass filtering for a rear mid-bass or subwoofer channel, and full-range operation for coaxial speakers. The 12 dB\/octave slope is well-matched to coaxial and mid-bass builds.\u003c\/p\u003e\n\u003cp\u003eFor builds requiring steeper driver-separation slopes between dedicated tweeter and midrange drivers, the \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e's crossover architecture handles that role at 175W × 4 with slopes up to 48 dB\/octave. The FLX2000.4 is the choice when maximum output for high-sensitivity coaxial and mid-bass builds is the sole priority. Input sensitivity runs 0.2V–12V, covering both OEM Harley signal levels and standard RCA output from aftermarket head units.\u003c\/p\u003e\n\u003ch3\u003eBuilt for the Motorcycle Environment\u003c\/h3\u003e\n\n\u003cp\u003eThe circuit board is \u003cstrong\u003econformal coated\u003c\/strong\u003e — a protective film sealing the electronics against moisture, humidity, and vibration-borne dust — and the whole amplifier is encased in an extruded aluminium heatsink chassis. \u003cem\u003eOn the road: road spray, humidity swings, and constant vibration are the normal operating environment for a fairing- or bag-mounted amp, not an edge case — this is the packaging that survives them.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eICAD overload protection circuit\u003c\/strong\u003e guards the output stage against short circuits, thermal overload, and wiring faults, and two indicators handle the diagnostics: a power\/protect LED that shows blue in normal operation and red in protect mode, and a dedicated clip LED that should only flash on musical peaks. If the clip LED holds solid for more than 2–3 seconds, back the volume or gain off. \u003cem\u003eOn the road: gain setting and fault-finding by eye — a shorted speaker wire or an overheating amp announces itself before it becomes a failure.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003ecrossover and gain potentiometers are detented\u003c\/strong\u003e — they click through fixed positions rather than sweeping freely, so settings are exact, repeatable, and immune to vibration drift. \u003cem\u003eOn the road: the crossover point set in the workshop is still the crossover point after a corrugated highway — and a known-good tune can be replicated on a second bike click-for-click.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003ePower and ground run through \u003cstrong\u003ebusbar-style terminals accepting up to 4 AWG wire\u003c\/strong\u003e, with 12 AWG busbar speaker terminals that clamp solid on bare speaker wire — no crimped pins to work loose under vibration. Signal input is via Molex® connectors, hooking up through standard RCA or H-D custom-terminated harnesses, and the speaker-output side can run plug-and-play through the \u003ca href=\"\/products\/cicada-audio-hdflxfo-front-speaker-output-harness\"\u003eHDFLXFO front\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-hdflxro-rear-speaker-output-harness\"\u003eHDFLXRO rear\u003c\/a\u003e H-D speaker output harnesses.\u003c\/p\u003e\n\n\u003ch3\u003eMounting Options\u003c\/h3\u003e\n\n\u003cp\u003eEvery FLX amplifier ships with \u003cstrong\u003etwo sets of mounting brackets\u003c\/strong\u003e: standard brackets (preinstalled) for flat-surface mounting, and inverted brackets that mount the amp top-face down — keeping the cooling fan on fan-equipped models facing downward with proper airflow clearance. The brackets carry multiple mounting points and can be trimmed or modified to suit a specific fairing, amp rack, or bag install without compromising structural integrity. Where there is no surface to screw into, the included 3M® locking velcro, zip ties, or straps secure the chassis directly. For 2024+ Road Glide® and Street Glide®, the model-specific \u003ca href=\"\/products\/24hddar-rg\"\u003e24HDAR-RG\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e single-amplifier mounting systems bolt an FLX amp into the fairing without custom fabrication. \u003cem\u003eOn the road: the amp adapts to the space the bike actually has — factory amp tray, amp rack, or a tight custom cavity — rather than dictating it.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\u003cp\u003eThe FLX2000.4 accepts high-level speaker output from the factory Harley Boom! Box radio directly — no additional converter required for 2014–2023 models — or low-level RCA from any aftermarket head unit. Turn-on supports REM and DC offset modes. DC offset turn-on is useful on older Harley platforms where routing a clean remote wire to the factory head unit is not practical.\u003c\/p\u003e\n\u003cp\u003eAt 60A music-level current draw, the FLX2000.4 exceeds the sustained output capacity of most factory Harley charging systems and lead-acid batteries. A \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e is required to supply the current demand without voltage sag at rated output. Maximum draw is 240A; a 120A fuse is required on the power feed. The \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eHDPG4K 4 AWG power and ground kit\u003c\/a\u003e is the correct wiring solution for this amplifier — 4 AWG is the minimum wire gauge for the power and ground run from the supply to the amp.\u003c\/p\u003e\n\u003cp\u003eThe FLX2000.4 does not include onboard DSP. For builds requiring time alignment, multi-band EQ, or advanced signal routing, pair with a dedicated DSP processor upstream of the amp inputs.\u003c\/p\u003e\n\u003cp\u003eA \u003cstrong\u003e2ch\/4ch input switch\u003c\/strong\u003e lets channels 1\/2 feed all four outputs from a single stereo pair — no external Y-adapters needed when running a 2-channel source into a four-channel or bridged configuration. For bikes retaining the factory Harley amplifier, Cicada's HDFiMY or HDFiM56Y-1.5 harness handles the OEM amplifier connection.\u003c\/p\u003e\n\n\u003cp\u003eWiring matters at these current levels: use properly sized \u003cstrong\u003eOFC (oxygen-free copper)\u003c\/strong\u003e power and ground wire only — never CCAW (copper-clad aluminium), which carries less current for the same gauge and heats under sustained draw — and locate the main fuse within 457 mm (18\") of the battery terminal.\u003c\/p\u003e\n\n\u003ch3\u003e2024+ Platform Notes\u003c\/h3\u003e\n\u003cp\u003eFor 2023.5 CVO and 2024+ Harley-Davidson Touring models running Skyline OS, the FLX2000.4 can be integrated as part of an aftermarket audio system when paired with a NAV-TV ZEN-H or ZEN-H Pro. The ZEN-H \/ ZEN-H Pro handles the Skyline OS signal interface — the FLX2000.4 then receives the processed output and powers the speakers downstream from it. Without a NAV-TV ZEN-H or ZEN-H Pro, integration with a 2023.5 CVO or 2024+ Harley is not supported. For 2014–2023 models (excluding 2023.5 CVO), the high-level input connects directly to the factory Boom! Box radio.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4-Channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e331W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Stereo @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e275W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e542W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω Stereo @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e450W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1,044W × 2 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω Bridged @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e866W × 2 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e79%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e91 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10% rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz–20 kHz (±3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLPF \/ Full Range \/ HPF (selectable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e30 Hz–300 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Slope\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 dB per octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.2V–12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-level or Low-level RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eREM \/ DC Offset\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8V–16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e60A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e240A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Power Wire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBattery Requirement\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003eLithium battery upgrade\u003c\/a\u003e required\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Protection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eICAD overload protection with clip and power\/protect LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Board\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConformal coated PCB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDetented crossover and gain potentiometers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTerminals\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBusbar style — power up to 4 AWG, speaker 12 AWG; Molex® signal inputs (RCA or H-D termination)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExtruded aluminium heatsink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded Mounting Hardware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStandard + inverted bracket sets, 3M® locking velcro, zip ties\/straps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOutdoor-rated — moisture and vibration resistant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e218 × 124 × 51 mm (8.6 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049425655,"sku":"FLX2000.4","price":1875.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-FLX2000_4-Ultra-High-Power-4-Channel-Class-D-Motorcycle-Amplifier-2000W-RMS-542W-x4-2O.jpg?v=1779070218"},{"product_id":"cicada-audio-flx1600-1-mono-motorcycle-amplifier","title":"Cicada Audio FLX1600.1 — High-Power 1-Channel Class-D Motorcycle Subwoofer Amplifier (1,600W RMS @ 2Ω)","description":"\u003c!-- TAB 1: OVERVIEW --\u003e\n\n\u003ch2\u003eDedicated mono amplifier for Harley-Davidson Touring — 1,600W RMS at 2Ω in the compact FLX chassis format\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio FLX1600.1 is a full-range mono Class-D amplifier built for Harley-Davidson Touring — delivering 1,600W RMS at 2Ω and 950W RMS at 4Ω, with HPF and LPF crossover covering 10 Hz–20 kHz in the compact FLX chassis format. The dedicated power channel for a serious mid-bass enclosure, subwoofer, or single-driver high-output stage. Requires 4 AWG power wiring.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA 4-channel amplifier running a bridged rear pair delivers useful subwoofer power — but it does so at the cost of two channels that could otherwise be driving full-range speakers, and it doesn't leave room in the signal chain for a dedicated sub channel with independent crossover control. The FLX1600.1 solves that directly: a single mono channel with 1,600W at 2Ω, its own HPF and LPF crossover, and the same compact FLX chassis profile that fits standard Harley Touring amp tray positions. Add it to a 4-channel build and every driver in the system gets its own dedicated amplifier output.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eFor riders adding a dedicated subwoofer or mid-bass enclosure to an existing 4-channel build — or building from the ground up with a separate mono channel for the low end. The FLX1600.1 pairs naturally with any FLX 4-channel amp, freeing all four channels for the main speaker stage and giving the sub or mid-bass driver its own power supply. For builds requiring more mono output, the \u003ca href=\"\/products\/cicada-audio-flx2500-1-mono-motorcycle-amplifier\"\u003eFLX2500.1\u003c\/a\u003e delivers 2,500W at 2Ω — with a lithium battery upgrade required.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDedicated subwoofer channel in a multi-amp build\u003c\/strong\u003e — 1,600W at 2Ω or 950W at 4Ω powers a dedicated sub driver with real authority. Paired with an FLX 4-channel amp on the main stage, each driver in the system has its own amp channel at full rated output.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMid-bass enclosure in a Tour-Pak or saddlebag position\u003c\/strong\u003e — a sealed or ported mid-bass enclosure in a compact box requires sustained mono power, not bridged output borrowed from a 4-channel amp. The FLX1600.1 provides that from a single dedicated channel.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-output builds pairing with the FLX700.4PRO or FLX1400.4PRO\u003c\/strong\u003e — the PRO series amps include line-level pass-through outputs that feed a downstream mono amp with a DSP-processed low-pass signal. The FLX1600.1 is the natural mono amp pairing for that architecture.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull-range mono applications\u003c\/strong\u003e — the LPF range extending to 20 kHz means the FLX1600.1 can operate as a full-range mono amp for a single large driver or custom speaker position when the crossover is not engaged.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBuilds stepping up from bridged rear channels\u003c\/strong\u003e — replacing the bridged configuration on a 4-channel amp with a dedicated FLX1600.1 frees the rear channels to run their own speakers at full stereo output, while the sub gets more power and an independent crossover.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n  \u003ch3\u003e4 AWG Wiring Required\u003c\/h3\u003e\n  \u003cp\u003eThe FLX1600.1 requires 4 AWG power and ground wiring from the supply to the amplifier. A 100A fuse is recommended on the power feed. The \u003ca href=\"\/products\/cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley\"\u003eHDPG4K 4 AWG power and ground kit\u003c\/a\u003e is the correct wiring solution for this amplifier. For dual-amp installs pairing the FLX1600.1 with a 4-channel amp, the \u003ca href=\"\/products\/cicada-audio-hdpg2kd-harley-2awg-dual-amp-power-ground-kit\"\u003eHDPG2KD\u003c\/a\u003e is the correct dual-amp power and ground kit.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003e1,600W mono in the compact FLX chassis — the dedicated power channel for sub and mid-bass builds that don't want to borrow bridged output from a 4-channel amp. Ready to upgrade? Add to cart above. For more mono output with a lithium battery upgrade, the \u003ca href=\"\/products\/cicada-audio-flx2500-1-mono-motorcycle-amplifier\"\u003eFLX2500.1\u003c\/a\u003e delivers 2,500W at 2Ω. For 4-channel power to pair with the FLX1600.1 on the main stage, the \u003ca href=\"\/products\/cicada-audio-flx700-4-4-channel-motorcycle-amplifier\"\u003eFLX700.4\u003c\/a\u003e or \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e are the natural pairings.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003cthead\u003e\n    \u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003ePosition\u003c\/th\u003e\n\u003cth\u003eNotes\u003c\/th\u003e\n\u003c\/tr\u003e\n  \u003c\/thead\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStreet Glide® \/ Street Glide® Special\u003c\/td\u003e\n\u003ctd\u003eFairing amp tray or custom enclosure\u003c\/td\u003e\n\u003ctd\u003eFits standard FLX chassis amp tray positions\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRoad Glide® \/ Road Glide® Special\u003c\/td\u003e\n\u003ctd\u003eFairing amp tray or custom enclosure\u003c\/td\u003e\n\u003ctd\u003eFits standard FLX chassis amp tray positions\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eUltra Limited® \/ Ultra Classic®\u003c\/td\u003e\n\u003ctd\u003eFairing amp rack or Tour-Pak position\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCVO models\u003c\/td\u003e\n\u003ctd\u003eFairing amp rack or Tour-Pak position\u003c\/td\u003e\n\u003ctd\u003eSee 2024+ Skyline OS note in Technical Specifications tab\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHarley-Davidson Trike\u003c\/td\u003e\n\u003ctd\u003eFairing, trunk, or saddlebag amp rack\u003c\/td\u003e\n\u003ctd\u003eCompatible\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003c!-- TAB 2: TECHNICAL SPECIFICATIONS --\u003e\n\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\u003cp\u003eThe FLX1600.1 is rated at two supply voltages. At 14.4V — a fully charged, engine-running system — the amp delivers 950W at 4Ω and 1,600W at 2Ω. At 12.5V — closer to battery voltage under heavy load — output drops to 670W at 4Ω and 1,250W at 2Ω. For builds running a 2Ω subwoofer or mid-bass driver, the 2Ω figure at 14.4V is the rated operating condition and the number that drives the product name.\u003c\/p\u003e\n\u003cp\u003eThe choice between 2Ω and 4Ω driver impedance affects both power output and amplifier thermal margin. At 2Ω, the amp delivers rated maximum output; at 4Ω, the amp runs cooler with more thermal headroom. For subwoofer applications where maximum excursion and output are the priority, 2Ω is the correct choice. For mid-bass builds where sustained thermal stability across a full riding day matters as much as peak output, 4Ω is worth considering. \u003cem\u003eOn the road: the FLX1600.1 running a 2Ω sub at 1,600W sustained highway volume will generate more heat than a 4Ω build — relevant if the amp is mounted in a sealed Tour-Pak or saddlebag position with limited airflow.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eCrossover and Signal Control\u003c\/h3\u003e\n\u003cp\u003eThe FLX1600.1 runs HPF and LPF crossover modes with a fixed 12 dB per octave slope. The HPF range covers 10–80 Hz — used as a subsonic filter to protect the driver from excursion below its usable frequency range. The LPF range covers 80 Hz–20 kHz — the main crossover point that rolls the mono channel off above the sub or mid-bass driver's operating range.\u003c\/p\u003e\n\u003cp\u003eThe LPF extending to 20 kHz means the FLX1600.1 can also operate as a full-range mono amplifier when the LPF is set above the speaker's usable range — relevant for custom single-driver builds where a dedicated mono amp is required without a low-pass restriction. A two-position input level switch matches the amp to its source — the high range (1.2V–12V) covers speaker-level output from the factory radio, the low range (0.25V–2.5V) covers pre-amp RCA from aftermarket head units or DSP pass-through outputs. \u003cem\u003eOn the road: DSP pass-through from the FLX700.4PRO or FLX1400.4PRO delivers a pre-filtered, time-aligned low-pass signal directly to the FLX1600.1 inputs — the sub channel arrives already crossover-processed, and the FLX1600.1 adds the power stage without a second crossover stage in the signal path.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eBass Control and Output Routing\u003c\/h3\u003e\n\n\u003cp\u003eA \u003cstrong\u003evariable bass boost\u003c\/strong\u003e adds 0 to +12 dB at a centre frequency adjustable from 35 Hz to 90 Hz — the boost is tuned to where the enclosure actually needs it, not fixed at an arbitrary point. \u003cem\u003eOn the road: a sealed saddlebag enclosure that rolls off early can be lifted exactly at its knee frequency, without dragging up content below the driver's usable range.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003ewired remote bass level control port\u003c\/strong\u003e accepts Cicada's remote subwoofer level controller, giving up to 20 dB of adjustment from the riding position. It attenuates the signal rather than boosting it — turning it down adds no gain-stage noise, and full-up simply returns to the level set at the amp. \u003cem\u003eOn the road: bass drops for a conversation at the servo and comes back at highway speed without opening the fairing or bag.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003efull-range pass-through output\u003c\/strong\u003e duplicates the input signal at line level for a second amplifier with no signal loss — daisy-chain a 4-channel amp or a second mono amp without Y-leads or a distribution block in the signal path.\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003etwo-position input level switch\u003c\/strong\u003e matches the amp to its source: the high range (1.2V–12V) for speaker-level output from a factory radio or head unit, the low range (0.25V–2.5V) for pre-amp RCA from an aftermarket head unit or DSP pass-through.\u003c\/p\u003e\n\n\u003ch3\u003eBuilt for the Motorcycle Environment\u003c\/h3\u003e\n\n\u003cp\u003eThe circuit board is \u003cstrong\u003econformal coated\u003c\/strong\u003e — a protective film sealing the electronics against moisture, humidity, and vibration-borne dust — and the amplifier is encased in an extruded aluminium heatsink with a top-mounted cooling fan moving air through the chassis under sustained load. \u003cem\u003eOn the road: a mono amp working a subwoofer at highway volume runs hot by design — the fan and heatsink keep it inside its thermal envelope in a closed bag or Tour-Pak position.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eProtection and status are handled by three indicators: a power LED, a protect LED that lights when thermal protection engages or a fault such as a damaged speaker or shorted wire is detected, and a dedicated clip LED that should only flash on musical peaks. If the clip LED holds solid for more than 2–3 seconds, back the volume or gain off. \u003cem\u003eOn the road: gain setting and fault-finding by eye — a shorted speaker wire or an overheating amp announces itself before it becomes a failure.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003ecrossover, gain, and bass boost potentiometers are detented\u003c\/strong\u003e — they click through fixed positions rather than sweeping freely, so settings are exact, repeatable, and immune to vibration drift. \u003cem\u003eOn the road: the tune set in the workshop is still the tune after a corrugated highway.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003ePower and ground run through \u003cstrong\u003ebusbar-style terminals\u003c\/strong\u003e, with heavy-duty screw-down speaker terminals — no crimped pins to work loose under vibration.\u003c\/p\u003e\n\n\u003ch3\u003eMounting Options\u003c\/h3\u003e\n\n\u003cp\u003eEvery FLX amplifier ships with \u003cstrong\u003etwo sets of mounting brackets\u003c\/strong\u003e: standard brackets (preinstalled) for flat-surface mounting, and inverted brackets that mount the amp top-face down — keeping the cooling fan on fan-equipped models facing downward with proper airflow clearance. The brackets carry multiple mounting points and can be trimmed or modified to suit a specific fairing, amp rack, or bag install without compromising structural integrity. Where there is no surface to screw into, the included 3M® locking velcro, zip ties, or straps secure the chassis directly. For 2024+ Road Glide® and Street Glide®, the model-specific \u003ca href=\"\/products\/24hddar-rg\"\u003e24HDAR-RG\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e single-amplifier mounting systems bolt an FLX amp into the fairing without custom fabrication. \u003cem\u003eOn the road: the amp adapts to the space the bike actually has — factory amp tray, amp rack, or a tight custom cavity — rather than dictating it.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\u003cp\u003eThe FLX1600.1 accepts high-level speaker output from the factory Harley Boom! Box radio directly — no additional converter required for 2014–2023 models — or low-level RCA from any aftermarket head unit or downstream DSP pass-through output. Turn-on supports REM and DC offset modes.\u003c\/p\u003e\n\u003cp\u003eAt 70A music-level current draw, the FLX1600.1 exceeds the comfortable operating margin of most factory Harley charging systems when run alongside a 4-channel amp. Maximum draw is 140A; a 100A fuse is recommended on the power feed. For dual-amp installs, verify total system current load against the bike's alternator output and use the \u003ca href=\"\/products\/cicada-audio-hdpg2kd-harley-2awg-dual-amp-power-ground-kit\"\u003eHDPG2KD dual-amp power and ground kit\u003c\/a\u003e for the install.\u003c\/p\u003e\n\n\u003cp\u003eWiring matters at these current levels: use properly sized \u003cstrong\u003eOFC (oxygen-free copper)\u003c\/strong\u003e power and ground wire only — never CCAW (copper-clad aluminium), which carries less current for the same gauge and heats under sustained draw — and locate the main fuse within 457 mm (18\") of the battery terminal. For systems at or above 1,400W total output, Cicada strongly recommends upgrading the OEM battery to a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery\u003c\/a\u003e — not a hard requirement at this level, but the upgrade that keeps supply voltage close to the 14.4V rated condition under sustained draw.\u003c\/p\u003e\n\n\u003ch3\u003e2024+ Platform Notes\u003c\/h3\u003e\n\u003cp\u003eFor 2023.5 CVO and 2024+ Harley-Davidson Touring models running Skyline OS, the FLX1600.1 can be integrated as part of an aftermarket audio system when paired with a NAV-TV ZEN-H or ZEN-H Pro upstream in the signal chain. Without a ZEN-H or ZEN-H Pro, integration with a 2023.5 CVO or 2024+ Harley is not supported. For 2014–2023 models (excluding 2023.5 CVO), the high-level input connects directly to the factory Boom! Box radio.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1-Channel (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass D\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e950W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e670W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1,600W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω @ 12.5V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1,250W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80%\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e91 dB (A-weighted)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD+N (10% rated power)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1%\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 Hz–20 kHz (±3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHPF Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 Hz–80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLPF Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80 Hz–20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Slope\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 dB per octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBass Boost\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVariable, 0 to +12 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBass Boost Frequency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVariable, 35 Hz – 90 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRemote Bass Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWired remote port — up to 20 dB level attenuation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePass-Through Output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-range line output for a second amplifier (no signal loss)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2Ω (1Ω not recommended)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Level — High (speaker-level)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.2V – 12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Level — Low (RCA)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.25V – 2.5V\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-level or Low-level RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eREM \/ DC Offset\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9V–16V\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e70A\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e140A\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100A\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Power Wire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Protection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOverload protection with clip, power, and protect LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Board\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConformal coated PCB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDetented crossover, gain, and bass boost potentiometers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCooling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExtruded aluminium heatsink + top-mounted fan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded Mounting Hardware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStandard + inverted bracket sets, 3M® locking velcro, zip ties\/straps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOutdoor-rated — moisture and vibration resistant\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions — Chassis Only\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e204 × 125 × 51 mm (8.4 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions — With Mounting Brackets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e234 × 125 × 51 mm (9.2 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 years\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049458423,"sku":"FLX1600.1","price":1195.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/FLX1600.1-1-Edited.png?v=1782873701"},{"product_id":"cicada-audio-flx2500-1-mono-motorcycle-amplifier","title":"Cicada Audio FLX2500.1 — Ultra-High-Power 1-Channel Class-D Motorcycle Subwoofer Amplifier (2,500W RMS @ 2Ω)","description":"\u003ch2\u003e2,500W mono. Serious sub output in the compact FLX chassis.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio FLX2500.1 is a high-output mono Class-D amplifier built for Harley-Davidson Touring — delivering 2,500W RMS at 2Ω in the compact FLX chassis format, with HPF and LPF crossover covering 10 Hz – 20 kHz. The step up from the FLX1600.1 for builds where maximum subwoofer or mid-bass output is the design objective. Requires a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e and 2 AWG power wiring.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FLX1600.1 delivers 1,600W mono with a standard 4 AWG install. The FLX2500.1 delivers 2,500W from the same compact chassis footprint — but the extra output demands more from the electrical system. A lithium battery is required to sustain the current draw without voltage sag at rated output, and 2 AWG is the minimum wire gauge for the power run. For builds where the electrical infrastructure is already committed and maximum subwoofer authority is the objective, the FLX2500.1 is the correct step up.\u003c\/p\u003e\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eFor riders who have committed to the electrical infrastructure required and are building the highest-output mono stage the compact FLX chassis delivers. The FLX2500.1 is the step up from the \u003ca href=\"\/products\/cicada-audio-flx1600-1-mono-motorcycle-amplifier\"\u003eFLX1600.1\u003c\/a\u003e for builds where 1,600W is the ceiling that needs to be broken — and where a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e is already part of the plan. For builds requiring maximum output at any infrastructure cost, the \u003ca href=\"\/products\/cicada-audio-bfa5000-1-mono-motorcycle-amplifier\"\u003eBFA5000.1 delivers 5,000W at 2Ω\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum-output subwoofer builds in compact enclosures\u003c\/strong\u003e — 2,500W at 2Ω drives a high-excursion subwoofer at the output levels where it was designed to operate. For saddlebag, Tour-Pak, or custom lower fairing enclosures where driver excursion is the limiting factor, this is the power supply.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-output mid-bass builds requiring sustained mono power\u003c\/strong\u003e — a purpose-built mid-bass enclosure in a saddlebag or Tour-Pak needs sustained high-current mono output, not bridged output from a 4-channel amp. The FLX2500.1 provides that from a dedicated channel at levels the FLX1600.1 cannot reach.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStep up from the FLX1600.1 in an existing multi-amp build\u003c\/strong\u003e — for builds already running a 4-channel amp plus a mono amp where the sub output needs to increase, the FLX2500.1 is the direct replacement for the FLX1600.1 when the electrical infrastructure is upgraded to match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilds with \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003es already in place\u003c\/strong\u003e — the FLX2500.1's current demand makes a lithium battery mandatory. For builds where that upgrade is done, the FLX2500.1 uses the available current capacity correctly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eLithium Battery Upgrade and 2 AWG Wiring Required\u003c\/h3\u003e\n\u003cp\u003eThe FLX2500.1 requires a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e and 2 AWG power and ground wiring from the supply to the amplifier. A standard factory Harley lead-acid battery cannot sustain the current demand of this amplifier at rated output. A 150A fuse is required on the power feed. Verify total system current load against the charging system's output before finalising the install.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003e2,500W mono in the compact FLX chassis — the step up from the FLX1600.1 for builds that have committed to the electrical infrastructure and need more sub output.\u003c\/p\u003e\n\u003cp\u003eReady to upgrade? Add to cart above. For the same mono output at a lower infrastructure requirement, the \u003ca href=\"\/products\/cicada-audio-flx1600-1-mono-motorcycle-amplifier\"\u003eFLX1600.1 delivers 1,600W with 4 AWG wiring and no lithium requirement\u003c\/a\u003e. For maximum mono output beyond this level, the \u003ca href=\"\/products\/cicada-audio-bfa5000-1-mono-motorcycle-amplifier\"\u003eBFA5000.1 delivers 5,000W at 2Ω\u003c\/a\u003e.\u003c\/p\u003e\n\u003chr class=\"maa-tab-split\"\u003e\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\u003cp\u003eThe FLX2500.1 is rated at 2,500W at 2Ω at 14.4V — a fully charged, engine-running system with a lithium battery supplying clean, stable voltage at load. A lithium battery is important here specifically because it maintains voltage closer to the 14.4V rated condition under the sustained current draw of a mono amp at high output, where a lead-acid battery would sag and reduce actual output below the rated figure.\u003c\/p\u003e\n\u003cp\u003eNo separate 4Ω rating is published for the FLX2500.1. For builds running a 4Ω subwoofer, the \u003ca href=\"\/products\/cicada-audio-flx1600-1-mono-motorcycle-amplifier\"\u003eFLX1600.1\u003c\/a\u003e provides dual-impedance ratings and may be the more appropriate match depending on the driver specification.\u003c\/p\u003e\n\u003ch3\u003eCrossover and Signal Control\u003c\/h3\u003e\n\u003cp\u003eThe FLX2500.1 runs HPF and LPF crossover modes with a fixed 12 dB per octave slope. The HPF range covers 10–80 Hz — used as a subsonic filter protecting the driver from excursion below its usable frequency range. The LPF range covers 80 Hz – 20 kHz, providing the main crossover point for sub and mid-bass channel integration.\u003c\/p\u003e\n\u003cp\u003eThe LPF extending to 20 kHz allows the FLX2500.1 to operate as a full-range mono amplifier when the LPF is not engaged — relevant for custom single-driver builds or high-output single-channel applications outside of dedicated subwoofer use.\u003c\/p\u003e\n\u003cp\u003eA two-position input level switch matches the amp to its source — the high range (1.2V–12V) covers speaker-level output from the factory radio, the low range (0.25V–2.5V) covers pre-amp RCA from aftermarket head units or DSP pass-through line-level outputs.\u003c\/p\u003e\n\u003ch3\u003eBass Control and Output Routing\u003c\/h3\u003e\n\n\u003cp\u003eA \u003cstrong\u003evariable bass boost\u003c\/strong\u003e adds 0 to +12 dB at a centre frequency adjustable from 35 Hz to 90 Hz — the boost is tuned to where the enclosure actually needs it, not fixed at an arbitrary point. \u003cem\u003eOn the road: a sealed saddlebag enclosure that rolls off early can be lifted exactly at its knee frequency, without dragging up content below the driver's usable range.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003ewired remote bass level control port\u003c\/strong\u003e accepts Cicada's remote subwoofer level controller, giving up to 20 dB of adjustment from the riding position. It attenuates the signal rather than boosting it — turning it down adds no gain-stage noise, and full-up simply returns to the level set at the amp. \u003cem\u003eOn the road: bass drops for a conversation at the servo and comes back at highway speed without opening the fairing or bag.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003efull-range pass-through output\u003c\/strong\u003e duplicates the input signal at line level for a second amplifier with no signal loss — daisy-chain a 4-channel amp or a second mono amp without Y-leads or a distribution block in the signal path.\u003c\/p\u003e\n\n\u003cp\u003eA \u003cstrong\u003etwo-position input level switch\u003c\/strong\u003e matches the amp to its source: the high range (1.2V–12V) for speaker-level output from a factory radio or head unit, the low range (0.25V–2.5V) for pre-amp RCA from an aftermarket head unit or DSP pass-through.\u003c\/p\u003e\n\n\u003ch3\u003eBuilt for the Motorcycle Environment\u003c\/h3\u003e\n\n\u003cp\u003eThe circuit board is \u003cstrong\u003econformal coated\u003c\/strong\u003e — a protective film sealing the electronics against moisture, humidity, and vibration-borne dust — and the amplifier is encased in an extruded aluminium heatsink with a top-mounted cooling fan moving air through the chassis under sustained load. \u003cem\u003eOn the road: a mono amp working a subwoofer at highway volume runs hot by design — the fan and heatsink keep it inside its thermal envelope in a closed bag or Tour-Pak position.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eProtection and status are handled by three indicators: a power LED, a protect LED that lights when thermal protection engages or a fault such as a damaged speaker or shorted wire is detected, and a dedicated clip LED that should only flash on musical peaks. If the clip LED holds solid for more than 2–3 seconds, back the volume or gain off. \u003cem\u003eOn the road: gain setting and fault-finding by eye — a shorted speaker wire or an overheating amp announces itself before it becomes a failure.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003ecrossover, gain, and bass boost potentiometers are detented\u003c\/strong\u003e — they click through fixed positions rather than sweeping freely, so settings are exact, repeatable, and immune to vibration drift. \u003cem\u003eOn the road: the tune set in the workshop is still the tune after a corrugated highway.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003ePower and ground run through \u003cstrong\u003ebusbar-style terminals\u003c\/strong\u003e, with heavy-duty screw-down speaker terminals — no crimped pins to work loose under vibration.\u003c\/p\u003e\n\n\u003ch3\u003eMounting Options\u003c\/h3\u003e\n\n\u003cp\u003eEvery FLX amplifier ships with \u003cstrong\u003etwo sets of mounting brackets\u003c\/strong\u003e: standard brackets (preinstalled) for flat-surface mounting, and inverted brackets that mount the amp top-face down — keeping the cooling fan on fan-equipped models facing downward with proper airflow clearance. The brackets carry multiple mounting points and can be trimmed or modified to suit a specific fairing, amp rack, or bag install without compromising structural integrity. Where there is no surface to screw into, the included 3M® locking velcro, zip ties, or straps secure the chassis directly. For 2024+ Road Glide® and Street Glide®, the model-specific \u003ca href=\"\/products\/24hddar-rg\"\u003e24HDAR-RG\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e single-amplifier mounting systems bolt an FLX amp into the fairing without custom fabrication. \u003cem\u003eOn the road: the amp adapts to the space the bike actually has — factory amp tray, amp rack, or a tight custom cavity — rather than dictating it.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\u003cp\u003eThe FLX2500.1 accepts high-level speaker output from the factory Harley Boom! Box radio directly — no additional converter required for 2014–2023 models — or low-level RCA from any aftermarket head unit or DSP pass-through output.\u003c\/p\u003e\n\u003cp\u003eTurn-on supports REM and DC offset modes. At 80A music-level current draw, the FLX2500.1 requires a lithium battery to sustain clean output at volume. Maximum draw is 260A; a 150A fuse is required on the power feed. For dual-amp installs adding the FLX2500.1 alongside a 4-channel amp, calculate total system current draw against the charging system's output before finalising the design.\u003c\/p\u003e\n\u003cp\u003eWiring matters at these current levels: use properly sized \u003cstrong\u003eOFC (oxygen-free copper)\u003c\/strong\u003e power and ground wire only — never CCAW (copper-clad aluminium), which carries less current for the same gauge and heats under sustained draw — and locate the main fuse within 457 mm (18\") of the battery terminal.\u003c\/p\u003e\n\n\u003ch3\u003e2024+ Platform Notes\u003c\/h3\u003e\n\u003cp\u003eFor 2023.5 CVO and 2024+ Harley-Davidson Touring models running Skyline OS, the FLX2500.1 can be integrated as part of an aftermarket audio system when paired with a NAV-TV ZEN-H or ZEN-H Pro upstream in the signal chain. Without a ZEN-H or ZEN-H Pro, integration with a 2023.5 CVO or 2024+ Harley is not supported. For 2014–2023 models (excluding 2023.5 CVO), the high-level input connects directly to the factory Boom! Box radio.\u003c\/p\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Street Glide:\u003c\/strong\u003e Fairing amp tray or custom enclosure position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Road Glide:\u003c\/strong\u003e Fairing amp tray or custom enclosure position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Ultra Limited \/ Ultra Classic:\u003c\/strong\u003e Fairing amp rack or Tour-Pak position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarley-Davidson CVO models:\u003c\/strong\u003e Fairing amp rack or Tour-Pak position (see 2024+ note above for Skyline OS bikes).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarley-Davidson Trike:\u003c\/strong\u003e Compatible — fairing, trunk, or saddlebag amp rack positions.\u003c\/li\u003e\n\u003cli\u003eCompatible with OEM Boom! Box radios (high-level input), all aftermarket head units (high-level or RCA), and DSP pass-through line-level outputs.\u003c\/li\u003e\n\u003cli\u003eRequires \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003elithium battery upgrade\u003c\/a\u003e and 2 AWG power and ground wiring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1-Channel (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2,500W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e91 dB (A-weighted)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD + N\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1% (10% rated power)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.5%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 Hz – 20 kHz (±3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHPF Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 Hz – 80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLPF Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80 Hz – 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Slope\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 dB per octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBass Boost\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVariable, 0 to +12 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBass Boost Frequency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVariable, 35 Hz – 90 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRemote Bass Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWired remote port — up to 20 dB level attenuation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePass-Through Output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-range line output for a second amplifier (no signal loss)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2Ω (1Ω not recommended)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Level — High (speaker-level)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.2V – 12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Level — Low (RCA)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.25V – 2.5V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-level or Low-level RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eREM \/ DC Offset\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9V – 16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e260A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Power Wire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBattery Requirement\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003eLithium battery upgrade\u003c\/a\u003e required\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Protection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOverload protection with clip, power, and protect LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Board\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConformal coated PCB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDetented crossover, gain, and bass boost potentiometers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCooling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExtruded aluminium heatsink + top-mounted fan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded Mounting Hardware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStandard + inverted bracket sets, 3M® locking velcro, zip ties\/straps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOutdoor-rated — moisture and vibration resistant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions — Chassis Only\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e204 × 125 × 51 mm (8.4 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions — With Mounting Brackets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e234 × 125 × 51 mm (9.2 × 4.9 × 2.0 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049491191,"sku":"FLX2500.1","price":1365.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-FLX2500_1-Ultra-High-Power-1-Channel-Class-D-Motorcycle-Subwoofer-Amplifier-2500W-RMS-2O.jpg?v=1779070228"},{"product_id":"cicada-audio-bfa5000-1-mono-motorcycle-amplifier","title":"Cicada Audio BFA5000.1 — Extreme-Power 1-Channel Class-D Motorcycle Subwoofer Amplifier (5,000W RMS @ 2Ω)","description":"\u003ch2\u003e5,000 watts. The amp for builds where nothing else is enough.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio BFA5000.1 is an extreme-output mono Class-D amplifier delivering 5,000W RMS at 2Ω and 3,000W RMS at 4Ω — the highest-output Cicada mono amplifier, purpose-built for competition-level subwoofer installs and show builds. LPF covers 20–250 Hz with a subsonic filter at 20–50 Hz. Requires 1\/0 AWG power wiring and a purpose-built electrical system capable of sustaining 200A at music-level draw.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FLX2500.1 is the high-output mono amp for serious builds. The BFA5000.1 is what comes after that — for builds where 2,500W is an intermediate figure rather than a ceiling, and where the full electrical infrastructure of a competition-grade install is either already in place or part of the design from the start. At 200A music-level draw and 450A maximum, this amplifier does not leave room for a standard motorcycle charging setup. It requires a purpose-built electrical system.\u003c\/p\u003e\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\u003cp\u003eFor competition and show-level builds where maximum subwoofer output is the primary design objective and electrical infrastructure is purpose-built for the audio system. The BFA5000.1 is the step up from the \u003ca href=\"\/products\/cicada-audio-flx2500-1-mono-motorcycle-amplifier\"\u003eFLX2500.1\u003c\/a\u003e for builds that have already exceeded what 2,500W can do — and where 1\/0 AWG wiring, a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003ehigh-capacity lithium battery\u003c\/a\u003e, and a charging system rated for sustained high-current draw are already part of the build.\u003c\/p\u003e\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompetition and show-level subwoofer installs\u003c\/strong\u003e — 5,000W at 2Ω is the output level for drivers designed to operate at competition SPL. For builds entered in sound-off events or built to demonstrate maximum system output, the BFA5000.1 is the correct amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom high-excursion subwoofer enclosures\u003c\/strong\u003e — large-format or custom-built enclosures housing high-excursion subwoofer drivers require the sustained high-current mono output the BFA5000.1 provides. This is the amplifier for drivers that require it.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilds with purpose-built electrical systems\u003c\/strong\u003e — a dedicated \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003ehigh-capacity lithium battery\u003c\/a\u003e, 1\/0 AWG power wiring, and a charging system sized for the load are not optional here. For builds where the electrical system was designed around the audio requirements, the BFA5000.1 uses that capacity.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4Ω driver applications at 3,000W\u003c\/strong\u003e — for builds running a 4Ω subwoofer where 3,000W is the target output, the BFA5000.1 provides that from a single channel while the 2Ω configuration remains available for dual voice coil or parallel wiring configurations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"maa-alert\"\u003e\n\u003ch3\u003eExtreme Electrical Infrastructure Required\u003c\/h3\u003e\n\u003cp\u003eThe BFA5000.1 requires 1\/0 AWG power and ground wiring, a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003ehigh-capacity lithium battery\u003c\/a\u003e, and a charging system capable of sustaining 200A at music-level draw. Maximum current draw is 450A. A 200A fuse is required on the power feed. This amplifier is not compatible with a standard motorcycle charging system or factory wiring infrastructure. The build must be designed around the amplifier's electrical requirements before this amp is purchased.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\u003cp\u003e5,000W mono — the highest-output Cicada amplifier for competition and show-level subwoofer builds. For builds that have earned it.\u003c\/p\u003e\n\u003cp\u003eReady to upgrade? Add to cart above. For serious sub output with more accessible infrastructure requirements, the \u003ca href=\"\/products\/cicada-audio-flx2500-1-mono-motorcycle-amplifier\"\u003eFLX2500.1 delivers 2,500W with 2 AWG wiring and a lithium battery upgrade\u003c\/a\u003e, and the \u003ca href=\"\/products\/cicada-audio-flx1600-1-mono-motorcycle-amplifier\"\u003eFLX1600.1 delivers 1,600W with 4 AWG wiring and no lithium requirement\u003c\/a\u003e.\u003c\/p\u003e\n\u003chr class=\"maa-tab-split\"\u003e\n\u003ch3\u003ePower Output — What the Numbers Mean\u003c\/h3\u003e\n\u003cp\u003eThe BFA5000.1 is rated at 3,000W at 4Ω and 5,000W at 2Ω at 14.4V — a supply voltage that assumes a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003ehigh-capacity lithium battery\u003c\/a\u003e maintaining stable voltage under the sustained current draw this amplifier produces at rated output. At music-level draw of 200A, voltage stability at the amplifier terminals is directly dependent on the quality of the battery, the wire gauge between the battery and the amp, and the connection quality at both ends. At 450A maximum draw, the electrical system must be engineered for the load.\u003c\/p\u003e\n\u003cp\u003eFrequency response runs 20–250 Hz — the BFA5000.1 is a dedicated subwoofer amplifier. It is not intended for full-range operation. The LPF and subsonic crossover controls are the appropriate signal management tools for this amp's operating range.\u003c\/p\u003e\n\u003ch3\u003eCrossover and Signal Control\u003c\/h3\u003e\n\u003cp\u003eThe BFA5000.1 runs an LPF crossover covering 20–250 Hz with a 12 dB per octave slope, and a subsonic filter covering 20–50 Hz. The LPF sets the upper frequency limit for the subwoofer channel — typically 80–120 Hz for integration with a 4-channel front stage, depending on the crossover point set in the upstream amp or DSP. The subsonic filter protects the driver from excursion at frequencies below its usable range, where a high-excursion subwoofer can damage itself without visible or audible warning.\u003c\/p\u003e\n\u003cp\u003eInput sensitivity runs 0.2V – 12V, covering standard RCA output from aftermarket head units and DSP pass-through line-level outputs.\u003c\/p\u003e\n\u003ch3\u003eSystem Integration\u003c\/h3\u003e\n\u003cp\u003eThe BFA5000.1 accepts low-level RCA input from any aftermarket head unit or DSP processor, or high-level input via Molex® connector. Turn-on supports REM and DC offset modes.\u003c\/p\u003e\n\u003cp\u003eAt 200A music-level current draw, the BFA5000.1 is beyond the sustained output of any factory Harley charging system. A purpose-built electrical system with a \u003ca href=\"\/products\/braille-green-lite-g30h-lithium-motorcycle-battery\"\u003ehigh-capacity lithium battery\u003c\/a\u003e, 1\/0 AWG power and ground wiring from supply to amplifier, and a 200A fuse on the main power feed are all mandatory. For builds adding the BFA5000.1 alongside a 4-channel amp, the total system current draw must be calculated against the electrical system's rated sustained output before the install is finalised.\u003c\/p\u003e\n\u003cp\u003eSpeaker connections use 12 AWG busbar-style outputs for solid high-current termination to the subwoofer driver.\u003c\/p\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for custom enclosure positions — Tour-Pak, saddlebag, lower fairing enclosures, or bespoke fabricated sub boxes. Physical dimensions not available at time of publish; confirm chassis size before planning the enclosure position.\u003c\/li\u003e\n\u003cli\u003eCompatible with all aftermarket head units (high-level or RCA inputs via Molex® connector).\u003c\/li\u003e\n\u003cli\u003eRequires 1\/0 AWG power and ground wiring and a purpose-built electrical system. Not compatible with standard factory motorcycle wiring infrastructure.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1-Channel (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 4Ω @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3,000W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output — 2Ω @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5,000W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e86 dB (A-weighted, 20 Hz – 250 Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz – 250 Hz (±3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLPF Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz – 250 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSubsonic Filter Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz – 50 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Slope\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 dB per octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.2V – 12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-level or Low-level RCA (Molex® connector)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eREM \/ DC Offset\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9V – 16V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e450A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Power Wire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/0 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOutdoor-rated — conformal coated, moisture and vibration resistant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c!-- SPEC NOTE: Dimensions not provided in source spec sheet. Confirm and update before publishing. --\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049523959,"sku":"BFA5000.1","price":1705.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-BFA5000_1-Extreme-Power-1-Channel-Class-D-Motorcycle-Subwoofer-Amplifier-5000W-RMS-2O.webp?v=1779070233"},{"product_id":"cicada-audio-hdpg8k-harley-power-ground-kit","title":"Cicada Audio HDPG8K — Harley-Davidson 8 AWG Power \u0026 Ground Wiring Kit","description":"\u003ch2\u003eCicada Audio HDPG8K — Harley-Davidson 8 AWG Power \u0026amp; Ground Wiring Kit\u003c\/h2\u003e\n\u003cp\u003eThe Cicada Audio HDPG8K is a complete \u003cstrong\u003e8 AWG power and ground wiring kit\u003c\/strong\u003e engineered for installing aftermarket amplifiers on Harley-Davidson motorcycles. Designed specifically for Harley Touring models, this kit provides clean, reliable, and properly gauged wiring for modern high-efficiency motorcycle amps.\u003c\/p\u003e\n\u003cp\u003eWhether you’re adding a small 4-channel amplifier or a dedicated midbass\/subwoofer amp, the HDPG8K ensures stable voltage, reduced resistance, and long-term reliability — even in harsh riding environments.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality 8 AWG copper cable:\u003c\/strong\u003e Provides reliable current delivery for most motorcycle amplifier installations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePre-cut lengths optimised for Harley-Davidson:\u003c\/strong\u003e Clean routing through the fairing, neck, and down the frame.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncludes power \u0026amp; ground wiring:\u003c\/strong\u003e Everything required for a safe, OEM-quality install.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeat- and vibration-resistant:\u003c\/strong\u003e Built for real-world motorcycle conditions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatible with all Cicada amplifiers:\u003c\/strong\u003e FLX, PRO, and BFA series.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIdeal For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUpgrading factory wiring for better amplifier performance.\u003c\/li\u003e\n\u003cli\u003eInstalling 4-channel, 5-channel, or mono motorcycle amplifiers.\u003c\/li\u003e\n\u003cli\u003eHarley bagger builds that require stable power delivery.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarley-Davidson Touring Models (1998–2024)\u003c\/li\u003e\n\u003cli\u003eStreet Glide, Road Glide, Ultra Limited, Road King (with add-on audio), CVO, Tri Glide\u003c\/li\u003e\n\u003cli\u003eAny motorcycle requiring an 8 AWG amplifier wiring upgrade\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant the right wiring for your build?\u003c\/strong\u003e Motorcycle Audio Australia can help ensure your amplifier and wiring are perfectly matched.\u003c\/p\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049556727,"sku":"HDPG8K","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-24FLXCXX-4X4SG-Level-2-Full-Stage-Kit-for-2024-Street-Glide-Zen-H-Included-8.webp?v=1782089674"},{"product_id":"cicada-audio-hdpg4k-4awg-amplifier-power-ground-kit-harley","title":"Cicada Audio HDPG4K — 4 AWG Amplifier Power \u0026 Ground Install Kit for Harley-Davidson","description":"\u003ch2\u003e4 AWG amplifier power and ground install kit — engineered for Harley-Davidson Touring\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe HDPG4K is Cicada Audio's 4 AWG amplifier wiring kit for Harley-Davidson Touring. It provides a complete power and ground run from battery to amplifier: 6 ft of 4 AWG cable with black over-braid, ring terminals at the battery end, and ferrules at the amplifier end. The kit includes a remote trigger wire with H-D® plug for direct integration with the Harley harness or remote trigger point, and a waterproof Mini ANL fuse holder with 60A, 80A, and 100A fuses.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe HDPG4K is the correct power wiring specification for high-output Cicada FLX amplifiers — including the FLX1400.4PRO — where 4 AWG conductors are required to handle the amplifier's current draw without voltage sag under sustained load.\u003c\/p\u003e\n\n\u003ch3\u003eWhat's in the Kit\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 ft 4 AWG Power Cable\u003c\/strong\u003e — black over-braid, ring terminals at battery end, ferrules at amplifier end\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 ft 4 AWG Ground Cable\u003c\/strong\u003e — black over-braid, ring terminals at battery end, ferrules at amplifier end\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRemote Trigger Wire\u003c\/strong\u003e — H-D® plug for direct termination to the Harley harness remote trigger point\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWaterproof Mini ANL Fuse Holder\u003c\/strong\u003e — includes 60A, 80A, and 100A fuses\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003cthead\u003e\n    \u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\n  \u003c\/thead\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStreet Glide \/ Street Glide Special\u003c\/td\u003e\n\u003ctd\u003e2014+\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRoad Glide \/ Road Glide Special\u003c\/td\u003e\n\u003ctd\u003e2015+\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eUltra Limited \/ Ultra Limited CVO\u003c\/td\u003e\n\u003ctd\u003e2014+\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eElectra Glide \/ Electra Glide Ultra\u003c\/td\u003e\n\u003ctd\u003e2014+\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTri Glide Ultra\u003c\/td\u003e\n\u003ctd\u003e2014+\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 ft power \/ 6 ft ground\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBlack over-braid\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBattery Termination\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRing terminals\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Termination\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFerrules\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRemote Trigger\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eH-D® plug — harness or trigger point\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFuse Holder\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWaterproof Mini ANL\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFuses Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e60A, 80A, 100A\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049589495,"sku":"HDPG4K","price":205.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-24FLXPCHX-4X4RG-Level-5-PRO-Full-Stage-Kit-for-2024-Road-Glide-1400W-DSP-Carbon-Matrix-Horn-Coaxials-12.jpg?v=1782089837"},{"product_id":"cicada-audio-hdpg2kd-harley-2awg-dual-amp-power-ground-kit","title":"Cicada Audio HDPG2KD — Harley-Davidson 2 AWG Heavy-Duty Dual-Amp Power \u0026 Ground Kit","description":"\u003ch2\u003e2 AWG dual-amplifier power and ground kit. Powers up to three Cicada FLX amplifiers from a single high-current run.\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio HDPG2KD is a heavy-duty 2 AWG dual-amplifier power and ground wiring kit for Harley-Davidson® — 2 AWG and 4 AWG power\/ground cables, waterproof fuse holder, MANL 100A\/150A\/200A fuses, dual power and ground distribution blocks, 18 AWG blue remote turn-on wire, and corrosion-resistant ring terminals. Designed to power up to three Cicada FLX amplifiers.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRunning multiple high-current amplifiers from a single battery connection requires more than just heavier cable — it requires distribution hardware that splits power and ground cleanly without introducing resistance at the distribution point. The HDPG2KD provides both: 2 AWG primary cable for the main run from the battery, 4 AWG secondary wiring for the distribution legs, and dual distribution blocks that split power and ground for up to three amplifiers. The fuse selection (100A, 150A, 200A MANL) covers the range from a single high-output amp through a full multi-amp Tour-Pak and saddlebag build.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\n\u003cp\u003eRiders running two or three Cicada FLX amplifiers — particularly high-current models like the FLX2000.4, FLX2500.1, or BFA5000.1 — where aggregate current draw is beyond what a single-amp kit can support cleanly. For single-amplifier Tour-Pak builds, the \u003ca href=\"\/products\/cicada-audio-hdpg2kt-2awg-tour-pak-amplifier-wiring-kit\"\u003eHDPG2KT\u003c\/a\u003e (2 AWG) is the simpler option. For moderate single-amp builds, the \u003ca href=\"\/products\/cicada-audio-hdpg6k-6awg-amplifier-wiring-kit-harley-davidson\"\u003eHDPG6K\u003c\/a\u003e (6 AWG) is sufficient.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual and triple amplifier builds\u003c\/strong\u003e — distribution blocks split power and ground cleanly for up to three amplifiers; each amp gets a dedicated, low-resistance connection from the block.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-current FLX amplifier systems\u003c\/strong\u003e — 2 AWG primary cable supports the combined current draw of FLX2000.4, FLX2500.1, BFA5000.1, and similar high-demand models without voltage sag under load.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eComplete, ready-to-install kit\u003c\/strong\u003e — everything in one box: primary cable, distribution hardware, fuses in three ratings, remote wire, and terminals. No sourcing hardware separately.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFlexible fusing\u003c\/strong\u003e — 100A, 150A, and 200A MANL fuses included; select the rating that matches the combined amplifier current draw.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003e2 AWG primary, 4 AWG distribution, dual power\/ground blocks, MANL fuses (100\/150\/200A), waterproof fuse holder. The complete multi-amp power kit for serious Harley builds.\u003c\/p\u003e\n\n\u003cp\u003eAdd to cart above.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eWhat's in the HDPG2KD\u003c\/h3\u003e\n\n\u003cp\u003ePremium 2 AWG power (red) and ground (black) primary cables for the main battery run, and 4 AWG secondary cables for the distribution legs to each amplifier. The kit includes dual distribution blocks (power and ground), a waterproof MANL fuse holder, MANL 100A, 150A, and 200A fuses, an 18 AWG blue remote turn-on wire, and corrosion-resistant ring terminals.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePrimary Wire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 AWG (power + ground)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDistribution Wire Gauge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 AWG\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDistribution Blocks\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual — power and ground\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifiers Supported\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 3\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFuse Holder\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWaterproof MANL\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFuses Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100A, 150A, 200A MANL\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRemote Wire\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18 AWG blue\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBattery Termination\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCorrosion-resistant ring terminals\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049622263,"sku":"HDPG2KD","price":515.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-HDPG2KD-Harley-Davidson-2-AWG-Heavy-Duty-Dual-Amp-Power-Ground-Kit.webp?v=1779250129"},{"product_id":"24hddar-rg","title":"Cicada Audio 24HDAR-RG - FLX Single Amplifier Mounting System 2024 H-D® Road Glide®","description":"\u003ch2\u003eFLX amplifier mounting rack for 2024+ H-D® Road Glide®. Bolts to OEM amplifier mounting locations — pre-drilled for FLX-style amplifiers, black anodized aluminium, hardware included.\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio 24HDAR-RG is an amplifier mounting rack for 2024+ Harley-Davidson® Road Glide® models — designed to mount a Cicada Audio® FLX-style amplifier at the factory amplifier mounting locations using existing OEM mount points, with pre-drilled holes aligned to FLX amplifier mounting positions. Black anodized aluminium construction, mounting hardware included.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eInstalling a Cicada Audio® FLX-style amplifier on a 2024+ Road Glide® needs a mounting solution designed for the bike's factory amplifier space. The 24HDAR-RG uses the OEM amplifier mounting points already present in the Road Glide® fairing — no locating new mount positions, no drilling the bike. Pre-drilled holes in the rack align directly with FLX-style amplifier mounting points for a clean, stable fit.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\n\u003cp\u003eBuilders installing a Cicada Audio® FLX-style amplifier on a 2024+ Harley-Davidson® Road Glide® who need a proper mounting solution using the factory amplifier location. For the Street Glide® version, see the \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOEM-location mounting on the 2024+ Road Glide®\u003c\/strong\u003e — uses the factory amplifier mounting points in the Road Glide® fairing; no new drilling required on the bike.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFLX-style amplifier fit\u003c\/strong\u003e — pre-drilled mounting positions matched to Cicada Audio® FLX-style amplifier mounting holes for a direct, secure fit.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eClean, durable construction\u003c\/strong\u003e — black anodized aluminium resists corrosion and wear in the fairing environment; mounting hardware included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003eFLX amplifier mounting rack for 2024+ H-D® Road Glide® — OEM mounting locations, pre-drilled, hardware included. For Street Glide®, see the \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eAdd to cart above.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBike Application\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2024+ Harley-Davidson® Road Glide®\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Compatibility\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCicada Audio® FLX-style amplifiers\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFactory OEM amplifier mounting locations — no new drilling required\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBlack anodized aluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHardware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049753335,"sku":"24HDAR-RG","price":140.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-24FLXCHX-4X4RG-Level-5-Full-Stage-Kit-for-2024-Road-Glide-1400W-Carbon-Matrix-Horn-Coaxials-14.webp?v=1782089806"},{"product_id":"cicada-audio-chx65-4-pro-coaxial-horn-speakers","title":"Cicada Audio CHX65.4 — 6.5\" Pro Coaxial Horn Motorcycle Speakers (4Ω, Carbon Matrix Composite)","description":"\u003ch2\u003e300W RMS, 4Ω. The CHX65.2 for bridged and conservative builds.\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio CHX65.4 is a 6.5-inch 4Ω PRO coaxial horn speaker — 300W RMS, 92 dB sensitivity, aluminium horn tweeter with Nanofram™ all-weather horn cover, Carbon Matrix Composite™ (CMC™) mid-bass cone, Black Coat™ OFC 2.0-inch mid-bass voice coil, N35SH neodymium motor, tweeter attenuation (-3\/-6 dB), and an external 12 dB crossover in a die-cast aluminium basket. Designed for 2014+ Harley-Davidson factory speaker locations. Sold in pairs.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe CHX65.4 shares every construction element with the \u003ca href=\"\/products\/cicada-audio-chx65-2-pro-coaxial-horn-speakers\"\u003eCHX65.2\u003c\/a\u003e — the same CMC™ cone, the same Nanofram™ Horn Cover, the same 300W RMS power handling and 92 dB sensitivity. The 4Ω impedance presents a higher electrical load to the amplifier: lower current demand, reduced thermal stress, and compatibility with bridged configurations where a 4Ω minimum load is required. In the same 2014+ H-D factory mounting footprint, with the impedance suited to a bridged or conservative amp configuration.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Speaker Is For\u003c\/h3\u003e\n\n\u003cp\u003eFor riders replacing 2014+ H-D factory fairing speakers who are running bridged front channels, or who prefer the conservative 4Ω impedance for better system thermal performance. The CHX65.4 is the 4Ω variant of the \u003ca href=\"\/products\/cicada-audio-chx65-2-pro-coaxial-horn-speakers\"\u003eCHX65.2\u003c\/a\u003e — same driver, same PRO construction, higher impedance. For dedicated 2Ω-rated amplifiers in stereo, the \u003ca href=\"\/products\/cicada-audio-chx65-2-pro-coaxial-horn-speakers\"\u003eCHX65.2\u003c\/a\u003e extracts maximum power.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBridged front channels on 2014+ Street Glide, Road Glide, or Touring builds\u003c\/strong\u003e — when front channels are bridged for maximum per-channel output, the CHX65.4 satisfies the 4Ω minimum load requirement while delivering the PRO horn coaxial's 92 dB output from the factory fairing position.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniform 4Ω PRO horn builds\u003c\/strong\u003e — pairing CHX65.4 front with \u003ca href=\"\/products\/cicada-audio-chx69-4-pro-coaxial-horn-speakers\"\u003eCHX69.4\u003c\/a\u003e rear gives the full system consistent 4Ω impedance across every position, simplifying amplifier matching and reducing total system current demand.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConservative builds where the entire system runs 4Ω speakers\u003c\/strong\u003e — for builds where reducing total current demand across all channels is a priority, 4Ω front speakers are the correct choice for the front stage.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBuilds where the amplifier already delivers sufficient power at 4Ω\u003c\/strong\u003e — when the amp's 4Ω rated output exceeds 300W per channel, the CHX65.4 delivers its full rated power without requiring the 2Ω operating condition.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-warning\"\u003e\n  \u003ch3\u003e⚠ Crossover Setting — Read Before Installing\u003c\/h3\u003e\n  \u003cp\u003eSet your high-pass crossover to \u003cstrong\u003e120 Hz minimum at 24 dB\/oct slope\u003c\/strong\u003e before powering the CHX65.4. Horn coaxial drivers reach their mechanical travel limit (XMAX) at low frequencies — crossing over too low causes over-excursion. The damage is mechanical: tinsel lead connections tear from the voice coil\/spider assembly as the cone overextends. This is not a power problem. It is a crossover problem.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n  \u003ch3\u003e2Ω vs 4Ω — Choosing the Right Version\u003c\/h3\u003e\n  \u003cp\u003eThe CHX65.4 is a 4Ω speaker. Choose the 4Ω version for bridged amplifier configurations, conservative system designs where amplifier thermal margin matters, or when the amplifier already delivers sufficient power at 4Ω. For maximum output from a dedicated 2Ω-rated amplifier in stereo, the \u003ca href=\"\/products\/cicada-audio-chx65-2-pro-coaxial-horn-speakers\"\u003eCHX65.2 (2Ω)\u003c\/a\u003e is the correct choice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003e300W RMS, 92 dB, 6.5-inch PRO horn coaxial with CMC™ cone, Nanofram™ all-weather cover — the 4Ω version for bridged and conservative builds in 2014+ H-D factory fairing positions.\u003c\/p\u003e\n\n\u003cp\u003eReady to upgrade? Add to cart above. For the 2Ω variant, the \u003ca href=\"\/products\/cicada-audio-chx65-2-pro-coaxial-horn-speakers\"\u003eCHX65.2\u003c\/a\u003e is the same speaker at 2Ω. For a 6×9 PRO horn rear stage at 4Ω, the \u003ca href=\"\/products\/cicada-audio-chx69-4-pro-coaxial-horn-speakers\"\u003eCHX69.4\u003c\/a\u003e is the rear-stage complement.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eWhat's Inside the CHX65.4\u003c\/h3\u003e\n\n\u003cp\u003eThe CHX65.4 is identical in construction to the \u003ca href=\"\/products\/cicada-audio-chx65-2-pro-coaxial-horn-speakers\"\u003eCHX65.2\u003c\/a\u003e — all construction notes below apply equally to both impedance variants.\u003c\/p\u003e\n\n\u003cp\u003eThe tweeter is an \u003cstrong\u003ealuminium dome in a horn waveguide\u003c\/strong\u003e, protected by the \u003cstrong\u003eNanofram™ Horn Cover\u003c\/strong\u003e. The removable threaded horn ring allows replacement or modification. Horn loading delivers 92 dB sensitivity. The 4Ω impedance adds thermal headroom to both the driver and the amplifier in the fairing stage operating environment. \u003cem\u003eOn the road: horn-loaded treble from the 2014+ H-D factory position with the amplifier running cooler on the front channels.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe mid-bass cone is \u003cstrong\u003eCarbon Matrix Composite™ (CMC™)\u003c\/strong\u003e — lightweight, rigid, and thermally stable under sustained output. The \u003cstrong\u003e2.0-inch \/ 51mm Black Coat™ OFC copper mid-bass voice coil\u003c\/strong\u003e handles sustained 300W RMS. The \u003cstrong\u003e1.4-inch \/ 35.56mm OFC copper tweeter voice coil\u003c\/strong\u003e completes the signal path. The motor is an \u003cstrong\u003eN35SH neodymium\u003c\/strong\u003e with H-grade temperature rating. \u003cstrong\u003eTweeter attenuation\u003c\/strong\u003e of -3 or -6 dB allows balancing the horn tweeter's output against the mid-bass in the fairing position.\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eexternal 12 dB crossover\u003c\/strong\u003e is custom-tooled, vented, and encased, with the tweeter attenuation resistor heat-sink encased separately.\u003c\/p\u003e\n\n\u003ch3\u003eSensitivity and Frequency Coverage\u003c\/h3\u003e\n\n\u003cp\u003eAt 92 dB (1W\/1m) and 300W RMS, the CHX65.4 matches the output of the CHX65.2 — impedance choice changes amplifier compatibility, not speaker performance. Frequency response runs 70 Hz – 20 kHz (±4 dB). The 4Ω impedance means the amplifier draws less current on the front channels — in a build where all four channels share one amplifier, 4Ω front speakers give the system more thermal headroom overall.\u003c\/p\u003e\n\n\u003ch3\u003eWhy 4Ω — Bridged Amps and Thermal Margin\u003c\/h3\u003e\n\n\u003cp\u003eA 4Ω speaker presents a higher electrical load than a 2Ω speaker — lower current demand and more thermal margin on both sides. For bridged configurations where two amp channels combine to drive a speaker pair, the 4Ω load satisfies the minimum impedance requirement on amplifiers including the \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e. For stereo installs at the amp's rated 2Ω output, the \u003ca href=\"\/products\/cicada-audio-chx65-2-pro-coaxial-horn-speakers\"\u003eCHX65.2\u003c\/a\u003e is the matching choice.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDesigned for 2014+ H-D factory speaker locations — direct-fit for the standard fairing speaker position on Harley-Davidson Touring models from 2014 onward.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2014+ Harley-Davidson Touring fairing positions:\u003c\/strong\u003e Street Glide, Road Glide, Ultra Classic, Ultra Limited, and other 2014+ Touring models with the standard 5.67-inch factory cutout.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCustom positions:\u003c\/strong\u003e Any custom enclosure designed around the CHX65.4's 5.67-inch mounting diameter and 2.64-inch depth.\u003c\/li\u003e\n  \u003cli\u003eMounting Depth: 67 mm (2.64 in). Mounting Diameter (cutout): 144 mm (5.67 in).\u003c\/li\u003e\n  \u003cli\u003eWiring: 0.187 connectors — matches stock H-D speaker wiring.\u003c\/li\u003e\n  \u003cli\u003eCompatible with 4Ω-rated amplifiers including bridged configurations — \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e, \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e, and other 4Ω-stable motorcycle amplifiers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDriver Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4Ω nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling — RMS\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e300W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling — MAX\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600W peak\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e92 dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e70 Hz – 20 kHz (±4 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Crossover Frequency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 Hz @ 24 dB\/oct — see crossover warning above\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil — Mid-bass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.0 in (51 mm) — Black Coat™ OFC copper\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil — Tweeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.4 in (35.56 mm) — OFC copper\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMagnet Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNeodymium N35SH\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCone Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCarbon Matrix Composite™ (CMC™)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Dome\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Loading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHorn waveguide — Nanofram™ Horn Cover (Rain or Shine™)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHorn Cover\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNanofram™ — removable threaded horn ring\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Attenuation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-3 \/ -6 dB (heat-sink encased resistor crossover)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExternal 12 dB — custom tooled, vented, encased\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBasket\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDie-cast aluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e67 mm (2.64 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Diameter (Cutout)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e144 mm (5.67 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eH-D Factory Fitment\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2014+ Harley-Davidson Touring factory speaker locations\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRain or Shine™ — Nanofram™ Horn Cover, CMC™ cone, aluminium tweeter dome\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 years\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSold As\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049949943,"sku":"CHX65.4","price":1365.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-CHX65_4-6_5-Pro-Coaxial-Horn-Motorcycle-Speakers-4O-Carbon-Matrix-Composite.jpg?v=1765777568"},{"product_id":"cicada-audio-chx65-2-pro-coaxial-horn-speakers","title":"Cicada Audio CHX65.2 — 6.5\" Pro Coaxial Horn Motorcycle Speakers (2Ω, Carbon Matrix Composite)","description":"\u003ch2\u003eThe PRO horn for 2014+ Harley factory positions — CMC™ cone, 300W RMS.\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio CHX65.2 is a 6.5-inch 2Ω PRO coaxial horn speaker — 300W RMS, 92 dB sensitivity, aluminium horn tweeter with Nanofram™ all-weather horn cover, Carbon Matrix Composite™ (CMC™) mid-bass cone, Black Coat™ OFC 2.0-inch mid-bass voice coil, N35SH neodymium motor, tweeter attenuation (-3\/-6 dB), and an external 12 dB crossover in a die-cast aluminium basket. Designed for 2014+ Harley-Davidson factory speaker locations. Sold in pairs.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe CHX65.2 occupies the same 2014+ H-D factory speaker location as a stock fairing driver — 5.67-inch mounting diameter, 2.64-inch depth — with the construction of the PRO series: Carbon Matrix Composite™ cone, Nanofram™ Horn Cover, 300W RMS power handling, and 92 dB sensitivity. Where a factory speaker fills a location, the CHX65.2 transforms it. For riders who want the PRO series' CMC™ construction over the treated paper cone of the \u003ca href=\"\/products\/cicada-audio-ch65-2c-high-efficiency-horn-coaxial-speakers\"\u003eCH65.2C\u003c\/a\u003e — with 50W more RMS headroom — this is the direct upgrade in the same mounting footprint.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Speaker Is For\u003c\/h3\u003e\n\n\u003cp\u003eFor riders replacing factory fairing speakers on 2014+ Harley-Davidson Touring models who want PRO series construction — CMC™ cone, 300W RMS — in a direct-fit format. The CHX65.2 is the 2Ω version, correct for dedicated 2Ω-rated amplifiers in stereo. For bridged configurations or 4Ω builds, the \u003ca href=\"\/products\/cicada-audio-chx65-4-pro-coaxial-horn-speakers\"\u003eCHX65.4\u003c\/a\u003e is the 4Ω variant. For the same H-D factory fitment at the standard CH series construction level, the \u003ca href=\"\/products\/cicada-audio-ch65-2c-high-efficiency-horn-coaxial-speakers\"\u003eCH65.2C\u003c\/a\u003e is the non-PRO option.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFactory fairing speaker positions on 2014+ Street Glide, Road Glide, and Touring models\u003c\/strong\u003e — the CHX65.2 fits the same 5.67-inch factory cutout as the stock driver. CMC™ cone construction, 300W RMS power handling, and horn-loaded tweeter efficiency in a direct-fit format that requires no modification to the factory speaker location.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull PRO horn front stage builds\u003c\/strong\u003e — pairing CHX65.2 with a \u003ca href=\"\/products\/cicada-audio-chx69-2-pro-coaxial-horn-speakers\"\u003eCHX69.2\u003c\/a\u003e rear stage gives the complete system consistent CMC™ PRO horn character and sensitivity across every position.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-output front stage builds requiring 300W RMS capacity\u003c\/strong\u003e — the CHX65.2's 300W RMS handling is matched to the output of the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-flx2000-4-4-channel-motorcycle-amplifier\"\u003eFLX2000.4\u003c\/a\u003e at 2Ω stereo, giving the full output of those amplifiers a speaker that can handle it.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBuilds stepping up from the CH65.2C\u003c\/strong\u003e — riders who want CMC™ cone construction and 50W RMS additional headroom in the same 2014+ H-D factory mounting footprint.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-warning\"\u003e\n  \u003ch3\u003e⚠ Crossover Setting — Read Before Installing\u003c\/h3\u003e\n  \u003cp\u003eSet your high-pass crossover to \u003cstrong\u003e120 Hz minimum at 24 dB\/oct slope\u003c\/strong\u003e before powering the CHX65.2. Horn coaxial drivers reach their mechanical travel limit (XMAX) at low frequencies — crossing over too low causes over-excursion. The damage is mechanical: tinsel lead connections tear from the voice coil\/spider assembly as the cone overextends. This is not a power problem. It is a crossover problem.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n  \u003ch3\u003e2Ω vs 4Ω — Choosing the Right Version\u003c\/h3\u003e\n  \u003cp\u003eThe CHX65.2 is a 2Ω speaker. Choose the 2Ω version when running a dedicated 2Ω-rated amplifier in stereo — the \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-flx2000-4-4-channel-motorcycle-amplifier\"\u003eFLX2000.4\u003c\/a\u003e publish their rated output at 2Ω, which is where the CHX65.2 delivers its full 300W RMS capacity. For bridged amplifier configurations requiring a 4Ω minimum load, the \u003ca href=\"\/products\/cicada-audio-chx65-4-pro-coaxial-horn-speakers\"\u003eCHX65.4 (4Ω)\u003c\/a\u003e is the correct choice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003e300W RMS, 92 dB, 6.5-inch PRO horn coaxial with CMC™ cone, Nanofram™ all-weather cover, and tweeter attenuation — direct-fit for 2014+ H-D factory positions, with the PRO series construction upgrade over the CH65.2C.\u003c\/p\u003e\n\n\u003cp\u003eReady to upgrade? Add to cart above. For the 4Ω variant, the \u003ca href=\"\/products\/cicada-audio-chx65-4-pro-coaxial-horn-speakers\"\u003eCHX65.4\u003c\/a\u003e is the same speaker at 4Ω. For a 6×9 PRO horn in saddlebag lid rear positions, the \u003ca href=\"\/products\/cicada-audio-chx69-2-pro-coaxial-horn-speakers\"\u003eCHX69.2\u003c\/a\u003e is the rear-stage complement.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eWhat's Inside the CHX65.2\u003c\/h3\u003e\n\n\u003cp\u003eThe tweeter is an \u003cstrong\u003ealuminium dome in a horn waveguide\u003c\/strong\u003e, protected by the \u003cstrong\u003eNanofram™ Horn Cover\u003c\/strong\u003e — Cicada's all-weather horn enclosure. The removable threaded horn ring allows the cover to be replaced or modified. Horn loading delivers 92 dB sensitivity from the aluminium dome driver. \u003cem\u003eOn the road: projected, present treble from the factory fairing position that remains audible at highway speed — the horn's efficiency advantage over a dome-tweeter design in the same location.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe mid-bass cone is \u003cstrong\u003eCarbon Matrix Composite™ (CMC™)\u003c\/strong\u003e — lighter and more rigid than treated paper, with higher temperature resistance. The \u003cstrong\u003e2.0-inch \/ 51mm Black Coat™ OFC copper mid-bass voice coil\u003c\/strong\u003e handles sustained 300W RMS. The \u003cstrong\u003e1.4-inch \/ 35.56mm OFC copper tweeter voice coil\u003c\/strong\u003e completes the signal path. \u003cem\u003eOn the road: consistent fairing-stage mid-bass output across extended high-output riding — the CMC™ cone maintains its stiffness and resonant characteristics where a paper cone can soften under load.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe motor is an \u003cstrong\u003eN35SH neodymium\u003c\/strong\u003e with H-grade temperature rating. The die-cast aluminium basket provides the structural rigidity required for the factory-fit installation. The \u003cstrong\u003etweeter attenuation\u003c\/strong\u003e of -3 or -6 dB allows balancing the horn tweeter's output against the mid-bass — useful for system tuning against the rear stage in a full front-and-rear build.\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eexternal 12 dB crossover\u003c\/strong\u003e is custom-tooled, vented, and encased, with the tweeter attenuation resistor heat-sink encased separately.\u003c\/p\u003e\n\n\u003ch3\u003eSensitivity and Frequency Coverage\u003c\/h3\u003e\n\n\u003cp\u003eAt 92 dB (1W\/1m) and 300W RMS, the CHX65.2 delivers fairing-stage output that extracts full rated performance from a high-output motorcycle amplifier. Frequency response runs 70 Hz – 20 kHz (±4 dB). The horn-loaded tweeter delivers the upper-frequency efficiency that makes the fairing stage audible at highway speed regardless of wind and mechanical noise levels.\u003c\/p\u003e\n\n\u003ch3\u003eWhy 2Ω — Amplifier Pairing\u003c\/h3\u003e\n\n\u003cp\u003eAt 2Ω, the CHX65.2 extracts full rated output from any 2Ω-stable motorcycle amplifier. The \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-flx2000-4-4-channel-motorcycle-amplifier\"\u003eFLX2000.4\u003c\/a\u003e publish their rated output at 2Ω stereo — the CHX65.2's 300W RMS capacity is matched to what those amplifiers produce at 2Ω per channel. For bridged configurations, the \u003ca href=\"\/products\/cicada-audio-chx65-4-pro-coaxial-horn-speakers\"\u003eCHX65.4\u003c\/a\u003e satisfies the 4Ω minimum load requirement. The \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e bridged into CHX65.4 at 4Ω is also a supported configuration.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDesigned for 2014+ H-D factory speaker locations — direct-fit for the standard fairing speaker position on Harley-Davidson Touring models from 2014 onward.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2014+ Harley-Davidson Touring fairing positions:\u003c\/strong\u003e Street Glide, Road Glide, Ultra Classic, Ultra Limited, Road King (where applicable), and other 2014+ Touring models with the standard 5.67-inch factory cutout.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCustom positions:\u003c\/strong\u003e Any custom enclosure designed around the CHX65.2's 5.67-inch mounting diameter and 2.64-inch depth.\u003c\/li\u003e\n  \u003cli\u003eMounting Depth: 67 mm (2.64 in). Mounting Diameter (cutout): 144 mm (5.67 in).\u003c\/li\u003e\n  \u003cli\u003eWiring: 0.187 connectors — matches stock H-D speaker wiring. Connect both tweeter and mid-bass leads to the stock H-D speaker wiring connections.\u003c\/li\u003e\n  \u003cli\u003eRequires a dedicated external amplifier rated at 2Ω — \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e, \u003ca href=\"\/products\/cicada-audio-flx2000-4-4-channel-motorcycle-amplifier\"\u003eFLX2000.4\u003c\/a\u003e, or other 2Ω-stable motorcycle amplifiers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDriver Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6.5 in\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2Ω nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling — RMS\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e300W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling — MAX\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600W peak\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e92 dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e70 Hz – 20 kHz (±4 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Crossover Frequency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 Hz @ 24 dB\/oct — see crossover warning above\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil — Mid-bass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.0 in (51 mm) — Black Coat™ OFC copper\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil — Tweeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.4 in (35.56 mm) — OFC copper\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMagnet Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNeodymium N35SH\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCone Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCarbon Matrix Composite™ (CMC™)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Dome\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Loading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHorn waveguide — Nanofram™ Horn Cover (Rain or Shine™)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHorn Cover\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNanofram™ — removable threaded horn ring\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Attenuation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-3 \/ -6 dB (heat-sink encased resistor crossover)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExternal 12 dB — custom tooled, vented, encased\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBasket\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDie-cast aluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e67 mm (2.64 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Diameter (Cutout)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e144 mm (5.67 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eH-D Factory Fitment\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2014+ Harley-Davidson Touring factory speaker locations\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRain or Shine™ — Nanofram™ Horn Cover, CMC™ cone, aluminium tweeter dome\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 years\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSold As\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338049982711,"sku":"CHX65.2","price":1365.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-24FLXPCHX-4X4SG-Level-5-PRO-Full-Stage-Kit-for-2024-Street-Glide-1400W-DSP-Carbon-Matrix-Horn-Coaxials-5.webp?v=1782089841"},{"product_id":"cicada-audio-chx8-4-pro-coaxial-horn-speakers","title":"Cicada Audio CHX8.4 — 8.0\" Pro Coaxial Horn Motorcycle Speakers (4Ω, Carbon Matrix Composite)","description":"\u003ch2\u003eThe CHX8.2 at 4Ω — built for bridged channels and conservative builds.\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio CHX8.4 is an 8-inch 4Ω PRO coaxial horn speaker — 400W RMS, 92 dB sensitivity, aluminium horn tweeter with Nanofram™ all-weather horn cover, repairable CHT175 1.75-inch tweeter voice coil, Carbon Matrix Composite™ (CMC™) mid-bass cone, Black Coat™ OFC 2.5-inch mid-bass voice coil, N35SH neodymium motor, tweeter attenuation (-3\/-6 dB), and an external 12 dB crossover in a die-cast aluminium basket with Vortex Flow Venting™. Built for custom enclosure positions on Harley-Davidson Touring. Sold in pairs.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe CHX8.4 shares every construction element with the \u003ca href=\"\/products\/cicada-audio-chx8-2-pro-coaxial-horn-speakers\"\u003eCHX8.2\u003c\/a\u003e — the same CMC™ cone, the same repairable CHT175 tweeter, the same 400W RMS power handling and 92 dB sensitivity. The 4Ω impedance presents a higher electrical load to the amplifier than the 2Ω version: lower current demand, reduced amplifier thermal stress, and compatibility with bridged amplifier configurations where a 4Ω minimum load is required. The horn output is identical. The infrastructure demands are lighter.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Speaker Is For\u003c\/h3\u003e\n\n\u003cp\u003eFor riders building custom 8-inch enclosures who are running bridged amplifier channels, or who want the conservative 4Ω impedance for better thermal performance. The CHX8.4 is the 4Ω variant of the \u003ca href=\"\/products\/cicada-audio-chx8-2-pro-coaxial-horn-speakers\"\u003eCHX8.2\u003c\/a\u003e — same driver, same PRO construction, higher impedance. For dedicated 2Ω-rated amplifiers in stereo, the \u003ca href=\"\/products\/cicada-audio-chx8-2-pro-coaxial-horn-speakers\"\u003eCHX8.2\u003c\/a\u003e extracts maximum power.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBridged amplifier configurations driving custom 8-inch enclosures\u003c\/strong\u003e — when channels are bridged for maximum per-channel output, the CHX8.4 satisfies the 4Ω minimum load requirement. The \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e bridged into CHX8.4 at 4Ω is a supported configuration for high-output rear stage builds.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniform 4Ω PRO horn builds\u003c\/strong\u003e — pairs with \u003ca href=\"\/products\/cicada-audio-chx69-4-pro-coaxial-horn-speakers\"\u003eCHX69.4\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-chx65-4-pro-coaxial-horn-speakers\"\u003eCHX65.4\u003c\/a\u003e for builds where consistent 4Ω impedance across every position simplifies amplifier matching and reduces total system current draw.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBuilds where the amplifier drives multiple high-output positions simultaneously\u003c\/strong\u003e — 4Ω on every driver reduces total current demand. In a multi-speaker build where the amp is working hard across four channels, 4Ω everywhere reduces thermal load throughout.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTour-Pak and custom saddlebag lid builds at 4Ω\u003c\/strong\u003e — the same custom enclosure positions as the CHX8.2, with the impedance choice that suits the amplifier configuration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-warning\"\u003e\n  \u003ch3\u003e⚠ Crossover Setting — Read Before Installing\u003c\/h3\u003e\n  \u003cp\u003eSet your high-pass crossover to \u003cstrong\u003e90 Hz minimum at 24 dB\/oct slope\u003c\/strong\u003e before powering the CHX8.4. Horn coaxial drivers reach their mechanical travel limit (XMAX) at low frequencies — crossing over too low causes over-excursion. The damage is mechanical: tinsel lead connections tear from the voice coil\/spider assembly as the cone overextends. This is not a power problem. It is a crossover problem.\u003c\/p\u003e\n  \u003cp\u003e\u003cstrong\u003eIf pairing with a 10-inch pro mid-bass in a bag divider enclosure:\u003c\/strong\u003e the limited air space of the bag divider requires a higher crossover setting. Set the CHX8.4 to \u003cstrong\u003e250 Hz at 24 dB\/oct on DSP\u003c\/strong\u003e, or \u003cstrong\u003e300 Hz at 12 dB\/oct on any amplifier\u003c\/strong\u003e. Any lower crossover point will cause distortion and driver damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n  \u003ch3\u003e2Ω vs 4Ω — Choosing the Right Version\u003c\/h3\u003e\n  \u003cp\u003eThe CHX8.4 is a 4Ω speaker. Choose the 4Ω version for bridged amplifier configurations, conservative system designs where amplifier thermal margin matters, or when the amplifier already delivers sufficient power at 4Ω. For maximum output from a dedicated 2Ω-rated amplifier in stereo, the \u003ca href=\"\/products\/cicada-audio-chx8-2-pro-coaxial-horn-speakers\"\u003eCHX8.2 (2Ω)\u003c\/a\u003e is the correct choice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003e400W RMS, 92 dB, 8-inch PRO horn coaxial with CMC™ cone, repairable CHT175 tweeter, Nanofram™ all-weather cover — the 4Ω version for bridged and conservative builds in custom enclosure positions.\u003c\/p\u003e\n\n\u003cp\u003eReady to upgrade? Add to cart above. For the 2Ω variant, the \u003ca href=\"\/products\/cicada-audio-chx8-2-pro-coaxial-horn-speakers\"\u003eCHX8.2\u003c\/a\u003e is the same speaker at 2Ω. For a 6×9 PRO horn in saddlebag lid positions, the \u003ca href=\"\/products\/cicada-audio-chx69-4-pro-coaxial-horn-speakers\"\u003eCHX69.4\u003c\/a\u003e is the 6×9 version in 4Ω.\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eWhat's Inside the CHX8.4\u003c\/h3\u003e\n\n\u003cp\u003eThe CHX8.4 is identical in construction to the \u003ca href=\"\/products\/cicada-audio-chx8-2-pro-coaxial-horn-speakers\"\u003eCHX8.2\u003c\/a\u003e — all construction notes below apply equally to both impedance variants.\u003c\/p\u003e\n\n\u003cp\u003eThe tweeter is an \u003cstrong\u003ealuminium dome in a horn waveguide\u003c\/strong\u003e, protected by the \u003cstrong\u003eNanofram™ Horn Cover\u003c\/strong\u003e for all-weather protection. The \u003cstrong\u003e1.75-inch (44mm) CHT175 repairable OFC copper tweeter voice coil\u003c\/strong\u003e can be replaced if damaged, extending the driver's service life. Horn loading delivers 92 dB sensitivity. The 4Ω impedance adds thermal headroom to both the driver and the amplifier at the sustained output levels this speaker handles. \u003cem\u003eOn the road: PRO horn output from custom positions with the amplifier running cooler across the rear channels.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe mid-bass cone is \u003cstrong\u003eCarbon Matrix Composite™ (CMC™)\u003c\/strong\u003e — lightweight, rigid, and thermally stable. The \u003cstrong\u003e2.5-inch \/ 64mm Black Coat™ OFC copper mid-bass voice coil\u003c\/strong\u003e handles sustained 400W RMS. The motor is an \u003cstrong\u003eN35SH neodymium\u003c\/strong\u003e with H-grade temperature rating. The \u003cstrong\u003edie-cast aluminium basket with Vortex Flow Venting™\u003c\/strong\u003e manages heat build-up through active airflow. \u003cstrong\u003eTweeter attenuation\u003c\/strong\u003e of -3 or -6 dB via the external crossover allows level matching against the mid-bass in the specific acoustic environment the speaker occupies.\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eexternal 12 dB crossover\u003c\/strong\u003e is custom-tooled, vented, and encased, with the tweeter attenuation resistor heat-sink encased separately.\u003c\/p\u003e\n\n\u003ch3\u003eSensitivity and Frequency Coverage\u003c\/h3\u003e\n\n\u003cp\u003eAt 92 dB (1W\/1m) and 400W RMS, the CHX8.4 matches the output level of the CHX8.2 — the impedance choice changes amplifier compatibility, not speaker output. Frequency response runs 46 Hz – 20 kHz (±3 dB). The 4Ω impedance means the amplifier draws less current on the rear channels — in a build where all four channels share one amplifier, 4Ω rear speakers give the front channels more thermal headroom.\u003c\/p\u003e\n\n\u003ch3\u003eWhy 4Ω — Bridged Amps and Thermal Margin\u003c\/h3\u003e\n\n\u003cp\u003eA 4Ω speaker presents a higher electrical load than a 2Ω speaker — lower current demand, less heat on both sides of the connection, and compatibility with bridged configurations. For builds where channels are bridged for maximum per-channel output, the 4Ω load satisfies the minimum impedance requirement on amplifiers including the \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e. For stereo installs at the amp's rated 2Ω output, the \u003ca href=\"\/products\/cicada-audio-chx8-2-pro-coaxial-horn-speakers\"\u003eCHX8.2\u003c\/a\u003e is the matching choice.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003eDesigned for custom enclosure positions — not standard factory Harley speaker openings.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCustom saddlebag lid enclosures:\u003c\/strong\u003e Purpose-built saddlebag lids with appropriate internal volume for 8-inch driver operation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTour-Pak speaker panels:\u003c\/strong\u003e Custom fabricated lid panels sized to the CHX8.4's mounting requirements.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLower fairing enclosures:\u003c\/strong\u003e Custom-built lower fairing speaker boxes with sufficient cavity depth.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBespoke enclosure builds:\u003c\/strong\u003e Any custom-fabricated enclosure designed around the CHX8.4's mounting diameter and depth.\u003c\/li\u003e\n  \u003cli\u003eMounting Depth: 84 mm (3.3 in). Mounting Diameter (cutout): 182 mm (7.2 in).\u003c\/li\u003e\n  \u003cli\u003eWiring: 0.187 connectors — matches stock H-D speaker wiring. Four spare bare 0.187 connectors included as backups.\u003c\/li\u003e\n  \u003cli\u003eCompatible with 4Ω-rated amplifiers including bridged configurations — \u003ca href=\"\/products\/cicada-audio-flx1000-4-4-channel-motorcycle-amplifier\"\u003eFLX1000.4\u003c\/a\u003e, \u003ca href=\"\/products\/cicada-audio-flx1400-4-4-channel-motorcycle-amplifier\"\u003eFLX1400.4\u003c\/a\u003e, and other 4Ω-stable motorcycle amplifiers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDriver Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 in\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4Ω nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling — RMS\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e400W RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Handling — MAX\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e800W peak\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e92 dB (1W\/1m)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46 Hz – 20 kHz (±3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Crossover Frequency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90 Hz @ 24 dB\/oct — see crossover warning above\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil — Mid-bass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.5 in (64 mm) — Black Coat™ OFC copper\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoice Coil — Tweeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.75 in (44 mm) — OFC copper, CHT175 repairable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMagnet Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNeodymium N35SH\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCone Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCarbon Matrix Composite™ (CMC™)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Dome\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminium\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Loading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHorn waveguide — Nanofram™ Horn Cover (Rain or Shine™)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHorn Cover\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNanofram™ — removable threaded horn ring\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTweeter Attenuation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-3 \/ -6 dB (heat-sink encased resistor crossover)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExternal 12 dB — custom tooled, vented, encased\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBasket\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDie-cast aluminium — Vortex Flow Venting™\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e84 mm (3.3 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting Diameter (Cutout)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e182 mm (7.2 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRain or Shine™ — Nanofram™ Horn Cover, CMC™ cone, aluminium tweeter dome\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 years\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSold As\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":50338050081015,"sku":"CHX8.4","price":1535.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/Cicada-Audio-CHX8_4-8_0-Pro-Coaxial-Horn-Motorcycle-Speakers-4O-Carbon-Matrix-Composite.webp?v=1766446032"}],"url":"https:\/\/www.motorcycleaudio.com.au\/collections\/harley-trike-audio-2026-plus.oembed","provider":"Motorcycle Audio Australia","version":"1.0","type":"link"}