{"product_id":"cicada-audio-wx1200-4pro-waterproof-4-channel-dsp-amplifier","title":"Cicada Audio WX1200.4PRO – Waterproof 4-Channel DSP Amplifier (300W x4 @ 2Ω)","description":"\u003ch2\u003eAmplifier and processor in one sealed chassis – 300W × 4 at 2Ω with six-channel DSP for Street Glide® and Road Glide®\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Cicada Audio WX1200.4PRO combines a 4-channel Class-D amplifier with a built-in six-channel DSP (four amplified channels, two pass-through) in an IPX6-rated extruded aluminium chassis. It produces 300W × 4 RMS at 2Ω, 200W × 4 at 4Ω, or 600W × 2 bridged at 4Ω. You tune it with Cicada's DIALD™ software, on a Windows® PC over USB-C or from the iOS® and Android™ app over Bluetooth®. It fits batwing and sharknose fairings on 1998–2026 Harley-Davidson® Touring models, and bolts to Cicada's 2014–2023 and 2024+ Road Glide and Street Glide amplifier racks, sold separately.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis is the PRO of Cicada's sealed WX line. Compared with the \u003ca href=\"\/products\/cicada-audio-wx900-4-waterproof-4-channel-amplifier\"\u003eWX900.4\u003c\/a\u003e, it adds the processor, gives 75W more per channel at 2Ω, and switches from moulded leads to busbar terminals that take 4 AWG power and ground. That lets you size the power feed for its higher current draw. The chassis is longer to match: 192mm against the WX900.4's 119mm.\u003c\/p\u003e\n\n\u003ch3\u003eWho This Is For\u003c\/h3\u003e\n\n\u003cp\u003eRiders building a system they intend to tune properly. That includes horn or tweeter channels that need a steep high-pass, a front stage with separate drivers, or a second amplifier for mid-bass that should take its signal from the same processor. It suits builders who would otherwise buy a separate DSP and amplifier and find space for both in a fairing. If the amp will sit in a dry fairing cavity and you don't need the sealed chassis, the \u003ca href=\"\/products\/cicada-audio-flx700-4pro-ultra-compact-4-channel-dsp-amplifier\"\u003eFLX700.4PRO\u003c\/a\u003e and \u003ca href=\"\/products\/cicada-audio-flx1400-4pro-4-channel-dsp-pro-amplifier\"\u003eFLX1400.4PRO\u003c\/a\u003e bring the same DIALD™ tuning in the FLX format. If you are running coaxials full range with a simple high-pass, the processor is more than you need, and the \u003ca href=\"\/products\/cicada-audio-wx900-4-waterproof-4-channel-amplifier\"\u003eWX900.4\u003c\/a\u003e covers that build in a smaller sealed chassis.\u003c\/p\u003e\n\n\u003ch3\u003eWhat This Is Best For\u003c\/h3\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eActive crossovers with real slope control\u003c\/strong\u003e – every amplified channel can be set to high-pass, band-pass or low-pass anywhere from 20Hz to 20kHz, at 6, 12, 24 or 48dB per octave. A 24 or 48dB slope gives much cleaner separation between a tweeter and the driver below it than the fixed 12dB filters on a conventional amp.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTime alignment and EQ\u003c\/strong\u003e – DIALD™ adds time alignment and equalisation to the crossovers. Delaying the nearer speakers so every driver's sound arrives at the rider together pulls the image into the centre of the fairing, and EQ corrects the peaks a fairing or saddlebag cavity adds.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeeding a second amplifier from the same tune\u003c\/strong\u003e – the two pass-through channels carry signal out of the DSP to another amplifier. A mid-bass or subwoofer amp such as the \u003ca href=\"\/products\/cicada-audio-wx1000-1-waterproof-mono-subwoofer-amplifier\"\u003eWX1000.1\u003c\/a\u003e then works from the same processor as the four amplified channels, so the whole system is set up in one DIALD™ session.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTuning from the seat\u003c\/strong\u003e – the Bluetooth® app lets you adjust settings while sitting on the bike, listening in the position you actually ride in, rather than tuning at a bench and checking afterwards.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2Ω pro coaxial systems\u003c\/strong\u003e – 300W per channel at 2Ω gives a \u003ca href=\"\/products\/cicada-audio-cxx65-2-motorcycle-coaxial-speakers\"\u003eCXX65.2\u003c\/a\u003e fairing pair and a \u003ca href=\"\/products\/cicada-audio-cxx69-2-6x9-motorcycle-coaxial-speakers\"\u003eCXX69.2\u003c\/a\u003e saddlebag pair real headroom at highway speed, with the DSP managing where each pair's bandwidth starts and stops.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eA rack fit on Road Glide and Street Glide\u003c\/strong\u003e – the WX1200.4PRO is designed around Cicada's fairing amplifier racks for these two platforms, so it bolts in rather than being strapped into a cavity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"maa-alert\"\u003e\n  \u003ch3\u003eWX1200.4PRO, WX900.4 or a Separate DSP?\u003c\/h3\u003e\n  \u003cp\u003eIf your speakers are coaxials running full range or behind a simple high-pass, the fixed crossover on the \u003ca href=\"\/products\/cicada-audio-wx900-4-waterproof-4-channel-amplifier\"\u003eWX900.4\u003c\/a\u003e does the job, and you don't pay for a processor you won't use. If you need steep slopes, band-pass channels or a second amplifier on the same tune, the WX1200.4PRO puts all of that in one sealed box with one power feed. If you already own amplification you intend to keep, or need more than six channels of processing, a standalone \u003ca href=\"\/products\/dsp412pro-4-input-x-12-output-dsp-processor-w-diald-software\"\u003eDSP412PRO\u003c\/a\u003e (four inputs, twelve outputs) ahead of those amps is the more flexible path.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eThe Bottom Line\u003c\/h3\u003e\n\n\u003cp\u003eThe WX1200.4PRO is for builds where tuning matters as much as power. You get 300W × 4 at 2Ω, a six-channel processor you can adjust from your phone, and an IPX6 chassis that mounts on the Road Glide and Street Glide racks. For a system matched to your bike, tell the \u003ca href=\"\/pages\/build-your-system\"\u003eSystem Builder\u003c\/a\u003e your model and year and we'll match the whole system and price it.\u003c\/p\u003e\n\n\u003ch3\u003eFitment\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003cthead\u003e\n    \u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003ePosition\u003c\/th\u003e\n\u003cth\u003eYears\u003c\/th\u003e\n\u003c\/tr\u003e\n  \u003c\/thead\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStreet Glide®, Electra Glide®, Ultra Limited and CVO™ batwing models\u003c\/td\u003e\n\u003ctd\u003eBatwing fairing\u003c\/td\u003e\n\u003ctd\u003e1998–2013\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStreet Glide®, Electra Glide®, Ultra Limited and CVO™ batwing models\u003c\/td\u003e\n\u003ctd\u003eBatwing fairing, on \u003ca href=\"\/products\/cicada-14hdar-sg-street-glide-amplifier-mount-2014-2023\"\u003e14HDAR-SG\u003c\/a\u003e rack\u003c\/td\u003e\n\u003ctd\u003e2014–2023\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStreet Glide®, Ultra Limited and CVO™ batwing models\u003c\/td\u003e\n\u003ctd\u003eBatwing fairing, on \u003ca href=\"\/products\/cicada-audio-24hdar-sg-flx-single-amplifier-mounting-system-2024-h-d-r-street-glide-r\"\u003e24HDAR-SG\u003c\/a\u003e rack\u003c\/td\u003e\n\u003ctd\u003e2024–2026\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRoad Glide® and CVO™ Road Glide®\u003c\/td\u003e\n\u003ctd\u003eSharknose fairing\u003c\/td\u003e\n\u003ctd\u003e1998–2013\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRoad Glide®, Road Glide® Special, Road Glide® Limited and CVO™ Road Glide®\u003c\/td\u003e\n\u003ctd\u003eSharknose fairing, on \u003ca href=\"\/products\/cicada-14hdar-rg-road-glide-amplifier-rack-2014-2023\"\u003e14HDAR-RG\u003c\/a\u003e rack\u003c\/td\u003e\n\u003ctd\u003e2015–2023\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRoad Glide®, Road Glide® Limited and CVO™ Road Glide®\u003c\/td\u003e\n\u003ctd\u003eSharknose fairing, on \u003ca href=\"\/products\/24hddar-rg\"\u003e24HDAR-RG\u003c\/a\u003e rack\u003c\/td\u003e\n\u003ctd\u003e2024–2026\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTri Glide® Ultra, Street Glide® 3 Limited and CVO™ trikes\u003c\/td\u003e\n\u003ctd\u003eBatwing fairing\u003c\/td\u003e\n\u003ctd\u003e2009–2026\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eRoad Glide® 3\u003c\/td\u003e\n\u003ctd\u003eSharknose fairing\u003c\/td\u003e\n\u003ctd\u003e2023–2026\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003c\/p\u003e\n\n\u003chr class=\"maa-tab-split\"\u003e\n\n\u003ch3\u003eWhat the DSP Does\u003c\/h3\u003e\n\n\u003cp\u003eThe processor handles six channels. Four feed the WX1200.4PRO's own amplifier stages; two are \u003cstrong\u003epass-through outputs\u003c\/strong\u003e that leave the unit at signal level for another amplifier. Each channel can be set as a \u003cstrong\u003ehigh-pass, band-pass or low-pass\u003c\/strong\u003e filter anywhere from 20Hz to 20kHz, with a slope of \u003cstrong\u003e6, 12, 24 or 48dB per octave\u003c\/strong\u003e. \u003cem\u003eOn the road: a horn tweeter can be high-passed at 48dB per octave so it isn't pushed below its comfortable range at highway volume, while the mid-bass channel is band-passed so it neither rumbles in the subsonic region nor strays into the vocal range.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eBand-pass is the setting fixed-crossover amplifiers don't have. It limits a channel at both ends, which is what a midrange or mid-bass driver in a multi-way system needs. Slope matters as much as frequency. At 12dB per octave, a driver still receives a quarter of the signal one octave past the crossover point. At 48dB per octave, the level one octave out is about 1\/250th (down 48dB), so each driver stays within the band it was chosen for.\u003c\/p\u003e\n\n\u003ch3\u003eTime Alignment and EQ\u003c\/h3\u003e\n\n\u003cp\u003eBeyond crossovers, DIALD™ gives each channel \u003cstrong\u003etime alignment\u003c\/strong\u003e and \u003cstrong\u003eequalisation\u003c\/strong\u003e. On a motorcycle the rider sits much closer to the fairing speakers than the rear ones, and slightly off-centre to both, so sound from each speaker arrives at a different moment. Delaying the nearer channels lines those arrivals up. EQ then flattens the peaks and dips that a fairing cavity, a saddlebag lid or a Tour-Pak® adds to a driver's response. \u003cem\u003eOn the road: vocals sit in the middle of the fairing instead of leaning toward the nearest speaker, and the system can be turned up without one harsh frequency band arriving first.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTuning with DIALD™\u003c\/h3\u003e\n\n\u003cp\u003eDIALD™ is Cicada's own DSP configuration software. It runs on a \u003cstrong\u003eWindows® PC\u003c\/strong\u003e connected by USB-C and as an \u003cstrong\u003eiOS® and Android™ app\u003c\/strong\u003e connected over Bluetooth®. The USB-C connection needs a data-capable cable. One is included; a charging-only USB-C cable will not connect. Bluetooth® also carries audio streaming where supported. \u003cem\u003eOn the road: detailed setup work suits a laptop in the garage, and the final touches can be made from the seat with the engine running and the fairing closed, which is how the system will actually be heard.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003ePower Output\u003c\/h3\u003e\n\n\u003cp\u003eAt 14.4V the WX1200.4PRO makes 300W × 4 at 2Ω, the 1,200W total behind its name, and 200W × 4 at 4Ω. Bridged, it delivers 600W × 2 into 4Ω. A 4Ω load on a bridged pair places each channel's share at an effective 2Ω, so the bridged rating stops at 4Ω and a 2Ω speaker should not be bridged. The 2\/4 channel input switch lets one stereo source drive all four amplified channels.\u003c\/p\u003e\n\n\u003ch3\u003eConnections\u003c\/h3\u003e\n\n\u003cp\u003ePower, ground and speaker wiring land on \u003cstrong\u003ebusbar-style terminals\u003c\/strong\u003e: 4 AWG for power and ground, 12 AWG for the speaker outputs. Signal comes in through \u003cstrong\u003eMolex® inputs\u003c\/strong\u003e, hooked up by RCA or H-D custom-terminated harnesses. They accept \u003cstrong\u003ehigh-level (speaker-level)\u003c\/strong\u003e signal directly from a factory radio as well as \u003cstrong\u003elow-level RCA\u003c\/strong\u003e from an aftermarket head unit. Turn-on can be \u003cstrong\u003eREM, DC offset or VOX\u003c\/strong\u003e signal-sensing, to suit the head unit or interface feeding the amp. \u003cem\u003eOn the road: busbar terminals clamp the wire directly, with no crimped pins to work loose, and the 4 AWG capacity lets the power feed be sized for this amp's current rather than for the smallest wire that will do.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eBuilt for Weather\u003c\/h3\u003e\n\n\u003cp\u003eThe WX1200.4PRO carries an \u003cstrong\u003eIPX6\u003c\/strong\u003e rating under IEC 60529: protection against powerful water jets from any direction. That covers rain at speed, road spray and a wash-down. It is not a submersion rating, and a high-pressure washer at close range exceeds what the test applies. Inside, the circuit board is \u003cstrong\u003econformal coated\u003c\/strong\u003e against moisture, vibration and condensation. The unit is \u003cstrong\u003efully encased in an extruded aluminium heatsink\u003c\/strong\u003e that conducts heat out through the chassis, and water-repellent materials with \u003cstrong\u003eover-moulded strain relief\u003c\/strong\u003e protect the points where wiring leaves the case. An \u003cstrong\u003eICAD protection circuit\u003c\/strong\u003e guards against overload, and clipping and status LEDs give a visual check during setup.\u003c\/p\u003e\n\n\u003ch3\u003ePower Supply and Charging System\u003c\/h3\u003e\n\n\u003cp\u003eThe WX1200.4PRO has the highest current demand in the WX range: 70A at music levels, 150A at maximum, with a recommended 100A fuse. It operates from 9V to 16V. The IR-based Class-D output stage runs at 80% efficiency, so most of what the amp draws becomes output rather than heat. Even so, check this load against your bike's charging capacity before adding a second amplifier or other high-draw accessories. Use oxygen-free copper (OFC) power and ground cable, and fuse the feed close to the battery.\u003c\/p\u003e\n\n\u003ch3\u003e2023.5 CVO™ and 2024+ Skyline OS Bikes\u003c\/h3\u003e\n\n\u003cp\u003eOn 2023.5 CVO™ and 2024+ Touring models running Skyline OS, factory audio is carried digitally over A2B, so the WX1200.4PRO takes its signal from an A2B interface such as the \u003ca href=\"\/products\/nav-tv-zen-h-8-channel-a2b-audio-interface-harley-touring-2023-5-plus\"\u003eNAV-TV ZEN-H\u003c\/a\u003e or \u003ca href=\"\/products\/nav-tv-zen-h-pro-8-channel-a2b-dsp-interface-harley-touring-2023-5-plus\"\u003eZEN-H PRO\u003c\/a\u003e, which is required on these bikes. With processing already built into the amplifier, which interface suits your build depends on the rest of the system. Ask us if you're unsure.\u003c\/p\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 amplified (bridgeable to 2) + 2 DSP pass-through\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmplifier Class\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClass D (IR-based chipset)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output – 2Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e300W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output – 4Ω Stereo @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200W × 4 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Output – 4Ω Bridged @ 14.4V\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600W × 2 RMS\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1,200W RMS (4 × 300W @ 2Ω)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6-channel (4 amplified, 2 pass-through)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-pass \/ Band-pass \/ Low-pass (DSP selectable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Frequency Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20Hz – 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCrossover Slope\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 \/ 12 \/ 24 \/ 48dB per octave\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTime Alignment \/ EQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes, via DIALD™\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTuning Software\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDIALD™ – Windows® PC (USB-C), iOS® \/ Android™ app (Bluetooth®)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBluetooth®\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDSP app tuning and supported audio streaming\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20Hz – 20kHz (±3dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTHD + N\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.1% @ 2Ω per channel (10% rated power)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e91dB (A-weighted)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDamping Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Efficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80%\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Sensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12V – 2V\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12V – 0.2V\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput Switch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 \/ 4 channel\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMolex® – high-level (speaker level) or low-level RCA; RCA or H-D custom termination\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTurn-On Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eREM \/ DC offset \/ VOX\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9V – 16V\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Music)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e70A\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCurrent Draw (Maximum)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150A\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended Fuse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100A\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTerminals\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBusbar style – 4 AWG power \/ ground, 12 AWG speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIPX6\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit Board\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConformal coated\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProtection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eICAD overload protection; clipping and status LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExtruded aluminium heatsink\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions – With Mounting Brackets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e223 × 130 × 52mm (8.8 × 5.1 × 2.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions – Chassis Only\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e192 × 130 × 52mm (7.6 × 5.1 × 2.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCicada Audio WX1200.4PRO amplifier\u003c\/li\u003e\n  \u003cli\u003eMounting brackets\u003c\/li\u003e\n  \u003cli\u003eData-capable USB-C cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cicada Audio","offers":[{"title":"Default Title","offer_id":51131700019447,"sku":"WX1200.4PRO","price":1875.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6505\/1639\/files\/coming_soon_placeholder_278d99a1-b0c0-4335-984c-4b19429d3e3c.png?v=1790730303","url":"https:\/\/www.motorcycleaudio.com.au\/products\/cicada-audio-wx1200-4pro-waterproof-4-channel-dsp-amplifier","provider":"Motorcycle Audio Australia","version":"1.0","type":"link"}